| Fred Dryer | ... | Lt. Rick Hunter | |
| Barry Bostwick | ... | Matt Sherry | |
| Lisa Eilbacher | ... | Sally Vogel | |
| John C. McGinley | ... | Det. Sgt. Harry McBride | |
| Beth Toussaint | ... | Vicki Morgan Sherry | |
| Denis Arndt | ... | D.A. Frank Battaglia | |
| Miguel Ferrer | ... | Jack Valko | |
| Charles Hallahan | ... | Capt. Charlie Devane | |
| Phillip Van Dyke | ... | Tommy Sherry | |
| Wendie Malick | ... | Pat Lafferty | |
| Wendie Jo Sperber | ... | Lucille | |
| Barry Lynch | ... | Michael, Matt's Attorney | |
| Brian Keith | ... | Pete Morgan | |
| Ruben Santiago-Hudson | ... | Det. Stan Lewis | |
| Francis X. McCarthy | ... | Lou Patrone | |
| Joel Anderson | ... | PSA Director | |
| Lenore Andriel | ... | Professional Woman | |
| Robert Harvey | ... | Larry | |
| Cynthia Madvig | ... | Cynthia Cross | |
| Keith Sellon-Wright | ... | Yuppie Guy | |
| Sid Sham | ... | Roberto | |
| Joe Fowler | ... | Nick Brooks | |
| Diana Nyad | ... | Reporter #1 | |
| Mark Thompson | ... | Reporter #2 | |
| Mary Major | ... | Reporter #3 | |
| Rick Garcia | ... | Reporter #4 |
Directed by | |||
| Bradford May | |||
Writing credits(WGA) | ||
| Bill Nuss | (written by) | |
Produced by | |||
| Stephen J. Cannell | .... | executive producer | |
| Fred Dryer | .... | executive producer | |
| Bill Nuss | .... | executive producer | |
| Virginia Dare Oliver | .... | producer (as Virginia Oliver) | |
| Victor A. Schiro | .... | executive producer | |
Original Music by | |||
| Joseph Conlan | |||
Cinematography by | |||
| Bradford May | (director of photography) | ||
Film Editing by | |||
| Bud Hayes | |||
Casting by | |||
| Lucy Cavallo | |||
| Brad Warshaw | |||
Production Design by | |||
| Daniel A. Lomino | (as Daniel Lomino) | ||
Set Decoration by | |||
| Donald Krafft | |||
Costume Design by | |||
| Madeline Ann Kozlowski | |||
Makeup Department | |||
| Mark Bussan | .... | makeup artist | |
| Dianne Roberson | .... | hair stylist (as Diane Roberson) | |
| Donna Turner Culver | .... | hair stylist (as Donna Turner-Culver) | |
Production Management | |||
| Matthew N. Herman | .... | executive in charge of production | |
| Jim Sharp | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Richard Denault | .... | first assistant director | |
| Eric Oliver | .... | second second assistant director | |
| Jono Oliver | .... | second assistant director | |
Art Department | |||
| Nick F. Caprarelli | .... | property master (as Nick Caprarelli) | |
| John French | .... | paint foreman | |
| William 'W' Gilpin | .... | construction coordinator | |
Sound Department | |||
| Craig Clark | .... | dialogue editor | |
| John S. Coffey | .... | sound mixer (as John Coffee) | |
| Clancy T. Troutman | .... | supervising sound editor | |
| James Troutman | .... | sound effects coordinator | |
Special Effects by | |||
| John E. Gray | .... | special effects supervisor (as John Gray) | |
Stunts | |||
| Charlie Brewer | .... | stunt double | |
| Christopher Doyle | .... | stunt coordinator (as Chris Doyle) | |
| John Escobar | .... | utility stunts | |
| Hubie Kerns Jr. | .... | stunts | |
Camera and Electrical Department | |||
| Frank Keever | .... | key grip | |
| Michael L. May | .... | assistant camera | |
| Tim McArdle | .... | gaffer | |
| Russell McElhatton | .... | camera operator | |
| Mark Pickens | .... | dolly grip | |
Editorial Department | |||
| Donald Dean Kelly | .... | assistant editor | |
| Gary Winter | .... | executive in charge of post-production | |
Music Department | |||
| Michael Aarvold | .... | music scoring mixer | |
| Pete Carpenter | .... | composer: theme "Hunter" | |
| Sue Eller | .... | music editor | |
| Mike Post | .... | composer: theme "Hunter" | |
| David Sibley | .... | music supervisor | |
Transportation Department | |||
| Austin Thompson | .... | transportation coordinator | |
Other crew | |||
| Michael Beche | .... | location manager (as Mike Beche) | |
| Julie Beers | .... | assistant to executive producer | |
| Wally Caddow | .... | assistant production coordinator | |
| Grace Curcio | .... | assistant to executive producer | |
| Joni Dlugatch | .... | assistant: Mr. May | |
| Dawn C. Dreiling | .... | script supervisor (as Dawn Dreiling) | |
| Tom Hazelton | .... | technical advisor | |
| Margo Hunt | .... | production coordinator | |
| Gary Watt | .... | location manager | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Cape Fear | The Case of the Black Cat | Ghost | Another Thin Man | After the Thin Man |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | IMDb Crime section |
| IMDb USA section | Add this title to MyMovies |
*** This comment may contain spoilers ***
***SPOILERS*** ***SPOILERS*** Hunter has been made Lieutenant in the LAPD and is enjoying a less stressful life in management. He is engaged to Vicky Sherry, ex-wife of ex-NBA star Matt Sherry. On hearing news of their engagement Matt pays a visit to Vicky and a fight ensues. Vicky calls Hunter to tell him that her ex is bothering her again, but when he gets there she has been murdered. With Matt Sherry the main suspect the media start a feeding frenzy around him prompting the real killer to come forward and start a cat and mouse game with Hunter in order to get the media coverage for himself.
As the title suggests this is the return of the cop Hunter who had a hit series many years ago. The story is a little confused even by his standards. The killer, Jack, is connected to other crimes and appears to have hit Hunter's fiancé as part of a series - however how Hunter works this out is unclear. The rest of it is pretty straight forward with no mystery of sense of excitement. It tries to spice things up by trying to be an attack on media sensationalism of criminals and also an attack on the liberal society in LA that lets criminals go for all sorts of reasons but goes to town on any cops that even slightly mess up (hence Everyone Walks in LA).
This is where it falls down a bit. Hunter's politics almost seems to be defending the cops who beat up Rodney King and the films points about the media are hardly new or clever. The media stuff is the same sort of material that 15 minutes tried to do and, even though this does it better, it's still not very good.
The cast are much better than the film deserves. Fred Dyer looks old now and feels a little like William Shatner in TJ Hooker - ie aging right wing cop given a stage to preach from. Barry Bostwick isn't very good as Matt Sherry - he just isn't convincing in a straight role. He's good in tongue-in-cheek roles such as he was in Spin City and the Rocky Horror Picture Show, however here he just feels trapped. Another good actor with not much to do is John C McGinley - it's hard to watch him in things like this after seeing him in so many big movies. And of course Miguel Ferrer - if you know who he is then you'll immediately know what role he plays - that's right, the killer (I haven't spoilt it, you know it from a third into the movie). He's good but only because his character's obsession with the media is interesting.
Overall it's an OK film with one or two things of interest. However the subtexts don't work very well and the thriller plot is pretty standard.