|
| Blue André | .... | producer (13 episodes, 1996-1997) |
| Robert De Laurentiis | .... | executive producer (13 episodes, 1996-1997) |
| Ra'uf Glasgow | .... | co-producer (13 episodes, 1996-1997) |
| Sonny Grosso | .... | executive producer (13 episodes, 1996-1997) |
| Larry Jacobson | .... | executive producer (13 episodes, 1996-1997) |
| Anne Kenney | .... | consulting producer (13 episodes, 1996-1997) |
| Daniel Petrie Jr. | .... | executive producer (13 episodes, 1996-1997) |
| Albert J. Salzer | .... | co-producer (13 episodes, 1996-1997) |
| Jacqueline Zambrano | .... | executive producer (13 episodes, 1996-1997) |
| James Frawley | .... | supervising producer (7 episodes, 1996-1997) |
|
| Laurence Frank | .... | co-producer (unknown episodes, 1996-1997) |
| Mark Bakunas | .... | associate producer (unknown episodes) |
| David Calloway | .... | line producer (unknown episodes) |
| Alfonse Ruggiero | .... | co-executive producer (unknown episodes) |
| |
|
| Jack Blanchard | .... | set dresser (16 episodes, 1996-1997) |
| Chuck Stringer | .... | construction supervisor / construction foreman (14 episodes, 1996-1997) |
| David Erwin | .... | on-set decorator (13 episodes, 1996-1997) |
| Michael A. Johnson | .... | leadman (13 episodes, 1996-1997) |
| Michael Martin | .... | assistant property master (13 episodes, 1996-1997) |
| Nick Rippon | .... | construction coordinator (13 episodes, 1996-1997) |
| Ed Rowan | .... | colorist (13 episodes, 1996-1997) |
| Floyd Smith | .... | property master (13 episodes, 1996-1997) |
| Wright McFarland | .... | set designer (8 episodes, 1996-1997) |
| Drew Rosenfeld | .... | art department coordinator (6 episodes, 1996) |
|
| Randall S. Coe | .... | carpenter (unknown episodes) |
| Jason Perlander | .... | set dresser (unknown episodes) |
| |
|
| Rick Hinson | .... | sound editor / sound effects editor (17 episodes, 1996-1997) |
| Kevin Patrick Burns | .... | sound re-recording mixer (13 episodes, 1996-1997) |
| Jeff Cannon | .... | boom operator (13 episodes, 1996-1997) |
| Jon Taylor | .... | sound re-recording mixer (13 episodes, 1996-1997) |
| Jane Boegel | .... | sound editor (12 episodes, 1996-1997) |
| Russell DeWolf | .... | sound editor (12 episodes, 1996-1997) |
| David Grecu | .... | sound editor (12 episodes, 1996-1997) |
| Tom Scurry | .... | sound editor (12 episodes, 1996-1997) |
| Daniel Tripoli | .... | sound editor (12 episodes, 1996-1997) |
| Skip Frazee | .... | sound recordist (10 episodes, 1996-1997) |
| Ingeborg Larson | .... | supervising sound editor (9 episodes, 1996) |
| Jon Ailetcher | .... | production sound mixer (8 episodes, 1996-1997) |
| Todd Orr | .... | sound re-recording mixer (7 episodes, 1996) |
| William H. Angarola | .... | supervising sound editor (4 episodes, 1996-1997) |
| Christian P. Minkler | .... | sound re-recording mixer (3 episodes, 1996-1997) |
| Michael Haines | .... | sound recordist (2 episodes, 1996) |
| Tony Jenkins | .... | sound re-recording mixer (2 episodes, 1996) |
|
| Terry O'Bright | .... | sound re-recording mixer (unknown episodes, 1997) |
| Alek Bromke | .... | adr assistant (unknown episodes) |
| Richard Calistan | .... | adr mixer (unknown episodes) |
| Steve Foster | .... | sound re-recording mixer (unknown episodes) |
| Cory Mandel | .... | sound re-recording mixer (unknown episodes) |
| Aletha Rodgers | .... | sound mixer (unknown episodes) |
| Keith Rogers | .... | sound re-recording mixer (unknown episodes) |
| Paul Shubat | .... | sound re-recording mixer (unknown episodes) |
| Brandon Walker | .... | adr recordist (unknown episodes) |
| |
|
| Tom Fraser | .... | camera operator (16 episodes, 1996-1997) |
| Clint Buras | .... | electrician (13 episodes, 1996-1997) |
| Sal Camacho | .... | first assistant camera: "b" camera (13 episodes, 1996-1997) |
| Buddy Carr | .... | dolly grip (13 episodes, 1996-1997) |
| Gilly Charbonnet | .... | best boy grip / key grip (13 episodes, 1996-1997) |
| Matthew Devitt | .... | grip (13 episodes, 1996-1997) |
| Lonnie Kahoe | .... | grip / best boy grip (13 episodes, 1996-1997) |
| Vic Keatley | .... | rigging gaffer / chief electrician (13 episodes, 1996-1997) |
| Mike McLaughlin | .... | best boy electric (13 episodes, 1996-1997) |
| Paul Olinde | .... | electrician (13 episodes, 1996-1997) |
| Mike Smith | .... | rigging key grip (13 episodes, 1996-1997) |
| Joe Allegro | .... | first assistant camera (10 episodes, 1996-1997) |
| Robert Driskell | .... | chief electrician (10 episodes, 1996-1997) |
| Mike 'Chewie' Pappas | .... | electrician (8 episodes, 1996-1997) |
| Erica Froker | .... | second assistant camera: "a" camera (7 episodes, 1996) |
| Keith Talley | .... | key grip (6 episodes, 1996-1997) |
| Paul Threlkeld | .... | key grip (4 episodes, 1996) |
| Kenneth Bender | .... | second assistant camera: "a" camera (3 episodes, 1996-1997) |
| Lynn Lockwood | .... | camera operator (3 episodes, 1996) |
| Fred L. McLane | .... | first assistant camera (3 episodes, 1996) |
| Daniel Rector | .... | grip (3 episodes, 1996) |
| Lynda Vincent | .... | second assistant camera: "a" camera (3 episodes, 1996) |
|
| David A. Wolf | .... | Steadicam operator (unknown episodes, 1997) |
| Tim Bourque | .... | crane operator / electrician (unknown episodes) |
| |
|
| Tom Abraham | .... | script coordinator (12 episodes, 1996-1997) |
| Keith Albertie | .... | production assistant (12 episodes, 1996-1997) |
| Mark Bakunas | .... | production accountant (12 episodes, 1996-1997) |
| Dana Bilbao | .... | assistant accountant (12 episodes, 1996-1997) |
| Susie Blanchard | .... | set nurse (12 episodes, 1996-1997) |
| Kayla Chaillot | .... | craft service (12 episodes, 1996-1997) |
| Batou Chandler | .... | production assistant (12 episodes, 1996-1997) |
| Janet Densmore | .... | story consultant (12 episodes, 1996-1997) |
| Laurence Frank | .... | story editor / executive story editor (12 episodes, 1996-1997) |
| Stephanie Gregerman | .... | personal assistant (12 episodes, 1996-1997) |
| Alissa M. Kantrow | .... | production secretary / production coordinator (12 episodes, 1996-1997) |
| Jonna Kowsky | .... | payroll accountant (12 episodes, 1996-1997) |
| Christina-Avis Krauss | .... | creative consultant (12 episodes, 1996-1997) |
| Melanie Owen | .... | production assistant (12 episodes, 1996-1997) |
| Jared Snyder | .... | production assistant / production coordinator (12 episodes, 1996-1997) |
| Nita Wilson | .... | production coordinator (12 episodes, 1996-1997) |
| Heather Winters | .... | personal assistant (12 episodes, 1996-1997) |
| Keith Johnson | .... | creative consultant (11 episodes, 1996-1997) |
| Sharon 'Mae' West | .... | script supervisor (11 episodes, 1996-1997) |
| Victoria Lichtman | .... | assistant production coordinator (9 episodes, 1996-1997) |
| Carmen Billiot | .... | animal wrangler (8 episodes, 1996-1997) |
| David Billiot | .... | animal wrangler (8 episodes, 1996-1997) |
| Rick Nyholm | .... | writing assistant (6 episodes, 1996-1997) |
| Linda Loiselle Guzik | .... | writing assistant (6 episodes, 1996) |
| David Ross McCarty | .... | location manager (5 episodes, 1996-1997) |
| Tad Hogan | .... | production assistant (5 episodes, 1996) |
| Elston Howard | .... | location manager (5 episodes, 1996) |
| Robert Bodenheaimer | .... | craft service (3 episodes, 1996) |
| Erin Borel | .... | assistant production coordinator (3 episodes, 1996) |
| Lisa Marie Hill | .... | production secretary (3 episodes, 1996) |
|
| George Bott | .... | production assistant (unknown episodes) |
| Frank Duffy | .... | additional set medic (unknown episodes) |
| Charlie French | .... | medic (unknown episodes) |
| James Roque | .... | set production assistant (unknown episodes) |
| Joe Russo | .... | production assistant (unknown episodes) |
| |
A show that ended way before its time, it wasn't properly nurtured by USA Networks. If it had, this show, seductive, sexy and well acted, could have been up there with La Femme Nikita with the fans. The show, like the movie, had Remy McSwain, a New Orleans detective, solving mysteries with the help of Northern DA Anne Osborne. One of the best things about this show, was that there was more emphasis on the sexual tension between Remy and Anne, then there was "love" as so many other shows have between the two male and female main characters. Well scripted.