| Laurence Fishburne | ... | Hannibal Lee | |
| Allen Payne | ... | Walter Peoples | |
| Malcolm-Jamal Warner | ... | Leroy Cappy | |
| Courtney B. Vance | ... | Lt. Glenn (as Courtney Vance) | |
| Andre Braugher | ... | Benjamin O. Davis | |
| Christopher McDonald | ... | Major Joy (as Chris McDonald) | |
| Daniel Hugh Kelly | ... | Col. Rogers | |
| John Lithgow | ... | Senator Conyers | |
| Cuba Gooding Jr. | ... | Billy Roberts | |
| Mekhi Phifer | ... | Lewis Johns | |
| Christopher Bevins | ... | Young Hannibal | |
| Eddie Braun | ... | Tail gunner | |
| Max Daniels | ... | Left waist gunner | |
| Jack Dwyer | ... | Operations officer | |
| James Field | ... | Conductor | |
| Vivica A. Fox | ... | Charlene (as Vivica Fox) | |
| Bennet Guillory | ... | Hannibal's father | |
| David Harrod | ... | White pilot #1 | |
| Brett A. Jones | ... | Right waist gunner (as Brett Jones) | |
| Johnny Judkins | ... | White pilot #2 | |
| Tim Kelleher | ... | Lt. Wesley (B17) | |
| Doug Kruse | ... | Walter's instructor | |
| Ed Lauter | ... | General Stevenson | |
| Barry Lehman | ... | German prisoner | |
| Janet MacLachlan | ... | Hannibal's mother | |
| Allen McCormick | ... | Lewis' instructor | |
| Willie Minor | ... | Black prisoner | |
| Perry Moore | ... | Reggie Newton | |
| Rosemary Murphy | ... | Eleanor Roosevelt | |
| Marco Perella | ... | Col. Sirca | |
| David Pickens | ... | Gang boss | |
| William Earl Ray | ... | Tank | |
| Rick Snyder | ... | Chairman Cassidy | |
| Allen R. Stokes | ... | Drill sergeant | |
| Ned Vaughn | ... | Capt. Butler (B-17) | |
| rest of cast listed alphabetically: | |||
| Graham Jarvis | ... | Senator (uncredited) | |
| John Lizzi | ... | Senator at hearing (uncredited) | |
Directed by | |||
| Robert Markowitz | |||
Writing credits(WGA) | ||
| Paris Qualles | (teleplay) and | |
| Trey Ellis | (teleplay) and | |
| Ron Hutchinson | (teleplay) | |
| Robert Williams | (story) and | |
| T.S. Cook | (story) | |
Produced by | |||
| Carol Bahoric | .... | co-producer | |
| Bill Carraro | .... | producer | |
| Frank Price | .... | executive producer | |
| Robert Williams | .... | co-executive producer | |
Original Music by | |||
| Lee Holdridge | |||
Cinematography by | |||
| Ron Orieux | (director of photography) (as Ronald Orieux) | ||
Film Editing by | |||
| David Beatty | |||
Casting by | |||
| Robi Reed-Humes | |||
Production Design by | |||
| Christiaan Wagener | |||
Art Direction by | |||
| Russell J. Smith | (as Russel Smith) | ||
Set Decoration by | |||
| Ernie Bishop | (as Ernest Bishop) | ||
Costume Design by | |||
| Ileane Meltzer | |||
Makeup Department | |||
| Stacye P. Branche | .... | key makeup artist (as Stacye Branche) | |
| Denise Fischer | .... | makeup artist | |
| Rebekah Irwin | .... | barber | |
| Vicki Jones | .... | makeup artist: aerial unit (as Vickie L. Jones) | |
| Steve Marshall | .... | makeup artist | |
| Nadyne Peoples | .... | key hair stylist | |
| Dana Tanner | .... | makeup artist: aerial unit | |
Second Unit Director or Assistant Director | |||
| Kevin LaRosa | .... | second unit director: aerial unit | |
| B. Scott Senechal | .... | first assistant director: aerial unit (as Scott Senechal) | |
| Bruce A. Simon | .... | first assistant director | |
| Donald Sparks | .... | second assistant director (as Donald L. Sparks) | |
| Lawrence M. Wagner | .... | second second assistant director (as Larry Wagner) | |
Special Effects by | |||
| Leslie Amos | .... | special effects assistant | |
| Fred Cramer | .... | special effects coordinator | |
| Ken Estes | .... | special effects foreman | |
| Jack R. White | .... | special effects assistant | |
| Patrick R. Wroughton | .... | special effects assistant | |
Visual Effects by | |||
| Bill Hansard | .... | projection scenes (as Billy Hansard) | |
| Larry Jolly | .... | models | |
| John R. McConnell | .... | Domino artist (as John McConnell) | |
| Ray McIntyre Jr. | .... | digital effects supervisor (as Raymond McIntyre Jr.) | |
| Michael Muscal | .... | visual effects supervisor | |
| Charlie Tang | .... | Domino artist | |
| Billy Williams | .... | visual effects coordinator | |
| Reid Paul | .... | digital compositor (uncredited) | |
Stunts | |||
| Vandy Anderson | .... | crew: B-17 unit | |
| Tony Brubaker | .... | stunt coordinator | |
| Brent Burditt | .... | stunts | |
| Michael D. Burke | .... | stunt co-pilot: B-17 | |
| Ladd Doctor | .... | stunt pilot: Me-109 | |
| Lee Donham | .... | stunt pilot: AT-6/Stearman (as Lee R. Donham) | |
| Thomas E. Gregory III | .... | crew: B-17 unit | |
| Thomas Matthew Jackson | .... | stunt pilot: P-51 | |
| Trevor C. Jones | .... | crew: B-17 unit | |
| Kevin LaRosa | .... | stunt coordinator: aerial stunts | |
| Jimmy Leeward | .... | stunt pilot: P-51 (as James K. Leeward) | |
| John Loerch | .... | stunt pilot: ferry, Stearman | |
| Dan Martin | .... | stunt pilot: P-51 | |
| Alden H. Miller | .... | stunt pilot: PT-17 | |
| James W. Milon | .... | stunts | |
| Edward J. Modes | .... | stunt pilot: AT-6 | |
| Leeman Pior | .... | mechanic: B-17 unit crew | |
| Ralph Royce | .... | stunt pilot: B-17 | |
| Cliff Shirpser | .... | stunt pilot: AT-6 (as Clifford G. Shirpser) | |
| Art Vance | .... | stunt pilot: P-51 | |
| Dan Vance | .... | stunt pilot: P-51 | |
| Leslie Walters | .... | stunts | |
| Bob Younkin | .... | stunt pilot: Travel Air 4000 & AT-6 | |
Casting Department | |||
| Debbie Blair | .... | extras casting associate | |
| Brent Burditt | .... | extras casting assistant | |
| Barbara Harris | .... | voice casting | |
| Ricki Maslar | .... | extras casting | |
| Angela Ortiz | .... | casting associate | |
Costume and Wardrobe Department | |||
| Craig Anthony | .... | wardrobe supervisor | |
| Heidi Kure | .... | set costumer | |
| Heidi Kure | .... | wardrobe: aerial unit | |
| John Thiele | .... | costumer | |
| Scott Tomlinson | .... | assistant costume designer | |
| Kaye Wise | .... | additional costumer | |
Editorial Department | |||
| Shana Bacal | .... | post-production intern | |
| Clay Cambern | .... | assistant editor | |
| Susie Fredrickson | .... | post-production assistant (as Susan L. Fredrickson) | |
| Charlotte Grau | .... | telecine colorist | |
| Susan Heick | .... | additional assistant editor | |
| Bob McMillian | .... | color timer | |
| Ken Poteat | .... | apprentice editor | |
| Z. Jean Woods | .... | first assistant editor | |
Music Department | |||
| Frank Capp | .... | music coordinator | |
| Gary Gray | .... | music recordist | |
| Ira Hearshen | .... | orchestrator | |
| Mark Heyes | .... | music editor | |
| Stan Jones | .... | music editor | |
| Gary Gray | .... | score engineer (uncredited) | |
Transportation Department | |||
| Loren Bess | .... | driver | |
| Jon Carpenter | .... | transportation coordinator | |
| Kevin Cortez | .... | driver (as Kevin M. Cortez) | |
| J. Armin Garza II | .... | insert car driver: aerial unit | |
| Chris Gorden | .... | driver | |
| Shane Greedy | .... | transportation captain | |
| Steve Howard | .... | driver (as Steven J. Howard) | |
| John A. Mulson Jr. | .... | driver | |
| R. Kenneth Murray | .... | driver | |
| Joy Perezchica | .... | driver | |
| Davis M. Pryor | .... | driver (as David M. Pryor) | |
| Davis M. Pryor | .... | transportation: aerial unit (as David Pryor) | |
| James Samuel | .... | driver | |
| Jim Sgrignoli | .... | driver | |
| Mary La Ree Sgrignoli | .... | driver (as Mary Laree Sgrignoli) | |
| Eric Stanford | .... | driver | |
| Nick Stavrow | .... | driver (as Nick Stavrow Jr.) | |
| Tom Stillman | .... | transportation co-captain | |
| Jim Stirwalt | .... | driver | |
| Allen Strockbine | .... | driver: honeywagon | |
| Michelle Weaver | .... | driver | |
| Richard Weaver | .... | driver | |
| Warren Welsh | .... | driver | |
Thanks | |||
| Mary Nell Clark | .... | special thanks: Oklahoma Film Office | |
| Suzy Lilly | .... | special thanks: Arkansas Film and Development Office | |
| Mitchell E. Marovitz | .... | we gratefully acknowledge the cooperation of: Army Office of Public Affairs, Los Angeles Branch (as Lieutenant Colonel Mitchell E. Marovitz) | |
| Major Thomas McCollum | .... | we gratefully acknowledge the cooperation of: military coordinator/technical advisor (as Major Thomas D. McCollum) | |
| Philip M. Strub | .... | we gratefully acknowledge the cooperation of: Department of Defense liaison | |
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| Tora! Tora! Tora! | Twelve O'Clock High | Flying Tigers | Apocalypse Now | Air Force |
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THE TUSKEEGEE AIRMEN is a film that I tend to get very emotional about. I can never see the ending without tears of appreciation, joy and intense pride.
It all comes home for me as a self admittedly rednecked White bomber pilot says in the final briefing: "I have a crew whose lives are my responsibility. If it's all the same to you Sir, I want the 332nd to take me to Berlin and back".
That cinematic statement is a long overdue Thank You from America to the pilots of the 332nd Fighter Group, both the living and the dead, for a job well done.
I personally owe the Tuskeegee Airmen a sincere vote of thanks, as does EVERY Black person who has ever had the honor of having flown a military aircraft for the United States. The Tuskeegee Airmen blazed the trail that made it possible for others to follow.
I've met a couple of the original Tuskeegee pilots, and I've heard their stories. The discrimination and bigotry shown in the film was NOTHING compared to the realities that they faced day after day. Even after the war, as decorated fighter pilots, the bigotry they faced on their return to the US was unbelievable.
One old fighter pilot told me of how he had just come ashore from the troopship in full uniform, and was almost immediately arrested by the military police in New York City on a charge of impersonating an officer and wearing unauthorized decorations; the MP just KNEW that there was no such thing as a Black fighter pilot.
Another told me of his postwar attempts to gain employment as an airline pilot as the lines geared up for the bright future that they saw coming. Ex military pilots with half his experience who were White were being snapped up without question... but after much beating around the bush, he was finally told that even as impressive as his credentials were, there was no place for him in the industry. He recalled that the airline representative that told him was so ashamed that he couldn't look him in the eye as he said it.
Lawrence Fishburn's portrayal of Lt. Hannibal Lee is probably typical of the men who were part of this, the SECOND "Tuskeegee Experiment". They were college graduates, the best of the best, who had survived a system deliberately designed to eliminate them from flight training.
Andre Braugher's testimony (as Col. Ben O. Davis Jr.) before the Congressional committee says it all when he asks what he, as a Black soldier, should think of a nation that despises him even as he lays down his life to defend it... a nation that asks him to fight for principles that don't apply to HIM personally.
The film has technical flaws... every film does... but beyond them it tells a story that, by design or negligence, has been ignored by American history for almost a half century.