| Photos (see all 5 | slideshow) |
| Isabelle Huppert | ... | Carlotta | |
| Fabrizio Bentivoglio | ... | Ottone | |
| Jean-Hugues Anglade | ... | Edoardo | |
| Marie Gillain | ... | Ottilia | |
| Massimo Popolizio | ... | Marchese | |
| Laura Marinoni | ... | Marchesa | |
| Consuelo Ciatti | ... | Governante | |
| Stefania Fuggetta | ... | Agostina | |
| Gavino Bondioli | ... | Guardiacaccia | |
| Massimo Grigo | ... | Cameriere | |
| Adelaide Foti | ... | Albergatrice | |
| Giancarlo Carboni | ... | Medico | |
| rest of cast listed alphabetically: | |||
| Giancarlo Giannini | ... | Narrator (voice) | |
Directed by | |||
| Paolo Taviani | |||
| Vittorio Taviani | |||
Writing credits(in alphabetical order) | ||
| Johann Wolfgang Goethe | novel "Die Wahlverwandtschaften" | |
| Paolo Taviani | writer | |
| Vittorio Taviani | writer | |
Produced by | |||
| Claudio Amram | .... | associate producer | |
| Anna Rita Appolloni | .... | associate producer | |
| Jean-Claude Cecile | .... | producer | |
| Grazia Volpi | .... | producer | |
Original Music by | |||
| Carlo Crivelli | |||
Cinematography by | |||
| Giuseppe Lanci | |||
Film Editing by | |||
| Roberto Perpignani | |||
Production Design by | |||
| Gianni Sbarra | |||
Set Decoration by | |||
| Lorenzo D'Ambrosio | |||
Costume Design by | |||
| Lina Nerli Taviani | |||
Makeup Department | |||
| Gianfranco Mecacci | .... | makeup artist | |
| Mauro Tamagnini | .... | hair stylist | |
Production Management | |||
| Claudio Grassetti | .... | production organizer | |
| Massimo Iacobis | .... | production manager (as Massimo Jacobis) | |
Art Department | |||
| Fabio D'Achille | .... | construction coordinator | |
| Fabio D'Achille | .... | construction | |
| Luciano D'Achille | .... | construction coordinator | |
| Adriano Tiberi | .... | property master | |
Sound Department | |||
| Bernard Bats | .... | sound | |
| Filippo Bussi | .... | digital sound editor | |
| Fernando Caso | .... | sound effects editor | |
| Alvaro Gramigna | .... | sound effects editor | |
| Danilo Moroni | .... | sound mixer | |
| Marco Streccioni | .... | sound engineer | |
Costume and Wardrobe Department | |||
| Valentina Taviani | .... | assistant costume designer | |
| Alexandra Toesca | .... | assistant costume designer | |
Editorial Department | |||
| Vincenzo Di Santo | .... | assistant editor | |
| Rita Triunveri | .... | assistant editor | |
Music Department | |||
| Filippo Bussi | .... | digital music editor | |
Other crew | |||
| Denver Beattie | .... | production assistant | |
| Francesca Romana Deodato | .... | production coordinator | |
| Giovanni Iacobis | .... | production secretary | |
| Amelia Marconcini | .... | press attache | |
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| Lady Chatterley | Titanic | Gone with the Wind | The Cider House Rules | Antonia |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section | Add this title to MyMovies |
Much criticism is possible for this one, see the other reviews. I agree with them , partially, but am no expert on scripts, etc. I will summarize the positive aspects. This is a "period piece"as so many have been made, especially in Europe. (Italy , France). As such, not much wrong with it. Being based on an 18th century novel by the famous J.W. Goethe, of course in mentality it is far away from our present times. Young people, only familiar with modern consumer cinema (Hollywood et al.) will be apalled by this kind of movie. But me, very used to, and grown up with the cinema of the likes of Luchino Visconti, were not surprised with child drowning, hysterical women, "strange relationships". It partly reminded me of L'Innocente by Visconti. Those were different times! No, I loved it, good story, great acting, especially my favorite Isabelle Huppert, good locations, a nice film.
I don't care about state subsidies or whatever, as long as it results in some movie. Culture has to be subsidized anyway, the (mass) market mechanism, under capitalist relations, cannot supply it.