| Photos (see all 37 | slideshow) | Videos (see all 3 NEW) |
| Tue. Nov. 10 | 2:00 AM | TMC | |||
| Fri. Nov. 13 | 10:05 PM | TMC |
| Jennifer Tilly | ... | Violet | |
| Gina Gershon | ... | Corky | |
| Joe Pantoliano | ... | Caesar | |
| John P. Ryan | ... | Micky Malnato | |
| Christopher Meloni | ... | Johnnie Marzzone | |
| Richard C. Sarafian | ... | Gino Marzzone | |
| Mary Mara | ... | Sue, Bartender | |
| Susie Bright | ... | Jesse | |
| Margaret Smith | ... | Woman Cop | |
| Barry Kivel | ... | Shelly | |
| Peter Spellos | ... | Lou | |
| Ivan Kane | ... | Cop #1 | |
| Kevin Michael Richardson | ... | Cop #2 | |
| Gene Borkan | ... | Roy |
Directed by | |||
| Andy Wachowski | (as The Wachowski Brothers) | ||
| Larry Wachowski | (as The Wachowski Brothers) | ||
Writing credits(WGA) | ||
| Andy Wachowski | (written by) (as The Wachowski Brothers) & | |
| Larry Wachowski | (written by) (as The Wachowski Brothers) | |
Produced by | |||
| Stuart Boros | .... | producer | |
| Andrew Lazar | .... | producer | |
| Jeffrey Sudzin | .... | co-producer | |
| Andy Wachowski | .... | executive producer | |
| Larry Wachowski | .... | executive producer | |
Original Music by | |||
| Don Davis | |||
Cinematography by | |||
| Bill Pope | |||
Film Editing by | |||
| Zach Staenberg | |||
Casting by | |||
| Nancy Foy | |||
Production Design by | |||
| Eve Cauley | |||
Art Direction by | |||
| Andrea Dopaso | |||
| Robert C. Goldstein | |||
Set Decoration by | |||
| Kristen Toscano Messina | |||
Costume Design by | |||
| Lizzy Gardiner | |||
Makeup Department | |||
| David P. Barton | .... | prosthetic makeup artist | |
| Andre Blaise | .... | hair stylist | |
| Eloisa De Laurentiis | .... | assistant hair stylist (assistant makeup artist) | |
| Roland Eggler | .... | wig maker | |
| David Fields | .... | additional assistant hair stylist | |
| Suzanne Rodier | .... | key makeup artist | |
| Richard Rodier | .... | makeup artist (uncredited) | |
Production Management | |||
| Teresa Kelly | .... | post-production supervisor | |
| Pearl A. Lucero | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Wayne Gee | .... | second second assistant director | |
| Rip Murray | .... | first assistant director | |
| Toni Whiteman | .... | second assistant director | |
Special Effects by | |||
| Diane Carlucci | .... | special effects administrator | |
| John C. Carlucci | .... | special effects foreman | |
| Lou Carlucci | .... | special effects supervisor | |
| Jay Neyens | .... | special effects technician | |
| Robert Calvert | .... | special effects (uncredited) | |
| Ken Tarallo | .... | special effects crew (uncredited) | |
Stunts | |||
| Cliff Cudney | .... | stunt coordinator | |
| Tony Jefferson | .... | stunts | |
Casting Department | |||
| Suzy Sharp-Kane | .... | casting associate | |
| Rich King | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Nancy Rhodes | .... | key costumer | |
Editorial Department | |||
| Sharmila Ariathurai | .... | apprentice editor | |
| Tony Bacigalupi | .... | second assistant editor | |
| Dan Gutman | .... | first assistant editor | |
| Lisa Romaniw | .... | second assistant editor (as Lisa Mozden) | |
| Mike Stanwick | .... | color timer | |
| Rick Greenhead | .... | colorist (uncredited) | |
Music Department | |||
| Stan Jones | .... | music editor | |
| Armin Steiner | .... | score mixer | |
| David Sherr | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Michael Foxworth | .... | driver | |
| Steve Lewis | .... | driver (as Stephen M. Lewis) | |
| Sean J. Moore | .... | driver | |
| J.D. Orlebeck | .... | transportation coordinator | |
| David Severin | .... | transportation captain | |
| Gary D. Stalker | .... | driver | |
| Greg Tacker | .... | driver | |
| Paul Tumber | .... | driver | |
| James Wakeman | .... | transportation co-captain | |
Other crew | |||
| Paul Belenardo | .... | production accountant | |
| Bo Berry | .... | craft service | |
| Timothy Blackton | .... | production assistant | |
| Susie Bright | .... | technical advisor | |
| Scott Browning | .... | assistant: Mr. Browning | |
| Dana Sue Collins | .... | stand-in: Violet | |
| Robert Duban | .... | assistant production accountant | |
| Juliana Duet | .... | production assistant | |
| Joe Gallo | .... | ceasar's stand-in | |
| Jody Hedien | .... | assistant: Mr. Lazar | |
| Gretchen Hyman | .... | production assistant | |
| Phil Oosterhouse | .... | assistant to wachowski's | |
| Patti Podesta | .... | title designer | |
| Jefferson Root | .... | set production assistant | |
| Cheryl Starbuck | .... | script supervisor | |
| Cid Swank | .... | unit publicist | |
| Jack R. Tate | .... | location manager | |
| J. Wachowski | .... | assistant production coordinator | |
| Amy Zasadny | .... | corky's stand-in | |
| Joy Zimmerman | .... | intern | |
| Andrew R. Gardiner | .... | additional location scout (uncredited) | |
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| Chik loh go yeung | The Departed | Furyô anego den: Inoshika Ochô | Koroshiya 1 | Halloween |
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Corky (Gina Gershon), a lesbian ex-con hired to work in an apartment as a plumber, meets new neighbors Caesar (Joe Pantoliano), who launders money for the Mafia, and his girlfriend Violet (Jennifer Tilly). The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is soon set up in such a way that he's fooled into whose even setting him up. Their plan is working for a while, but soon spirals into blood and disaster, as things start to go wrong and he acts in an unexpected violent way.
I am not a fan of The Matrix. Never have, never will be. But I was of the amazing visual effects it had to offer. And that's what drew me to seeing the Wachowski Brother's other movie, their directorial debut, Bound. Bound is different. Bound is bold. Bound is courageous. Bound is one of the best movies of the year. It's not your average movie. It doesn't care who it offends, or who it pleases. Its purpose is simple: to entertain the viewer, and this movie is `bound' by nothing to complete its purpose.
It starts with Corky locked in a closet, bruised and bloody, tied up. From there, we have a good idea of what has become of their plan. The film then shifts over to when the two women first meet, and then takes off from there when they plan the set-up. So for next two hours, get ready to root for the bad guy.
Acting was a major plus to Bound, as I tip my hat to Tilly and Gershon. Both female leads did well, but I just wasn't convinced that they were in love with each other as much as they and the script claimed them to be. This did bother me a little, but it doesn't detract from the fun that is to be had with this film. But the main catch of the film was Joe Pantoliano. This movie wouldn't have been the same if he weren't cast in this. His character is so dangerous and so disturbing that your eyes will become magnetic toward his every move, gesture, and dialogue. Clearly this film is not for everybody, but for those who can stand it, this is a rare treat. Definitely the most unique movie of the year, Bound receives the three and a half star rating.