Free on IMDb

| Photos (see all 20 | slideshow) | Videos (see all 3 NEW) |
| Christopher Eccleston | ... | Jude Fawley | |
| Kate Winslet | ... | Sue Bridehead | |
| Liam Cunningham | ... | Phillotson | |
| Rachel Griffiths | ... | Arabella | |
| June Whitfield | ... | Aunt Drusilla | |
| Ross Colvin Turnbull | ... | Little Jude | |
| James Daley | ... | Jude as a Boy | |
| Berwick Kaler | ... | Farmer Troutham | |
| Sean McKenzie | ... | 1st Stone Mason | |
| Richard Albrecht | ... | 2nd Stone Mason | |
| Caitlin Bossley | ... | Anny | |
| Emma Turner | ... | Sarah | |
| Lorraine Hilton | ... | Shopkeeper | |
| James Nesbitt | ... | Uncle Joe | |
| Mark Lambert | ... | Tinker Taylor | |
| Paul Bown | ... | Uncle Jim | |
| Amanda Ryan | ... | Gypsy Saleswoman | |
| Vernon Dobtcheff | ... | Curator | |
| David Tennant | ... | Drunk Undergraduate | |
| Darren Tighe | ... | Punter | |
| Paul Copley | ... | Mr. Willis | |
| Ken Jones | ... | Mr. Biles | |
| Roger Ashton-Griffiths | ... | Auctioneer | |
| Raymond Ross | ... | Old Man | |
| Freda Dowie | ... | Elderly Landlady | |
| Dexter Fletcher | ... | Priest | |
| Moray Hunter | ... | Politician | |
| Adrian Bower | ... | Blacksmith | |
| Kerry Shale | ... | Showman | |
| Billie Dee Roberts | ... | Little Sister | |
| Chantel Neary | ... | Baby | |
| James Scanlon | ... | Newborn Baby |
Directed by | |||
| Michael Winterbottom | |||
Writing credits(in alphabetical order) | ||
| Hossein Amini | screenplay | |
| Thomas Hardy | novel "Jude the Obscure" | |
Produced by | |||
| Andrew Eaton | .... | producer | |
| Sheila Fraser Milne | .... | associate producer | |
| Mark Shivas | .... | executive producer | |
| Stewart Till | .... | executive producer | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Eduardo Serra | (director of photography) | ||
Film Editing by | |||
| Trevor Waite | |||
Casting by | |||
| Simone Ireland | |||
| Vanessa Pereira | |||
Production Design by | |||
| Joseph Bennett | |||
Art Direction by | |||
| Andrew Rothschild | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Janty Yates | |||
Makeup Department | |||
| Mel Gibson | .... | hair stylist | |
| Mel Gibson | .... | makeup artist | |
| Amanda Warburton | .... | hair stylist | |
| Amanda Warburton | .... | makeup artist | |
Production Management | |||
| Josh Dynevor | .... | unit manager | |
Art Department | |||
| Steve Bohan | .... | construction manager | |
| Peter James | .... | technical adviser for stonemasonry | |
| Thomas Martin | .... | assistant construction manager | |
| Sean McConville | .... | art department crew | |
| Andy Nicholson | .... | set designer | |
| Paul Purdy | .... | property master | |
Sound Department | |||
| James Boyle | .... | assistant sound editor | |
| Jeremy Child | .... | sound editor | |
| Paul Conway | .... | dialogue editor | |
| Joe Gallagher | .... | foley editor | |
| Kate Morath | .... | boom operator | |
| Kant Pan | .... | sound editor | |
| Martin Trevis | .... | sound mixer | |
| Iain Eyre | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| John Markwell | .... | special effects | |
Visual Effects by | |||
| Mimi Abers | .... | visual effects designer | |
| Paddy Eason | .... | visual effects designer | |
| Pete Hanson | .... | studio manager | |
| Alison O'Brien | .... | visual effects producer | |
| Tim Wellspring | .... | visual effects assistant: CFC | |
| Dennis Michelson | .... | visual effects: CFC (uncredited) | |
| Mark Nelmes | .... | visual effects (uncredited) | |
| Kevin Phelan | .... | scanning and recording producer: CFC (uncredited) | |
Stunts | |||
| Roy Alon | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nick Beeks-Sanders | .... | lighting camera operator: second unit | |
| Matthew Butler | .... | electrician | |
| Barney Davis | .... | clapper loader | |
| Gifford Hooper | .... | aerial camera operator | |
| Simon Hume | .... | focus puller | |
| Roydon Johnson | .... | camera operator: New Zealand | |
| Paul Sharp | .... | electrician | |
| Philip Sindall | .... | camera operator | |
| Andrew Speller | .... | director of photography: second unit | |
| Pierre Vinet | .... | still photographer | |
| Gavin Walters | .... | best boy | |
| Lee Walters | .... | gaffer | |
| Vince McGahon | .... | Steadicam operator (uncredited) | |
Costume and Wardrobe Department | |||
| Deb Brown | .... | key costumer | |
| Christian Motta | .... | costumer: Mr. Eccleston | |
| Amanda Trewin | .... | costumer: Ms. Winslet | |
Other crew | |||
| Debbie Moore | .... | assistant accountant | |
| Roger Phillips | .... | title designer | |
| David Pinnington | .... | location manager | |
| Cindy Thomson | .... | assistant location manager | |
|
|
|
|
|
| Die Blechtrommel | Malèna | Sunshine | Antonia | Como agua para chocolate |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
This pessimistic and rather brutal cinematic production is based on the nineteenth century novel Jude the Obscure by Thomas Hardy. A bowdlerized and altered version of that novel first appeared in Harper's New Monthly Magazine as a serial beginning in December 1894. Its original title was `The Simpletons,' a title modern viewers of this movie might find appropriate considering how Jude and Sue round out their lives.
It need hardly be said that any motion picture, and certainly not one running only about two hours, can hope to do justice to Hardy's novel (his last, incidentally) which is about 180,000 words long (about 400 pages of dense text). An earlier TV mini series version made by the BBC that I have not seen, Jude the Obscure (1971), ran for almost four and a half hours in six episodes. But this is a pretty good movie anyway, highlighted by an enthralling performance by Kate Winslet.
The movie starts rather slowly, if picturesquely, until Kate appears and then the movie comes to life. I have seen Winslet in several films, including her first feature film when she was18-years-old, Heavenly Creatures (1994), an interesting film made in New Zealand based on a sensational matricide from the 1950s. She was very good in that film, her budding talent immediately obvious as the spinning, laughing, crazy teen who went off the deep end emotionally. In Jude, Winslet's sharp, confident and commanding style is given greater range and she comes across with a performance that is full of life, effervescent, delightful, witty, sly, clever, and very expressive, and she looks beautiful doing it.
The story itself, a naturalistic tragedy that in some respects anticipates Theodore Dreiser, et al., was considered immoral in its time. `The Bishop of Wakefield, disgusted with the novel's <insolence and indecency>, threw it in the fire,' according to Terry Eagleton who wrote the Introduction for the New Wessex Edition of the book. Modern film goers will hardly notice the implied critique of marriage that offended Victorian readers, but they might find the scene where Arabella throws the pig's `part' at Jude indelicate. Victorian readers found that scene most offensive. As a public service I want to warn any modern viewer who might be offended at seeing Kate Winslet naked to avoid this film. (Just Joking: Kate is quite fetching in the Rubenesque shot.) To be honest, though, this really is a tragedy that still has the power to offend some sensibilities. Certainly you don't want the kids to see it.
Christopher Eccleston plays Jude and does a good job, and Rachel Griffiths in a modest part plays Jude's first wife Arabella. Director Michael Winterbottom stayed spiritually true to Hardy's dark vision while tailoring the tale for modern audiences. There's a nice period piece feel and some charming cinematography. The denouement is well set up and so realistically done that we don't know whether to be horrified or outraged. I think I was both.