| Isabelle Huppert | ... | Carlotta | |
| Fabrizio Bentivoglio | ... | Ottone | |
| Jean-Hugues Anglade | ... | Edoardo | |
| Marie Gillain | ... | Ottilia | |
| Massimo Popolizio | ... | Marchese | |
| Laura Marinoni | ... | Marchesa | |
| Consuelo Ciatti | ... | Governante | |
| Stefania Fuggetta | ... | Agostina | |
| Gavino Bondioli | ... | Guardiacaccia | |
| Massimo Grigo | ... | Cameriere | |
| Adelaide Foti | ... | Albergatrice | |
| Giancarlo Carboni | ... | Medico | |
| rest of cast listed alphabetically: | |||
| Giancarlo Giannini | ... | Narrator (voice) | |
Directed by | |||
| Paolo Taviani | |||
| Vittorio Taviani | |||
Writing credits(in alphabetical order) | ||
| Johann Wolfgang Goethe | novel "Die Wahlverwandtschaften" | |
| Paolo Taviani | writer | |
| Vittorio Taviani | writer | |
Produced by | |||
| Claudio Amram | .... | associate producer | |
| Anna Rita Appolloni | .... | associate producer | |
| Jean-Claude Cecile | .... | producer | |
| Grazia Volpi | .... | producer | |
Original Music by | |||
| Carlo Crivelli | |||
Cinematography by | |||
| Giuseppe Lanci | |||
Film Editing by | |||
| Roberto Perpignani | |||
Production Design by | |||
| Gianni Sbarra | |||
Set Decoration by | |||
| Lorenzo D'Ambrosio | |||
Costume Design by | |||
| Lina Nerli Taviani | |||
Makeup Department | |||
| Gianfranco Mecacci | .... | makeup artist | |
| Mauro Tamagnini | .... | hair stylist | |
Production Management | |||
| Claudio Grassetti | .... | production organizer | |
| Massimo Iacobis | .... | production manager (as Massimo Jacobis) | |
Art Department | |||
| Fabio D'Achille | .... | construction coordinator | |
| Fabio D'Achille | .... | construction | |
| Luciano D'Achille | .... | construction coordinator | |
| Adriano Tiberi | .... | property master | |
| Giovanni Lipari | .... | assistant art director (uncredited) | |
Sound Department | |||
| Bernard Bats | .... | sound | |
| Filippo Bussi | .... | digital sound editor | |
| Fernando Caso | .... | sound effects editor | |
| Alvaro Gramigna | .... | sound effects editor | |
| Danilo Moroni | .... | sound mixer | |
| Marco Streccioni | .... | sound engineer | |
Costume and Wardrobe Department | |||
| Valentina Taviani | .... | assistant costume designer | |
| Alexandra Toesca | .... | assistant costume designer | |
Editorial Department | |||
| Vincenzo Di Santo | .... | assistant editor | |
| Rita Triunveri | .... | assistant editor | |
Music Department | |||
| Filippo Bussi | .... | digital music editor | |
Other crew | |||
| Denver Beattie | .... | production assistant | |
| Francesca Romana Deodato | .... | production coordinator | |
| Giovanni Iacobis | .... | production secretary | |
| Amelia Marconcini | .... | press attache | |
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| Enemies: A Love Story | Germinal | L'innocente | Lady Chatterley | Ossessione |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section | Add this title to MyMovies |
What were the Taviani's doing in the Summer of 1996? Dozing off with a glass of Chianti Classico and a copy of Lucio Gaudino's "Adelaide" on a portable Video Recorder to 'inspire' them on the shoot of this drab, lifeless,un-inspired period piece? "Adelaide" was shot 5 years earlier, on a shoestring (with breadcrumbs from the Italian State Film Funds) and was directed by a Mr. Nobody. It too was inspired by a period Novel, not Goethe, but a 'minor' French Novelist, I believe. Goethe wouldn't 'turn in his grave' over the Taviani's treatment to his masterpiece... Yes he WOULD turn over and go to sleep, maybe muttering a German phrase of disgust. Darlings of the institutions, it appears the Taviani's will continue to find funds for such lame efforts in the coffers of Italy's political parties. The film is a 'rip off'. It's French protagonist,( usually riveting), is strangely absent, a very pale copy of Assumpta Serna, "Adelaide"'s mesmerizing ageing beauty with a caustic brilliance. Gaudino's small jewel of a film is beautifully shot, well acted, and respects the 'feel' of the epoch. Anyone attracted to such material, (and deluded by the Taviani mess) should take the time, and trouble to track down 'the real Mc Coy! Buona Visione!