| Photos (see all 24 | slideshow) | Videos |
| Kevin Spacey | ... | Buddy Ackerman | |
| Frank Whaley | ... | Guy | |
| Michelle Forbes | ... | Dawn Lockard | |
| Benicio Del Toro | ... | Rex | |
| T.E. Russell | ... | Foster Kane | |
| Roy Dotrice | ... | Cyrus Miles | |
| Matthew Flint | ... | Manny | |
| Patrick Fischler | ... | Moe | |
| Jerry Levine | ... | Jack | |
| rest of cast listed alphabetically: | |||
| Sabryn Genet | ... | (uncredited) | |
| Kyle Reed | ... | Studio Executive (uncredited) | |
Directed by | |||
| George Huang | |||
Writing credits(in alphabetical order) | ||
| George Huang | writer | |
Produced by | |||
| Steve Alexander | .... | producer | |
| Jay Cohen | .... | executive producer | |
| Buzz Hays | .... | co-producer | |
| Stephen Israel | .... | executive producer | |
| Joanne Moore | .... | producer | |
| Louis Nader | .... | line producer | |
| Kevin Reidy | .... | associate producer | |
| Kevin Spacey | .... | co-producer | |
Original Music by | |||
| Tom Hiel | |||
Cinematography by | |||
| Steven Finestone | |||
Film Editing by | |||
| Ed Marx | |||
Casting by | |||
| Laurel Smith | |||
| Andrea Stone | (as Andrea Stone Guttfreund) | ||
Production Design by | |||
| Cecil Gentry | |||
| Veronika Merlin | |||
Art Direction by | |||
| Karen Haase | |||
Costume Design by | |||
| Kirsten Everberg | |||
Makeup Department | |||
| Sarah Gaye Deal | .... | key hair stylist | |
| Sarah Gaye Deal | .... | key makeup artist | |
| Martin L. Mercer | .... | special makeup effects artist (as Martin Mercer) | |
| Solina Tabrizi | .... | key hair stylist (uncredited) | |
Production Management | |||
| Albert T. Dickerson III | .... | production supervisor (as Al Dickerson) | |
| Kevin Reidy | .... | post-production supervisor | |
| John Schindler | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Rebecca Fulton | .... | second assistant director | |
| Michael Proust | .... | first assistant director | |
Art Department | |||
| Segolen Koschu | .... | set dresser | |
| Christy Schnabel | .... | property master | |
| Jeffrey Sibille | .... | swing crew (as Jeff Sebille) | |
| Deverill Weekes | .... | swing crew | |
Sound Department | |||
| Phil Benson | .... | additional sound effects editor | |
| Phil Benson | .... | sound re-recording mixer | |
| Scott Chandler | .... | sound re-recording mixer | |
| Patrick Clancy | .... | foley editor | |
| Giovanni Di Simone | .... | production sound mixer (as Giovanne DiSimone) | |
| Colin Drobnis | .... | adr mixer (as Collin Drobnis) | |
| Tony Eckert | .... | foley mixer | |
| Mark Gunson | .... | foley editor | |
| Buzz Hays | .... | dialogue editor | |
| Buzz Hays | .... | sound effects editor | |
| George Huang | .... | adr editor | |
| George Huang | .... | dialogue editor | |
| George Huang | .... | sound effects editor | |
| Marnie Moore | .... | foley walker | |
| David Parker | .... | supervising re-recording mixer | |
| Linda Perry | .... | boom operator | |
| Chris Potter | .... | adr mixer | |
| Seth Restaino | .... | assistant sound editor | |
| Philip Rogers | .... | sound recordist (as W. Phillip Rogers) | |
| Robert Todd | .... | dialogue editor (as Robert Roomtone Todd) | |
| Mark Jan Wlodarkiewicz | .... | additional sound effects editor | |
| Randolph Saucedo | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Dennis Dion | .... | special effects coordinator | |
Visual Effects by | |||
| Michael Hinton | .... | optical effects supervisor | |
| Bruce Miller | .... | optical line-up | |
| Scott Smerdon | .... | rotoscope camera | |
Stunts | |||
| Mike Kirton | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Tripp Brown | .... | grip | |
| James Carlton | .... | best boy grip (as Jim Carlton) | |
| Steven Finestone | .... | camera operator | |
| Barry Gross | .... | rigging gaffer | |
| Sean T. Hannan | .... | key grip (as Sean Hannan) | |
| Greg Hoagland | .... | electrician | |
| John Lenkin | .... | third assistant camera | |
| Reginald Powell | .... | additional camera operator (as Reg Powell) | |
| Reginald Powell | .... | gaffer (as Reg Powell) | |
| John Robella | .... | second assistant camera | |
| Sacha Sarchielli | .... | first assistant camera (as Sascha Sarchelli) | |
| Sacha Sarchielli | .... | steadicam operator (as Sascha Sarchelli) | |
| Aaron Iggy Scarpitti | .... | rigging gaffer (as Iggy Scarpitti) | |
| Gregory Shummon | .... | best boy electric (as Greg Shuman) | |
| Orren Webber | .... | electrician | |
Costume and Wardrobe Department | |||
| Kate Wilcox | .... | wardrobe supervisor | |
Editorial Department | |||
| Paul Heiman | .... | assistant editor (as Paul Hyman) | |
| David Parmenter | .... | negative cutter (as Dave Parmenter) | |
| Boyd Steer | .... | negative cutter | |
| Paul Tanzillo Jr. | .... | negative cutter (as Paul E. Tanzillo) | |
| Jim Williams | .... | color timer | |
Music Department | |||
| Sharal Churchill | .... | music supervisor | |
| Marco D'Ambrosio | .... | composer: additional music (as Marco d'Ambrosio) | |
| Ed Marx | .... | music editor | |
Transportation Department | |||
| James Blevins | .... | transportation captain | |
| Derew Frutos | .... | driver | |
| John Lenkin | .... | driver | |
| Raymond Lopez | .... | driver | |
| Tom Wages | .... | driver | |
Thanks | |||
| Mark Barbolak | .... | special thanks | |
| C.N. Cooper Jr. | .... | special thanks | |
| Donald Devorris | .... | special thanks | |
| Philip Devorris | .... | special thanks | |
| Barry Josephson | .... | special thanks | |
| Bradford S. Lovette | .... | special thanks | |
| Robert Rodriguez | .... | special thanks | |
| Kristin Stavola | .... | special thanks | |
| Jon F. Vein | .... | special thanks (as Jon Vein) | |
| Kimber Wheeler | .... | special thanks | |
| Bryan Wolf | .... | special thanks | |
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Powerful movie that shows the nastier, more foul-mouthed side of Hollywood. Guy, played by Whaley, is a Hollywood rookie with no real experience but some lofty goals. The movie charts his learning of the ways of Hollywood through becoming an assistant for fastidious big-shot producer Buddy Ackerman (Spacey), and his subsequent unlearning of the 'normal' moral values that apply almost anywhere else. A remarkable performance from Spacey who is by turns searingly offensive, scathingly funny and (funnily enough) vividly human. Making an audience feel for such a revolting character is a feat not many could accomplish, but Spacey's up to the task. Frank Whaley (possibly known to you through a bit part in 'Pulp Fiction') also turns in a very strong performance as the disillusioned young assistant who falls in love (or rather, in bed) with a female producer played by the sultry Michelle Forbes. Spacey and Whaley's interplay in key scenes is riveting, and for the most part, the younger Whaley manages to stay out of Spacey's shadow.
The movie's ending is quite unforeseeable, and its message can be construed either as darkly humorous satire against Hollywood, or as a nihilistic comment on the ways of mankind. Judging by the not-so-humorous tone of the movie (though ludicrously enough it was marketed as a comedy), to me it feels like the latter applies. Definitely worth seeing, even if only for Spacey. 8/10