| Paul Morris | ... | Pete McGavin | |
| Amber Newman | ... | Brittany Drake | |
| David A. Levy | ... | Gideon Jessup (as David Levy) | |
| Lucy Frashure | ... | Julie Swanson | |
| Renae Raos | ... | Detective Leslie Kellog | |
| Debbie Rochon | ... | Madame Natalie | |
| S. William Hinzman | ... | Miles Bishop (as Bill Hinzman) | |
| Kindra Laub | ... | Gretchen | |
| Rob Calvert | ... | Lester | |
| Cari Minster | ... | Tawny | |
| Amy Ballard | ... | Victoria | |
| Stacey Sparks | ... | Jamie | |
| Randy Rupp | ... | Satan | |
| Dakota Summers | ... | Mrs. Jessup (as Dakotah Summers) | |
| Katie Wilke | ... | Daphne | |
| Lonzo Jones | ... | Tyler | |
| Ashley Lottes | ... | Mindy | |
| Jarrod Callihan | ... | TV Cameraman | |
| Mark Mills | ... | O'Herlihy | |
| Greg Pohlman | ... | Uniformed Cop | |
| Glori-Anne Gilbert | ... | Jessup's 'Intern' | |
| Chrystal Waters | ... | Jessup's 'Intern' | |
| Anastasia Heonis | ... | Jessup's 'Intern' | |
| Naomi Keates | ... | Flame Dancer | |
| Irene Perin | ... | Concerned Citizen | |
| John Faxon | ... | Concerned Citizen | |
| George Colonel | ... | Police Photographer | |
| Hashell Dammet | ... | TV Conservative | |
| Robert Boone | ... | Masseur | |
| Mike Stratta | ... | Masseur | |
| Ryan Cronin | ... | Henchman | |
| Skot McCall | ... | Cult Member / Ad Agency Person | |
| Crissee Barkeloo | ... | Cult Member / Ad Agency Person | |
| Bill Brown | ... | Cult Member | |
| Dave Molloy | ... | Cult Member | |
| Ernest Jasmin | ... | Cult Member | |
| Ed Belarsky | ... | Cult Member | |
| Tyame Mooney | ... | Cult Member | |
| Jodie Cook | ... | Cult Member | |
| Chris Kelley | ... | Cult Member | |
| Dan Weeks | ... | Cult Member | |
| Laura Terry | ... | Cult Member | |
| Bill 'Sug' Roland | ... | Bar Patron | |
| Noel Hord | ... | Bar Patron | |
| John Thomas Jr. | ... | Bar Patron | |
| Amelia Keys | ... | Ad Agency Person | |
| Holly Hemming | ... | Ad Agency Person | |
| Barney Folger | ... | Ad Agency Person | |
| Shannon Lanier | ... | Ad Agency Person | |
| Jason Campbell | ... | Ad Agency Person |
Directed by | |||
| Mark Burchett | |||
| Michael D. Fox | |||
Writing credits(in alphabetical order) | ||
| Mark Burchett | writer | |
| Michael D. Fox | writer | |
Original Music by | |||
| Erich Cross | |||
| Barry Moermond | |||
| Michael O'Moore | |||
| Denise Roland | (uncredited) | ||
Cinematography by | |||
| Jeff Barklage | |||
Film Editing by | |||
| Michael D. Fox | |||
Costume Design by | |||
| Denise Roland | |||
Makeup Department | |||
| J.D. Bowers | .... | special makeup effects artist | |
| Shauna Kruse | .... | makeup assistant | |
| Brenda LeMaster | .... | makeup designer | |
| Jodi Morgan | .... | makeup coordinator | |
| Jodi Morgan | .... | makeup designer | |
| Denise Roland | .... | makeup assistant | |
| Vicki Shaw | .... | makeup designer | |
Production Management | |||
| Denise Roland | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Eric Chatterjee | .... | first assistant director: second unit | |
Art Department | |||
| Scott Burchett | .... | art designer: original video sleeve | |
| Scott Burchett | .... | artist: Natalie's artwork | |
| Lynn McElfresh | .... | logo designer | |
| Dave Molloy | .... | prop construction | |
| Jamie Oberschlake | .... | painter: Brittany's painting | |
| Jamie Oberschlake | .... | prop construction | |
| Phil Pike | .... | prop construction | |
| Mario Scrimizzi | .... | art director: director's cut | |
Sound Department | |||
| Roger Baker | .... | location sound | |
| Roger Baker | .... | post-production sound | |
| Rick Barnes | .... | sound supervisor | |
| James Key | .... | location sound | |
| James Key | .... | post-production sound | |
| David A. Levy | .... | post-production sound | |
| Keith Rentz | .... | location sound (as Keith Renz) | |
Special Effects by | |||
| J.D. Bowers | .... | special effects | |
Visual Effects by | |||
| Jeremy Jarrett | .... | cgi | |
| John Mertz | .... | cgi | |
| Rick Schweet | .... | cgi | |
| Karla Tedford | .... | video graphics | |
Camera and Electrical Department | |||
| Rober Baker | .... | additional camera | |
| Roger Baker | .... | grip | |
| Nate Byrum | .... | grip | |
| Michael D. Fox | .... | additional camera | |
| Jim Galbraith | .... | grip | |
| Ed Hall | .... | additional camera | |
| K. Michael Hauck | .... | additional camera | |
| Dave Levine | .... | grip | |
| Mark Mills | .... | grip | |
| R.J. Morris | .... | additional camera | |
| Kevin Plank | .... | grip | |
| Greg Quisenberry | .... | additional camera | |
| Scott Roberts | .... | grip | |
| Scott Roberts | .... | still photographer | |
| Ken Schroeder | .... | grip | |
| Tim Smith | .... | still photographer | |
| Craig Stafford | .... | still photographer | |
| Christopher Strobel | .... | additional camera | |
| Mark R. Turner | .... | director of photography: second unit | |
| Chris Walter | .... | grip | |
Costume and Wardrobe Department | |||
| Jac Carpenter | .... | costumes | |
| Janice Kannenberg | .... | costumes | |
| Gina Leatherwood | .... | costumes | |
Editorial Department | |||
| Christopher Strobel | .... | additional editor | |
Music Department | |||
| Danny Hanavan | .... | music recordist | |
| Barry Moermond | .... | composer: incidental music | |
| David Rodriguez | .... | composer: incidental music | |
Other crew | |||
| Rob Calvert | .... | snake wrangler | |
| Hashell Dammet | .... | dialogue coach | |
| Angel B. Gardner | .... | continuity (as Angel Gardner) | |
| Gordon Gekko | .... | financial consultant | |
| Anna Goller | .... | production runner | |
| Ernest Jasmin | .... | production runner | |
| Shauna Kruse | .... | craft service | |
| Shauna Kruse | .... | production assistant | |
| Shauna Kruse | .... | production runner | |
| Shannon Lanier | .... | production runner | |
| Gina Leatherwood | .... | production assistant | |
| Mark Mills | .... | continuity | |
| Mark Mills | .... | production assistant | |
| Irene Perin | .... | dialogue coach | |
| Denise Roland | .... | craft service | |
Thanks | |||
| Phil Borack | .... | special thanks | |
| Terri Caldwell | .... | special thanks | |
| Greg Coldiron | .... | special thanks: Coldiron Concessions | |
| Rick Gaukel | .... | special thanks | |
| Arjay Godstan | .... | special thanks | |
| Lori Holladay | .... | special thanks | |
| Bruce Kannenberg | .... | special thanks | |
| Janice Kannenberg | .... | special thanks | |
| Josh Kuether | .... | special thanks | |
| Eleni Liston | .... | special thanks | |
| Bonnie McGuire | .... | special thanks | |
| Joyce McNutt | .... | special thanks | |
| Jeff Menke | .... | special thanks | |
| Judie Pike | .... | special thanks | |
| Phil Pike | .... | special thanks | |
| Chuck Polster | .... | special thanks | |
| Mayda Sanchez | .... | special thanks | |
| Larry Sheakley | .... | special thanks: The Sheakley Group | |
| Steve Zieser | .... | special thanks | |
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| Satan's Slave | The Ninth Gate | Rosemary's Baby | Sisters | The Devil's Men |
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| Full cast and crew | Company credits | External reviews |
| IMDb USA section | Add this title to MyMovies |
How many times have you watched an overblown, overproduced studio production like Coppola's "Dracula" and thought to yourself "I could make a better movie than that in my basement with my friends"?
Well, the makers of this film thought the same thing. They took a few grand and make a homemade video.
In all honesty, the film does have one strength. It has a good script. It's basically an r-rated version of a "Night Stalker" episode. (The main reporter character is even named McGavin). The plot is coherent, some of the characters are interesting, and there are some very funny lines.
Example:
High priestess: "Do you take Satan to be your lawful spouse, in richer and even richer ..... etc"
Bound and gagged victim: (makes fearful struggling noises).
High priestess: "I'll take that as a yes"
Satan himself is also funny, the ultimate achievement-oriented corporate guy, kind of similar to the Christian Bale role in American Psycho. And the Kolchak-like reporter has some pretty good wisecracks.
Real movie companies, with real budgets, have filmed worse scripts than this. Much worse.
But then there's the matter of the execution. The lighting is funky and too dark. The fight scenes involve people falling off-camera. The special effects consist of people leaning backward.
The acting is, well ....
Let's just say this is your movie if you go to porno films because you love the acting, but you actually hate porn. Most of the lines are delivered with the same flat monotone that you'd expect from local furniture store owners reading their own TV commercials off cue cards.
Oh, well. The script is still OK for a few laughs, and could be pretty good if professionals delivered the lines.