| Jessica Lange | ... | Margaret Lewin | |
| Halle Berry | ... | Khaila Richards | |
| David Strathairn | ... | Charles Lewin | |
| Cuba Gooding Jr. | ... | Eddie Hughes | |
| Daisy Eagan | ... | Hannah Lewin | |
| Marc John Jefferies | ... | Isaiah | |
| Samuel L. Jackson | ... | Kadar Lewis | |
| Joie Lee | ... | Marie | |
| Regina Taylor | ... | Gussie | |
| LaTanya Richardson | ... | Caroline Jones | |
| Jacqueline Brookes | ... | Judge Silbowitz | |
| Donovon Ian H. McKnight | ... | Amir | |
| Rikkia A. Smith | ... | Josie | |
| Paulette McDaniels | ... | Ethel | |
| Velma Austin | ... | Rehab Leader | |
| Glenda Starr Kelly | ... | Group Leader | |
| Joan Kohn | ... | Toby Fredericks | |
| Patrick Clear | ... | Bill Fredericks | |
| Gabriella Santinelli | ... | Heidi | |
| Mike Bacarella | ... | Liquor Store Clerk | |
| Mike Houlihan | ... | Liquor Store Cop #1 | |
| John Beasley | ... | Garbage Man | |
| James 'Ike' Eichling | ... | Garbage Man | |
| James F. Tillett | ... | Intern | |
| John Judd | ... | Paramedic | |
| Cheryl Hamada | ... | ER Nurse | |
| Jackie Taylor | ... | ER Nurse | |
| Valerie Shull | ... | Mrs. Ianelli | |
| Laura Cerón | ... | NICU Woman | |
| Jackie Samuel | ... | NICU Nurse | |
| Deanna Dunagan | ... | Dr. Goldstein | |
| Mike Nussbaum | ... | Dr. Jamison | |
| Margaret Travolta | ... | Sandra Harris | |
| Eddie Bo Smith Jr. | ... | Alley Junkie | |
| Jaqueline Fleming | ... | File Cabinet Girl | |
| Sibyl Offutt | ... | Tenement Woman | |
| Greg Hollimon | ... | Tenement Man (as Gregory Hollimon) | |
| Rick Worthy | ... | Alley Man | |
| Torrence W. Murphy | ... | Alley Man | |
| Crystal Barnes | ... | Inmate | |
| Sheila-Marie Robinson | ... | Inmate | |
| La Taunya Bounds | ... | Inmate | |
| Tamara Rutledge | ... | Inmate | |
| Valeri Ross | ... | Day Care Teacher | |
| Jacqueline Williams | ... | Day Care Worker | |
| Ora Jones | ... | Day Care Woman | |
| Nicholas Foster | ... | Boy at Swings | |
| Thomica Laquice Simmons | ... | Neighbor Girl | |
| Evan Lionel | ... | Paramedic #2 | |
| Jennifer Crystal | ... | Park Nanny | |
| Matthew Brennan | ... | School Play Boy Singer | |
| Denise Aguilar | ... | School Play Singer | |
| Christy Lombardi | ... | School Play Singer | |
| Hector Matos | ... | School Play Singer | |
| Stephanie Mullin | ... | School Play Singer | |
| Daniel Nudelman | ... | School Play Singer | |
| Elbert Pagan Jr. | ... | School Play Singer | |
| Kate Tash | ... | School Play Singer | |
| Chris Tossing | ... | School Play Singer | |
| Jonathan Rivera | ... | School Play Cymbals Player | |
| Karen Luehne | ... | School Play Pianist | |
| Brian Friedopfer | ... | School Play Duck | |
| Paul Jorjorian | ... | School Play | |
| Jim Minton | ... | Lawyer | |
| rest of cast listed alphabetically: | |||
| Trae Ireland | ... | Neighbor Boy | |
| Antonio Polk | ... | Uncle Tyrone | |
| Michael Anthony Williams | ... | Various | |
Directed by | |||
| Stephen Gyllenhaal | |||
Writing credits(WGA) | ||
| Seth Margolis | (novel) | |
| Naomi Foner | (screenplay) | |
Produced by | |||
| Kimberly Brent | .... | associate producer | |
| Naomi Foner | .... | producer | |
| Hawk Koch | .... | producer (as Howard W. Koch Jr.) | |
| Sharon Owyang | .... | associate producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Andrzej Bartkowiak | |||
Film Editing by | |||
| Harvey Rosenstock | |||
Casting by | |||
| Aleta Chappelle | |||
Production Design by | |||
| Jeannine Claudia Oppewall | |||
Art Direction by | |||
| William Arnold | |||
Set Decoration by | |||
| Jay Hart | |||
Costume Design by | |||
| Mary Malin | |||
Makeup Department | |||
| Matiki Anoff | .... | makeup artist | |
| Art Anthony | .... | special makeup effects | |
| Lun Yé Hodges | .... | key hair stylist | |
| Paul LeBlanc | .... | hair stylist: Ms. Lange (as Paul Leblanc) | |
| Carol Meikle | .... | hair stylist: Ms. Berry | |
| Dorothy J. Pearl | .... | makeup artist: Ms. Lange | |
Production Management | |||
| Ronald G. Smith | .... | production manager | |
Art Department | |||
| Fred Apolito | .... | propmaker | |
| Dawn Ascher-Trevino | .... | construction estimator (as Dawn Ascher) | |
| Mary A. Brady | .... | set dressing buyer | |
| D. Kelly Cummins | .... | assistant property master | |
| Edward England | .... | construction coordinator (as Ed England) | |
| Michael D. Gianneschi | .... | set dresser | |
| Dick Hansen | .... | on-set dresser | |
| Gary Happ | .... | carpenter foreman | |
| Cydney M. Harris | .... | set designer | |
| Aaron C. Holden Jr. | .... | set dresser | |
| Brick Mason | .... | production illustrator | |
| Carson E. Mayne | .... | set dresser | |
| Carlos Medina Jr. | .... | greensperson | |
| Kimberly K. Miller | .... | art department coordinator | |
| Mark Peltzer | .... | property master | |
| Joel Prihoda | .... | lead man | |
| Paul Stanwyck | .... | head painter | |
| Robert R. Volpe | .... | property master: Chicago | |
| Suzan Wexler | .... | set designer | |
| Tim Wilp | .... | painter (as Timothy Wilp) | |
| Anthony Joseph Fatigato | .... | painter (uncredited) | |
Special Effects by | |||
| Don Riozz McNichols | .... | special effects (as Donald Rio McNichols) | |
| Tom Ryba | .... | special effects coordinator (as Thomas P. Ryba) | |
Stunts | |||
| Rick Le Fevour | .... | stunt coordinator | |
| Ken Moreno | .... | stunts | |
Casting Department | |||
| Leigh French | .... | voice casting | |
| Sandra Grand | .... | casting assistant | |
| Shaunda G. Jones | .... | casting assistant (as Shaunda Jones) | |
| Karen Peake | .... | extras casting | |
| Regina Prokop | .... | extras casting assistant | |
| Fred Saas | .... | first extras casting assistant | |
| Johnny White | .... | extras casting assistant | |
Editorial Department | |||
| Terry Haggar | .... | color timer | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Julie Rogers | .... | first assistant editor | |
| Nicole Schubert | .... | assistant film editor | |
| Nicholas C. Smith | .... | additional editor | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Thomas A. Carlson | .... | music editor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Charles Martin Inouye | .... | music editor | |
| Christopher Kennedy | .... | music editor: source | |
| Stephen Krause | .... | music recordist | |
| Stephen Krause | .... | scoring mixer | |
| Ken Kugler | .... | orchestrator | |
| Bill Pearson | .... | music engineer | |
| Timothy R. Sexton | .... | music supervisor | |
Transportation Department | |||
| George DiLeonardi | .... | transportation coordinator | |
| Timothy J. Maxwell | .... | transportation captain | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
My comments have nothing to do with the obvious good acting skills, it's the plot that bothers me. Maybe it's because I'm from Canada where I don't believe that racial issues play as important a part as in the United States(of course racist attitudes exist in Canada), but I was completely astonished that the colour of someone's skin was the deciding factor of where a child belongs - that's completely unrealistic to me and that was the ONLY point the biological mother's lawyer made.
Give me a break! As a mother, I understand that the only reason you have a child is to give life to that child for it to be happy and "your ownership" never plays a feeling moment because when you really love and care for a child, you're ultimate feeling is for that child to be happy and you, as the loving mother, always comes second - that child comes first!
This particular movie explained the baby to be thrown in the garbage and that fact was never brought out in court. It's not about race/money - this movie was unrealistic and for those who think the biological mother was right -- ask yourself if you're thinking of the child or a selfish adult who cannot grow up and admit a mistake and try and make it better by considering the child's feelings at this point. Wouldn't it be better if the biological mother introduced herself slowly into the child's life and not turned his world upside down at an age where he only looks for security??? And, the biological mother never once thanked the adopted mom for saving her baby's life and taking care of him. Again, I found this movie unrealistic and disturbing that the torment of a child would be allowed, especially by someone who says they "love" them - that's not love, that's selfishness!
As for the ending -- the biological mother shouldn't have won, period. ---imagine, the poor kid never would have went through the torment. -- a mother even gradually brings their child to daycare before they leave their child for just a couple hours!