| Photos (see all 18 | slideshow) |
| Hugh Dillon | ... | Joe Dick | |
| Callum Keith Rennie | ... | Billy Tallent / Jenifur | |
| John Pyper-Ferguson | ... | John Oxenberger | |
| Bernie Coulson | ... | Pipefitter | |
| Julian Richings | ... | Bucky Haight | |
| Benita Ha | ... | Pipefitter's Girlfriend | |
| Claudia Ferri | ... | John Oxenberger's Girlfriend | |
| Joey Ramone | ... | Joey Ramone | |
| Corrine Koslo | ... | Laura Cromartie | |
| Bruce McDonald | ... | Documentary Filmmaker | |
| Danny Nowak | ... | Documentary Cameraman | |
| Jochen A. Schliessler | ... | Documentary Sound Recordist (as Jochen Schliessler) | |
| Jeremy Bishop | ... | Bongo Player | |
| Tony Tucker | ... | Bongo Player | |
| Art Bergmann | ... | Himself | |
| Flash Bastard | ... | Themselves | |
| Lick The Pole | ... | Themselves | |
| Modernettes | ... | Themselves | |
| D.O.A. | ... | Themselves | |
| Dan Fazzio | ... | Flash Bastard | |
| Pete Mills | ... | Flash Bastard | |
| Terry David Mulligan | ... | Mulligan | |
| Nicole Parker | ... | Journalist (as Nicole N. Parker) | |
| Megan Leitch | ... | Mary The Fan | |
| Michael Kopsa | ... | Mary's Husband (as Mike Kopsa) | |
| Alexa Mardon | ... | Little Billie (as Alexa Marden) | |
| Xantha Radley | ... | Joanne / Thelma | |
| Jennifer Bishop | ... | Tracy / Louise | |
| Samaya Jardey | ... | Naomi | |
| Morgan Brayton | ... | Victoria | |
| Dean Paraskevopoulos | ... | Terry the D.J. (as Dean Paras) | |
| Daniel Salerno | ... | Satan (as Danny Salerno) | |
| Sarah Hickinbottom | ... | Jenifur | |
| Debbie Jow | ... | Jenifur | |
| rest of cast listed alphabetically: | |||
| Natasha Duprey | ... | Hard Core Logo Fan (uncredited) | |
| Joe Keithley | ... | D.O.A. (uncredited) | |
| Molly Parker | ... | Band Member - Jenifur (uncredited) | |
| Rich Priske | ... | Band Member - Art Bergmann & Lick The Pole (uncredited) | |
| Trevor Roberts | ... | Skinhead (uncredited) | |
Directed by | |||
| Bruce McDonald | |||
Writing credits | ||
| Noel S. Baker | (screenwriter) | |
| Michael Turner | (book) | |
Produced by | |||
| Brian Dennis | .... | producer | |
| Christine Haebler | .... | producer | |
| James Head | .... | executive producer | |
| Karen Powell | .... | associate producer | |
| Wolfram Tichy | .... | co-executive producer | |
Original Music by | |||
| Schaun Tozer | (original music composed by) | ||
Cinematography by | |||
| Danny Nowak | (director of photography) | ||
Film Editing by | |||
| Reginald Harkema | |||
Production Design by | |||
| David Willson | |||
Set Decoration by | |||
| Katterina Keith | (as Kat Keith) | ||
Costume Design by | |||
| Debbie Jow | |||
Makeup Department | |||
| Gina Hole | .... | special effects makeup | |
| Debbie Jow | .... | hair stylist | |
| Debbie Jow | .... | makeup artist | |
Production Management | |||
| Hans Lucas | .... | post-production supervisor | |
| Anne M. Simonet | .... | production manager (as Anne Simonet) | |
Second Unit Director or Assistant Director | |||
| Paul Barry | .... | second assistant director | |
| Kevin Fair | .... | third assistant director | |
| Rachel Leiterman | .... | first assistant director | |
Art Department | |||
| Dale Anderson | .... | set dresser | |
| Ea Birkett | .... | assistant property master | |
| Bruno Coupe | .... | assistant set decorator | |
| Garth Fleming | .... | assistant art director | |
| Tiara Motem | .... | assistant property master | |
| David Perun | .... | property master | |
| Greg Venturi | .... | graphic design: art department | |
| Paolo G. Venturi | .... | graphic design: art department (as Paolo Venturi) | |
Sound Department | |||
| Kelly Cole | .... | dialogue pre-mixer | |
| Ian Ferguson | .... | cableman | |
| Ian Ferguson | .... | playback | |
| Shari Fieldhouse | .... | foley assistant | |
| Dean Giammarco | .... | sound re-recording mixer | |
| Sophie Hotte | .... | backgrounds editor | |
| Sean Kelly | .... | sound effects editor | |
| Randall Lee | .... | foley pre-mixer | |
| Christine Leman | .... | foley assistant | |
| Sheena Macrae | .... | dialogue editor | |
| Bill Mellow | .... | adr recordist | |
| Steve Munro | .... | additional adr recordist | |
| Sina Oroomchi | .... | sound effects pre-mixer | |
| Don Painchaud | .... | foley recordist | |
| John Pantages | .... | boom operator | |
| Iain Pattison | .... | dubber | |
| Iain Pattison | .... | loader | |
| Delphine Roussel | .... | post-sound assistant (as Delphine Rossel) | |
| Jochen A. Schliessler | .... | sound mixer (as Jochen Schliessler) | |
| Paul A. Sharpe | .... | sound re-recording mixer (as Paul Sharpe) | |
| Shane Shemko | .... | foley artist | |
| Bill Sheppard | .... | sound designer (as Bill 'Otis' Sheppard) | |
| Nadine Sheppard | .... | sound effects recording assistant | |
| Tony V. Stevens | .... | consultant: Dolby | |
| Susan Taylor | .... | walla editor | |
| Kerry Uchida | .... | sound effects editor | |
| Cam Wagner | .... | foley artist | |
Special Effects by | |||
| Nick Lawson | .... | special effects assistant | |
| Scott Stofer | .... | special effects coordinator | |
Visual Effects by | |||
| Mark Tureski | .... | optical effects (uncredited) | |
Stunts | |||
| Bill Ferguson | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Greg Beaton | .... | focus puller: "c" camera | |
| Holly Gregory | .... | first assistant camera | |
| Liane Hentscher | .... | still photographer | |
| Francis Kramer | .... | focus puller: "b" camera | |
| John Krol | .... | generator operator | |
| Michel Lalonde | .... | grip | |
| Rick Laning | .... | gaffer (as Rick Lanning) | |
| Morgan Lewington | .... | grip | |
| Rod Mawson | .... | second assistant camera | |
| Klaus Melchior | .... | video playback: 24 Fps | |
| Ed Olson | .... | photographer: Jenifur photo and facilities | |
| Brian Pearson | .... | camera operator: "b" camera | |
| Christopher Tate | .... | key grip | |
| Gary Viola | .... | camera operator: "c" camera | |
Casting Department | |||
| Alexis Hinde | .... | extras casting | |
| Gary MacDonald | .... | extras casting | |
| Wendy O'Brien | .... | casting: Vancouver (as Wendy O'Brian Livingstone) | |
Costume and Wardrobe Department | |||
| Maria Livingstone | .... | costume assistant | |
Editorial Department | |||
| Robert Borics | .... | colour timer | |
| Larry Engelmann | .... | final colorist | |
| Janel Hassine | .... | assistant editor | |
Music Department | |||
| Flash Bastard | .... | music provider: live concert | |
| Art Bergmann | .... | music provider: live concert | |
| Randall Bergs | .... | musician: guitar | |
| Mark Bosa | .... | musician: guitar | |
| Patric Caird | .... | composer: additional music | |
| Patric Caird | .... | score musician: saxophone solos | |
| Steve Cowal | .... | singer | |
| D.O.A. | .... | music provider: live concert | |
| John Ellis | .... | score musician: electric guitar | |
| Ted Hall | .... | guitar coach | |
| Billy Hicks | .... | score musician: drums | |
| Simon Less | .... | engineer: original Hard Core Logo music, Beaconsfield Studios | |
| Jim Mattachione | .... | musician: drummer | |
| Dennis Milne | .... | score musician: double bass | |
| Modernettes | .... | music provider: live concert | |
| Peter J. Moore | .... | arranger: original Hard Core Logo music, MDI Productions | |
| Peter J. Moore | .... | producer: original Hard Core Logo music, MDI Productions | |
| Anil Patadé | .... | score musician: vocalist | |
| Lick The Pole | .... | music provider: live concert | |
| Rick Sentence | .... | musician: bass | |
| Schaun Tozer | .... | original music producer | |
| Schaun Tozer | .... | score musician: keyboards | |
| Mark Vanderbyl | .... | score musician: bass guitar | |
| Janet York | .... | source music supervisor: S.L. Feldman & Associates | |
Transportation Department | |||
| Dave Daniels | .... | bus driver | |
| John J.D. Dryden | .... | driver (as John Dryden) | |
| Rick Dube | .... | driver | |
| Shawn O'Hearn | .... | transportation coordinator | |
| Richard Tremble | .... | captain | |
Other crew | |||
| Noel S. Baker | .... | designer: tail credits | |
| Patricia Baun | .... | assistant coordinator | |
| Susan Blanchard | .... | location manager: Alberta | |
| Lisa Bowmar | .... | craft service | |
| Lisa Bowmar | .... | first aid | |
| Christina Bulbrook | .... | assistant production coordinator (as Christina Margellos) | |
| Leora Carlsen | .... | office production assistant | |
| Robert DeVitt | .... | production assistant (as Robert Devitt) | |
| Hugh Dillon | .... | creative consultant | |
| Paul Dobson | .... | walla group: The Background | |
| Chili Dog | .... | walla group: The Background | |
| Ian Ferguson | .... | walla group: The Background (as Ian Fergusen) | |
| Gaylene Fisher | .... | production assistant (as Gayleen Fisher) | |
| Kuan-Neng Foo | .... | production assistant | |
| John Frizzell | .... | story editor | |
| Katya Gardner | .... | walla group: The Background (as Catya Gardener) | |
| Dave Griffith | .... | story consultant | |
| Steve Grise | .... | production assistant (as Stephen Grise) | |
| Jane Ireland | .... | assistant chef | |
| Tracy Ireland | .... | chef | |
| Sandy Kaplansky | .... | assistant: Mr. McDonald | |
| Wendy Ladret | .... | accountant | |
| Susan Lambie | .... | script supervisor | |
| Andrew Laurenson | .... | walla group: The Background | |
| Don MacNeil | .... | security guard | |
| Denis McWilliams | .... | assistant location manager | |
| Ian Mulgren | .... | security guard | |
| John Pantages | .... | walla group: The Background (as John 'Pantyman' Pantages) | |
| Anil Patadé | .... | assistant accountant | |
| Ward Perry | .... | walla group: The Background | |
| Callum Keith Rennie | .... | creative consultant | |
| Sarah Richardson | .... | walla group: The Background (as Sarah Richards) | |
| Andrew M. Robinson | .... | assistant location manager (as Andrew Robinson) | |
| Nadine Sheppard | .... | walla group: The Background | |
| Erin Smith | .... | production coordinator | |
| Kerry Uchida | .... | walla group: The Background | |
| Andrew Ward | .... | location manager | |
| Vern Wynn | .... | walla group: The Background | |
Thanks | |||
| Joe Bamford | .... | special thanks | |
| Keith Michael Bates | .... | inspiration (as Keith Bates) | |
| Benny Bruni | .... | special thanks (as Benni Bruni) | |
| Colin Brunton | .... | this film is dedicated to | |
| Judas Bullhorn | .... | special thanks (as Blair Dobson) | |
| Drew Burns | .... | special thanks: The Commodore Ballroom (as Drew) | |
| Kevan Buss | .... | this film is dedicated to | |
| Weave Cleveland | .... | special thanks | |
| Rebecca Diva Deluxe | .... | special thanks | |
| David Dunn | .... | special thanks: volunteer, grip/electrics | |
| Tom Felcan | .... | special thanks: Felcan Enterprises | |
| Moscow Fish | .... | special thanks | |
| Les Ford | .... | special thanks | |
| John Genzel | .... | very special thanks: The Royal Bank of Canada, Vancouver | |
| Ted Hall | .... | special thanks: volunteer, props | |
| Headstones | .... | special thanks | |
| Galen Hutcheson | .... | special thanks: volunteer, grip/electrics | |
| Armand Leo | .... | very special thanks | |
| Gordon Mark | .... | special thanks (as Gord Mark) | |
| Joe McClean | .... | special thanks: The Town Pump | |
| Travis McDonald | .... | special thanks | |
| Don McKellar | .... | this film is dedicated to (as Don Mckellar) | |
| Ernie McNally | .... | special thanks (as Earnie McNally) | |
| Peter Mettler | .... | this film is dedicated to | |
| Jayme Pfahl | .... | special thanks | |
| Barb Pike | .... | special thanks: volunteer, set decorating | |
| Keith Porteous | .... | acknowledgment: spiritual guide | |
| Peter Powers | .... | special thanks: volunteer, grip/electrics | |
| John Pulos | .... | special thanks | |
| Barry Reid | .... | special thanks: Northern Lights | |
| Trevor Roberts | .... | special thanks | |
| A. Neon Rome | .... | inspiration | |
| Bill Sheppard | .... | special thanks: volunteer, sound department (as Bill 'Fuckhead That He Is' Sheppard) | |
| David Silverman | .... | special thanks | |
| Bruce Smith | .... | special thanks | |
| Lynn Swain | .... | special thanks: Gralyne Prod. Ltd. | |
| Mike Taylor | .... | special thanks | |
| Harold Tichenor | .... | special thanks | |
| Jerry Wasserman | .... | special thanks | |
| Dean Richards Wiancko | .... | special thanks (as Dean Richards) | |
| Katya Zanrossa | .... | special thanks: volunteer, craft service | |
| Allan Magee | .... | this film is dedicated to (uncredited) | |
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| Fubar | This Is Spinal Tap | It's All Gone Pete Tong | Children of the Revolution | Fear of a Black Hat |
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To try and comment on this film without mentioning Spinal Tap would be hard considering not only all the comments that have gone before but also the synopsis provided on this site. And the fact that not even real Rockumentary's can be reviewed without mentioning it hints at the brilliance of that film. Hard Core Logo, is not, however, Spinal Tap......and it's none the worse for it.
Hard Core Logo is an intelligent drama (with the occasional comic moment) about the intense love between two friends and their mutually destructive force on each other when their paths once again entwine together years after the dissolution of their band.
The copy I watched was pretty pore so I can't really comment on the cinematography but I can imagine, from the fuzzy version I did see, that its strikingly beautiful in it's own slightly decrepit way. The plot line is almost non-existent leaving the main focus on the four members of the band, mainly founding members Joe Dick and Billy Talent.
So without good actors this film would sink. As it is the director has pulled fantastic, three dimensional, heart rending performances from both Hugh Dillon and Callum Keith-Rennie. Hugh Dillon's Joe Dick is a self destructive black hole that pulls in those around him. His love for Billy can never be doubted but he can't stand to think he's been left behind and will do almost anything to bring Billy back into his life. Dillon's energy and screen presence is quite extraordinary.
Billy on the other hand is trying to get out, not just for money reasons but because he sees it as a way of salvaging his life from his group of self destructing band mates. Keith-Rennie's performance is all in the close ups of his face or his performance in the background of a scene while watching those around him. Billy talks crap but his face never lies.
well, at least that was my take on this film...and that really is where Hard Core Logo comes into it's own. With so much of what the characters actually mean not being said (they chose, instead, to spout the generally expected views of a rock band) it really does depend on the viewer what film they watch. Bruce McDonald is a director that knows the beauty of well acted silence. They don't need to say anything for us to know exactly what these characters are feeling. Truly spectacular.
But I'm rambling, seriously, watch it, don't watch it, but if you don;t you're genuinely missing out!!