Basquiat (1996)

Director:

Julian Schnabel

Writers:

Lech Majewski (story) and
John F. Bowe (short story) ...

Release Date:

9 August 1996 (USA)

Genre:

Biography | Drama

Tagline:

In 1981, A Nineteen-Year-Old Unknown Graffiti Writer Took The New York Art World By Storm. The Rest Is Art History.

Plot:

Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist...

Plot Keywords:

Artist | Andy Warhol | Street Artist | Art | Friendship

Awards:

2 wins & 3 nominations

Cast

Jeffrey Wright	...	Jean Michel Basquiat
Michael Wincott	...	Rene Ricard
Benicio Del Toro	...	Benny Dalmau
Claire Forlani	...	Gina Cardinale
David Bowie	...	Andy Warhol
Dennis Hopper	...	Bruno Bischofberger
Gary Oldman	...	Albert Milo
Christopher Walken	...	The Interviewer
Willem Dafoe	...	The Electrician
Jean-Claude La Marre	...	Shenge (as Jean Claude LaMarre)
Parker Posey	...	Mary Boone
Elina Löwensohn	...	Annina Nosei
Paul Bartel	...	Henry Geldzahler
Courtney Love	...	Big Pink
Tatum O'Neal	...	Cynthia Kruger

Also Known As:

Build a Fort, Set It on Fire

MPAA:

Rated R for drug use and strong language.

Runtime:

108 min

Country:

USA

Language:

English | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Canada:18A (Ontario) | South Korea:18 | Australia:MA | Finland:K-16 | Norway:15 | Portugal:M/16 | Spain:13 | Sweden:11 | UK:15 | USA:R | Germany:12 | Iceland:L

Filming Locations:

New York, USA

Company:

Eleventh Street Production

Trivia:

In the film, David Bowie is adorned in the actual wigs worn by the real Andy Warhol.

Goofs:

Continuity: When Basquiat is painting on the floor in his studio, part of the painting in the upper-left hand corner disappears and reappears.

Quotes:

Basquiat: How long does it take to get famous?
Benny Dalmau: Four years. Six to get rich.

Movie Connections:

Features New York Beat Movie (1981)

Soundtrack:

This Is the Last Song I'll Ever Sing

I think this film is great

I thought this film captured the feel of SoHo and the downtown art scene in 1980's NYC. (I lived in NYC from 1986 until 2001.) I really like the untethered, free-spirited, and dangerous elements of Basquiat's character. The movie doesn't fit into the film school model of a perfectly constructed piece, but I find that appealling; the film is artful and enjoyable. I watch it whenever it shows up on one of the film channels unedited and uninterrupted. Hope you enjoy it as well.