| Photos (see all 20 | slideshow) |
| Jennifer Jason Leigh | ... | Anney Boatwright | |
| Ron Eldard | ... | Glen Waddell | |
| Glenne Headly | ... | Aunt Ruth | |
| Lyle Lovett | ... | Wade | |
| Jena Malone | ... | Ruth Anne 'Bone' Boatwright | |
| Dermot Mulroney | ... | Lyle Parsons | |
| Christina Ricci | ... | Dee Dee | |
| Michael Rooker | ... | Uncle Earle | |
| Diana Scarwid | ... | Aunt Raylene | |
| Susan Traylor | ... | Alma | |
| Grace Zabriskie | ... | Granny | |
| Richard Todd Sullivan | ... | Travis | |
| Pat Hingle | ... | Mr. Waddell | |
| Lindley Mayer | ... | Reese | |
| Jamison Stewart | ... | Grey | |
| Timothy Stewart | ... | Garvey | |
| Kelsey Elizabeth Boulware | ... | Bone at age 4 | |
| Jeffrey Pillars | ... | Truck Driver | |
| Rick Warner | ... | Young Clerk | |
| Joe Maggard | ... | Man at Cafe | |
| D.L. Anderson | ... | Woman at Cafe | |
| Nelson George | ... | Justice of the Peace | |
| Gene Dann | ... | Worker | |
| Jim Gloster | ... | Intern | |
| Derin Altay | ... | Mrs. Parsons | |
| Suellen Yates | ... | Mr. Waddells Wife (as Sue Ellen Yates) | |
| Sonny Shroyer | ... | Sheriff | |
| Jerry Winsett | ... | Brother Calvin | |
| J.C. Quinn | ... | Officer | |
| Laura Dern | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Janice McQueen Ward | ... | Neighbor (uncredited) | |
Directed by | |||
| Anjelica Huston | |||
Writing credits(WGA) | ||
| Dorothy Allison | (book) | |
| Anne Meredith | (teleplay) | |
Produced by | |||
| Amanda DiGiulio | .... | producer | |
| Gary Hoffman | .... | executive producer | |
Original Music by | |||
| Van Dyke Parks | |||
Cinematography by | |||
| Anthony B. Richmond | |||
Film Editing by | |||
| Éva Gárdos | |||
Casting by | |||
| John Brace | |||
| Linda Lowy | |||
Production Design by | |||
| Nelson Coates | |||
| Van Broughton Ramsey | |||
Set Decoration by | |||
| Burton Rencher | |||
Costume Design by | |||
| Van Broughton Ramsey | |||
Makeup Department | |||
| Patti Brand | .... | assistant makeup artist | |
| Susan Buffington | .... | assistant hair stylist | |
| Julie Hewett | .... | key makeup artist | |
| Medusah | .... | key hair stylist (as Medusah Aulenta-Spira) | |
| Nikoletta Skarlatos | .... | makeup artist | |
| Rita Troy | .... | assistant hair stylist | |
| Bernard Williams | .... | assistant hair stylist | |
| Dana Williams | .... | assistant hair stylist | |
Production Management | |||
| Amanda DiGiulio | .... | unit production manager | |
Art Department | |||
| Peter Battistelli | .... | construction coordinator | |
| Danya Browder | .... | art department coordinator | |
| Sean Christopher | .... | set dresser | |
| Valerie Fann | .... | art department buyer | |
| Alex Ferguson | .... | set dresser | |
| John France | .... | set dresser | |
| Steve George | .... | assistant propmaster (as Steven H. George) | |
| Kevin Hardison | .... | set designer | |
| Michael D. Harrell | .... | assistant props | |
| David E. Harshbarger | .... | property master | |
| Susan Jones | .... | assistant props | |
| Stephanie Macomber Kern | .... | scenic | |
| Christopher Mahan | .... | on-set dresser | |
| Joe Malys | .... | storyboard artist | |
| Bob Osterman | .... | charge scenic | |
| Chester A. Spier | .... | lead man | |
| Birdie Talanca | .... | construction buyer | |
| Mike Underwood | .... | set dresser | |
Sound Department | |||
| Peter Bentley | .... | sound mixer | |
| Peter Bergren | .... | sound editor | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Thom 'Coach' Ehle | .... | stereo sound consultant | |
| David E. Fluhr | .... | sound re-recording mixer | |
| Phil Hadaway | .... | adr engineer | |
| David Hankins | .... | supervising sound editor | |
| John A. Merten | .... | sound recordist | |
| Brooke Satrazemis | .... | sound assistant | |
| Ron Sistare | .... | boom operator | |
Stunts | |||
| John Copeman | .... | stunts | |
| Dale Frye | .... | stunts | |
| David Paul Lord | .... | stunts (as David Lord) | |
| Dean Mumford | .... | stunt coordinator | |
| Charles Page | .... | stunts | |
| Michele Waitman | .... | stunts | |
Casting Department | |||
| Lisa Mae Fincannon | .... | casting: North Carolina | |
| Regan Forman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Eliza Diggs | .... | seamstress | |
| Sonny Merritt | .... | costume supervisor | |
| Natalie Nye | .... | seamstress | |
| Alice Powell | .... | seamstress | |
| Jonny Pray | .... | set costumer | |
| Nina Proctor | .... | set costumer | |
| Nava R. Sadan | .... | set costumer | |
Editorial Department | |||
| Tracy Curtis | .... | first assistant film editor | |
| Stephanie Laing | .... | post-production coordinator (as Stephanie Cone) | |
| Roger La Prairie | .... | colorist | |
| Sharon McGeeney | .... | negative cutter | |
| Bob McMillian | .... | color timer | |
| Ken Woodburn | .... | second assistant film editor | |
Music Department | |||
| Todd Hayen | .... | composer: additional music | |
| Frank Macchia | .... | orchestrator | |
| Robin Urdang | .... | music supervisor | |
| Richard Whitfield | .... | music editor | |
Transportation Department | |||
| Michael Coady | .... | driver | |
| Donell Crumpler Jr. | .... | transportation co-captain (as Donell Crumpler) | |
| Tyler C. Daum | .... | transportation coordinator | |
| Wayne Jones | .... | transportation captain | |
Other crew | |||
| Peter Paul Basler | .... | production assistant (as Peter Basler) | |
| David Curtis | .... | production assistant | |
| Louis Anthony Difelice | .... | location manager | |
| Robin Drinkwater | .... | script supervisor: second unit | |
| Alyce Fahsholtz | .... | assistant production coordinator | |
| Leigh French | .... | adr group coordinator | |
| Chad Graves | .... | production assistant | |
| Bass Hampton | .... | assistant location manager | |
| Therese Honeycutt | .... | craft service | |
| Stone Lyons | .... | production assistant | |
| Carla Meyer | .... | dialect coach | |
| Daniella Milton | .... | assistant: Ms. Huston | |
| Fay Moss | .... | auditor | |
| Thomas Parris | .... | production assistant | |
| Nina Proctor | .... | shop supervisor | |
| Thom Rainey | .... | script supervisor | |
| Shannon Rippy | .... | production coordinator | |
| Deborah Ross | .... | title designer | |
| Alicia Rudd | .... | animal wrangler | |
| Lisa G. Shillingburg | .... | first assistant accountant | |
| Tara Nicole Weyr | .... | production assistant | |
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I just watched this movie in my Advanced Developmental Psychology class, and I was blown away by it. Naturally, the professor warned us that the film contained some very graphic scenes, as it certainly did. There were moments where I absolutely could not look up at the screen. The film is wonderfully directed (by Anjelica Huston) and acted. Jennifer Jason Leigh gives one of the best performances of her career. She's one of those actresses who has talent and I have nothing against her, but rarely do I find myself raving about her performances. Here, she's given a genuinely challenging role, as she has to be both disturbed by her new husband's abuse towards her daughter, yet at the same time deeply in love with him. My class is predominantly female, so most of the girls were groaning and yelling out things like "You're stupid!" when she kept deciding to get back with the creep. But it's easy to say that while you're sitting on your butt looking at a TV screen. Tons of women get into relationships with abusive husbands, and guys who treat them like crap, and how many of them actually get out of those relationships? Love is a strange, strange thing. There's no way to explain it. But I didn't feel it was in any way inaccurate for Leigh's character to keep wanting to get back with Ron Eldard.
I know Eldard from his role on the cancelled sitcom "Men Behaving Badly" and his supporting roles in films like "Sleepers" and "The Last Supper." Prior to this movie, I would've never envisioned him in this sort of role, as I didn't really think of him as a daring, intense actor. I would envision an actor like Ray Liotta or James Woods in this sort of role. But I think Eldard's apparent naivete really gives dimension to this role. He doesn't in any way appear like someone who would act abusive towards anyone, as it usually turns out in real life. He also plays the character with a certain charm, which gives us some insight into why Leigh decided to stay with him. Of course, he never gets a handle on the Carolina accent (at times even sounding like an Englishman, as he struggles so hard), but as I got more and more into the film, I barely paid attention to the flaws in his accent. After watching this film, I will definitely look at Eldard much differently, as much more than the fun-loving buddy of Rob Schneider on "Men Behaving Badly" (a show I used to watch pretty frequently).
The cast is also composed of fine character actors, like Glenne Headley and Michael Rooker--who's absolutely terrific as Leigh's short-fused brother. Of course, that isn't an unusual role for him, but he plays it very well and packs a great dramatic punch in this performance especially. Jena Malone shows why she grew up to star in big films like "Stepmom" and "For Love of the Game." Even at this age, she is fully convincing as a tortured young girl. I just kept on wondering what the director gave her as motivation for her different emotions, since I'm guessing they couldn't outwardly address the issues or rape and abuse to a girl of her age.
The film contains some of the most disturbing scenes in American cinema (I stress the word "American," because I've seen more graphic rape scenes in foreign films like "The Bandit Queen" and "Pixote"), so even those with stomachs of steel should beware. But how many films you watch really get you talking and thinking, and send you an emotional journey--without using cheap shots? I don't have A.D.D. or anything, but rarely do I get so lost in a film that my attention never drifts and I never take time to look at my watch. This is one of those rare powerful, touching films that I will never forget!
My score: 9 (out of 10)