The Crucible (1996)

User Rating:

6.9/10   

Director:

Nicholas Hytner

Writers (WGA):

Arthur Miller (play)
Arthur Miller (screenplay)

Release Date:

27 November 1996 (USA)

Genre:

Drama | History

Tagline:

Arthur Miller's timeless tale of truth on trial.

Plot:

A 17th-century Salem woman accuses an ex-lover's wife of witchery in an adaptation of the Arthur Miller play.

Plot Keywords:

Salem | Trial | Witch | Satan | Witch Hunt

Awards:

Nominated for 2 Oscars. Another 4 wins & 10 nominations

Cast

Daniel Day-Lewis	...	John Proctor
Winona Ryder	...	Abigail Williams
Paul Scofield	...	Judge Thomas Danforth
Joan Allen	...	Elizabeth Proctor
Bruce Davison	...	Reverend Parris
Rob Campbell	...	Reverend Hale
Jeffrey Jones	...	Thomas Putnam
Peter Vaughan	...	Giles Corey
Karron Graves	...	Mary Warren
Charlayne Woodard	...	Tituba
Frances Conroy	...	Ann Putnam
Elizabeth Lawrence	...	Rebecca Nurse
George Gaynes	...	Judge Samuel Sewall
Mary Pat Gleason	...	Martha Corey
Robert Breuler	...	Judge Hathorne

MPAA:

Rated PG-13 for intense depiction of the Salem witch trials.

Runtime:

124 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:12 | Brazil:12 | South Korea:15 | Philippines:PG-13 | USA:PG-13 (certificate #34461) | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | Germany:12 (f) | Hong Kong:IIB | Portugal:M/12 | Singapore:NC-16 | Spain:13 | Sweden:11 | UK:12

Filming Locations:

"Old" United Shoe Factory - 181 Elliott Street, Beverly, Massachusetts, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Daniel Day-Lewis met his wife Rebecca Miller, daughter of Arthur Miller, while filming The Crucible.

Goofs:

Continuity: As John Proctor holds his confession note, the condition of the paper changes between shots from being almost completely crumpled within his hand to mostly exposed and barely wrinkled to mostly exposed but extremely wrinkled.

Quotes:

Abigail: Let *you* beware, Mr. Danforth. Do you think yourself so mighty the Devil may not turn *your* wits?

Movie Connections:

Referenced in "Mystery Science Theater 3000: The Undead (#9.6)" (1997)

Soundtrack:

The Yanvalou Chant

Powerful telling which uses the camera well to open the play up

The day after Rev Parris finds his daughter and niece dancing in a group in the forest, several of the girls in the village are deep in sleep unable to be wakened. Rev Hale is called in to investigate and Abby Williams speaks up claiming witchcraft and that she and the other girls had been brought into it by the devil himself. As the investigation continues, Abby leads the claims on a twisted vendetta, eventually ending at the door of John Proctor and his family, the man she had an affair with and still loves.

I have never seen this on the stage, although my wife claims we did 2 years ago, and am unable to really compare this to other versions. However the first time I saw this film it grabbed me by the sheer force behind it. The plot is emotive and increasingly griping as it spirals out of control and Abby guides the justice of the court. The script is excellently written – sturdy yet capable of bringing out so much without trivialising or simplifying it. I defy anyone to not get sucked into this story as it is so well written.

Of course this would stutter a little without a suitably strong cast to carry it off. Happily the film is strong in performances and strong in depth. Day Lewis is deceptively light at the start, but the way he brings himself on during the film to his final shot is moving. Allen gives him able, albeit less showy, support. Ryder gives one of her best performances I've seen. Although she is required to be hysterical for much of the film she carries it off convincingly and, when needed, she is as menacing as a black hearted woman can be. Scofield is driven and well pitched but is helped by great support from Campbell and, more surprisingly, Gaynes (better known as Police Academy's Lassard). A rich cast of males in the chief support roles (Jones, Davison and Vaughan) really help – not only do they deliver the goods but their faces give the constant perception of depth.

The direction could easily have treated this as a stage production but Hytner opens it out without ever going over the top. The themes within the book are easily brought out and Hytner never stands in their way – he lets us take what we can from the material without too much flair in the way. Overall this is a fantastic version of the play – it is intelligent, well acted and very moving and involving. It may have the occasional weak link but those are pretty minor. Anyone with a passing interest in very good films should watch this.