| Photos (see all 43 | slideshow) | Videos (see all 13 NEW) |
| Stephen Baldwin | ... | Michael McManus | |
| Gabriel Byrne | ... | Dean Keaton | |
| Benicio Del Toro | ... | Fred Fenster | |
| Kevin Pollak | ... | Todd Hockney | |
| Kevin Spacey | ... | Roger 'Verbal' Kint | |
| Chazz Palminteri | ... | Dave Kujan, US Customs | |
| Pete Postlethwaite | ... | Kobayashi | |
| Giancarlo Esposito | ... | Jack Baer, FBI | |
| Suzy Amis | ... | Edie Finneran | |
| Dan Hedaya | ... | Sgt. Jeffrey 'Jeff' Rabin | |
| Paul Bartel | ... | Smuggler | |
| Carl Bressler | ... | Saul Berg | |
| Phillipe Simon | ... | Fortier | |
| Jack Shearer | ... | Renault | |
| Christine Estabrook | ... | Dr. Plummer | |
| Clark Gregg | ... | Dr. Walters | |
| Morgan Hunter | ... | Arkosh Kovash | |
| Ken Daly | ... | Translator | |
| Michelle Clunie | ... | Sketch Artist | |
| Louis Lombardi | ... | Strausz | |
| Frank Medrano | ... | Rizzi | |
| Ron Gilbert | ... | Daniel Metzheiser, Dept. of Justice | |
| Vito D'Ambrosio | ... | Arresting Officer | |
| Gene Lythgow | ... | Cop on Pier | |
| Robert Elmore | ... | Bodyguard #1 (as Bob Elmore) | |
| David Powledge | ... | Bodyguard #2 | |
| Bob Pennetta | ... | Bodyguard #3 | |
| Billy Bates | ... | Bodyguard #4 (as Bill Bates) | |
| Smadar Hanson | ... | Keyser's Wife | |
| Castulo Guerra | ... | Arturro Marquez | |
| Peter Rocca | ... | Jaime, Arturro's Bodyguard | |
| Bert Williams | ... | Old Cop in Property | |
| rest of cast listed alphabetically: | |||
| Jaime Campos | ... | Police Officer (uncredited) | |
| John Gillespie | ... | (uncredited) | |
| Peter Greene | ... | Redfoot the Fence (uncredited) | |
| Michael McKay | ... | Cop in Hallway (uncredited) | |
| Christopher McQuarrie | ... | Interrogation Cop (uncredited) | |
| Scott B. Morgan | ... | Keyser Söze (in flashback) (uncredited) | |
| Michael Robert Nyman | ... | N.Y. Uniform Cop (uncredited) | |
| Grace Sinden | ... | Nurse (uncredited) | |
Directed by | |||
| Bryan Singer | |||
Writing credits | ||
| Christopher McQuarrie | (written by) | |
Original Music by | |||
| John Ottman | |||
Cinematography by | |||
| Newton Thomas Sigel | |||
Film Editing by | |||
| John Ottman | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Howard Cummings | |||
Art Direction by | |||
| David Lazan | |||
Set Decoration by | |||
| Sara Andrews | |||
Costume Design by | |||
| Louise Mingenbach | |||
Makeup Department | |||
| David P. Barton | .... | special makeup designer (as David Barton) | |
| Michelle Barton | .... | special makeup effects crew: Modus | |
| Michelle Bühler | .... | key makeup artist | |
| Chris Cantley | .... | special makeup effects crew: Modus | |
| Raqueli Dahan | .... | assistant hair stylist | |
| Raqueli Dahan | .... | assistant makeup artist | |
| David Greathouse | .... | special makeup effects crew: Modus | |
| Kimberly Greene | .... | makeup swing | |
| Richard Maybery | .... | special makeup effects crew: Modus | |
| Barbara Olvera | .... | key hair stylist | |
| Yolanda Squatpump | .... | special makeup effects crew: Modus | |
Production Management | |||
| Vicky Herman | .... | production supervisor | |
| Jane Raab | .... | production manager: New York | |
| Michael Tinger | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Athena Alexander | .... | second second assistant director | |
| James D. Deck | .... | first assistant director (as James Deck) | |
| Kenneth Kokin | .... | second unit director | |
| David Marcellino | .... | assistant director: New York (as Dave Marcellino) | |
| Alan Steinman | .... | second assistant director | |
Art Department | |||
| Angel Acosta | .... | assistant property master | |
| William Bastiani | .... | set construction laborer | |
| Charles Billen Jr. | .... | set construction laborer | |
| Tony Bonaventura | .... | property master | |
| Peter Borck | .... | lead person | |
| John Coven | .... | storyboard artist | |
| Joseph W. Grafmuller | .... | swing (as Joseph Grafmuller) | |
| Steven Ingrassia | .... | swing | |
| Maria Jaramillo | .... | scenic artist | |
| Mark Meloccaro | .... | art department coordinator | |
| Celia Parker | .... | set construction laborer | |
| R.A. Tony Poland | .... | set construction laborer (as Ray Poland) | |
| Thomas Power | .... | shopper | |
| Thomas Power | .... | swing | |
| Scott Saunders | .... | assistant property master | |
| Phillip Schneider | .... | lead scenic | |
| Liz Shaner | .... | set construction laborer | |
| Diane Taylor | .... | set construction laborer | |
| Lorri Wakefield | .... | art department production assistant | |
| Caroline Wallner | .... | set construction laborer | |
| Francis Whitebloom | .... | on-set dresser | |
Special Effects by | |||
| Roy L. Downey | .... | special effects coordinator (as Roy Downey) | |
| Greg Hendrickson | .... | special effects foreman | |
Visual Effects by | |||
| David B. Long | .... | digital playback supervisor | |
Stunts | |||
| Billy Bates | .... | stunts (as William Bates) | |
| Ken Blazer | .... | stunts | |
| Michael Carr | .... | stunts | |
| Ashley Casino | .... | stunts | |
| John Casino | .... | stunts | |
| Fernando Celis | .... | stunts | |
| Max Daniels | .... | stunts | |
| Joe Dunne | .... | stunts | |
| Diamond Farnsworth | .... | stunts | |
| Alex Gaona | .... | stunts | |
| John Gillespie | .... | stunts | |
| Bob Havice | .... | stunts | |
| Ethan Jensen | .... | stunt coordinator: second unit | |
| Gary Jensen | .... | stunt coordinator | |
| Billy Judkins | .... | stunts (as Bill Judkins) | |
| Pat Millicano | .... | stunts | |
| Ryan Patrick Ross | .... | stunts | |
| Harry Wowchuk | .... | stunts | |
Casting Department | |||
| Kathy Driscoll | .... | casting associate | |
| Judie Fixler | .... | extras casting: New York | |
| Lisa Miller | .... | casting associate | |
Costume and Wardrobe Department | |||
| Erin Beck | .... | additional costumer | |
| Lori Eskowitz | .... | costume supervisor | |
| Prudence Moriarty | .... | wardrobe supervisor: New York | |
| Caitlin Shamberg | .... | costume assistant | |
| Tara Spurlock | .... | set costumer | |
Editorial Department | |||
| Roger Fenton | .... | assistant editor | |
| Jennifer Flynn | .... | post-production coordinator | |
| Andrew Gorry | .... | apprentice editor | |
| Gloria Kaiser | .... | color timer | |
| Kelley Pate | .... | apprentice editor | |
| Mary Beth Smith | .... | negative cutter | |
Music Department | |||
| Dan Abernathy | .... | music recording engineer | |
| Larry Groupé | .... | conductor (as Larry Groupe) | |
| Larry Groupé | .... | orchestrator (as Larry Groupe) | |
| Darrell Harvey | .... | music recording engineer | |
| Lia Vollack | .... | music editor | |
| Lawrence Czoka | .... | music preparation (uncredited) | |
| John Ottman | .... | orchestrator (uncredited) | |
| Dan Siegel | .... | session musician (uncredited) | |
Transportation Department | |||
| Joseph Aroesti | .... | transportation co-captain | |
| Michael Banlowe | .... | driver | |
| Jody Bingenheimer | .... | driver | |
| Robin D. Bishop | .... | driver | |
| Joe Cosentino | .... | driver | |
| Joe Cosentino | .... | transportation captain | |
| Pat Cosentino | .... | driver | |
| Sherri Cosentino | .... | driver | |
| Frances Culp | .... | driver | |
| Angel Desanti | .... | driver | |
| Sean Dugen | .... | driver | |
| Eugene Farrington | .... | driver | |
| Antonio Franchi | .... | driver | |
| Johnathon Gorman | .... | driver | |
| Geno Hart | .... | transportation coordinator | |
| Glenn Knowlton | .... | driver | |
| Mark McDermitt | .... | driver | |
| Jeffrey L. Moore | .... | driver (as Jeff Moore) | |
| Steve Nickolai | .... | driver (as Steve Nikolai) | |
| Ken Plumlee | .... | transportation captain | |
| Ron Pope | .... | transportation operations manager | |
| William Smallwood | .... | driver | |
| Jerry Snaiczuk | .... | driver | |
| Randy Tenhaeff | .... | driver | |
| Mike Welch | .... | driver | |
| David D.B. Wilson | .... | driver (as David Wilson) | |
| Brian Apt | .... | transportation office (uncredited) | |
| William R. Peck | .... | driver (uncredited) | |
Other crew | |||
| Thomas D. Adelman | .... | production coordinator (as Tom Adelman) | |
| John Alvarez | .... | security officer | |
| Rachel Arno | .... | office production coordinator | |
| Michael Bentley | .... | stand-in | |
| Luke Bittel | .... | intern | |
| Yvette Brestyanszky | .... | assistant to producers | |
| Brad Carroll | .... | production assistant: New York | |
| Wendy Dallas | .... | script supervisor | |
| Robert Dawson | .... | title designer | |
| Tony Estrado | .... | security officer | |
| Matthew R. Eyraud | .... | key set production assistant (as Matthew Eyraud) | |
| Jennifer Flynn | .... | assistant to producers and director | |
| Ellen Francisco | .... | craft service | |
| Ashley R. Friedman | .... | location manager (as Ashley Friedman) | |
| Andrew Gorry | .... | assistant: Mr. Singer | |
| John Herget | .... | first aid | |
| Lynn Hockin | .... | assistant accountant | |
| Damon Intrabartolo | .... | assistant: Mr. Ottman | |
| Josh R. Jaggars | .... | production assistant (as Josh Jaggars) | |
| Jun C. Lin | .... | location assistant (as Jun Lin) | |
| Jana Ludwigova | .... | script supervisor: second unit | |
| David Markland | .... | office production coordinator | |
| Mike James Masumoto | .... | set production assistant (as Michael Masumoto) | |
| Haley McLane | .... | additional script supervisor | |
| Douglas Morton | .... | assistant production coordinator | |
| David Pollack | .... | unit publicist (as David Pollick) | |
| Andrea Celandine Rice | .... | office production coordinator | |
| Chanel Salzer | .... | location manager | |
| Greg Schnabel | .... | location manager: New York | |
| Alexandra Schultze | .... | assistant to producers | |
| George Sheanshang | .... | finance and distribution counsel | |
| Deborah Tabak | .... | set production assistant | |
| Johnny Tonini | .... | stand-in | |
| Brian A. Williams | .... | production accountant | |
| Baker Winokur Ryder | .... | publicist | |
| Petra Jorgensen | .... | script supervisor: second unit (uncredited) | |
| Bertram McCann | .... | marine coordinator (uncredited) | |
| Carsten Meyer-Grohbrügge | .... | assistant: Francois Duplant (uncredited) | |
| Scott B. Morgan | .... | intern (uncredited) | |
| Abigail Sheiner | .... | first assistant accountant: preparation (uncredited) | |
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Five hoodlums are hauled into a police station in a dragnet roundup of The Usual Suspects that are brought in for questioning when something big breaks. Good chance any one or all could have been involved. If you remember in the film The Brink's Job, there is a scene where within a day a lot of Boston's known hoodlums are brought in for questioning. The dragnet brought in Stephen Baldwin, Bernicio DelToro, Kevin Spacey, Gabriel Byrne, and Kevin Pollak. From this motley crew a gang is born.
Flash forward to several years later when there is a horrific fire on board a freighter where there has been a gun battle with many deaths. Kevin Spacey managed to survive along with two others of the freighter crew and is being questioned in the police station by US Customs Agent Chazz Palmenteri and LA cop Dan Hedaya.
After a couple of other jobs, this crew winds up working for a criminal mastermind from the Balkans who is known as Keyser Sose who is known to be so ruthless that the criminal population itself is scared to death. This guy is spoken of like he was Satan himself and of course the police want him big time also.
I can't say much more because the plotting of The Usual Suspects is so intricate and filled with unexpected twists that to spoil this film would be a crime itself. Some here like Stephen Baldwin give their best performances on screen. Kevin Spacey won his first Oscar, this one in the Best Supporting Actor category. The category has me stumped because it's his character that's the key to the whole film. The other Oscar The Usual Suspects won was for Christopher McQuarrie for one highly original Screenplay.
The Usual Suspects has enough action for those who crave that, especially when we do see the final battle on that freighter and it's also some highly literate dialog for those who appreciate that. It's best compared to that granddaddy of all caper films The Asphalt Jungle, it's that good.