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Frances Hodgson Burnett (novel)
Richard LaGravenese (screenplay) ...
(more)
10 May 1995 (USA) more
Every girl everwhere is a princess. more
A young girl is relegated to servitude at a boarding school when her father goes missing and is presumed dead. full summary | add synopsis
Nominated for 2 Oscars. Another 3 wins & 3 nominations more
Cyt Presents A Little Princess 10/29-31 At The Rose Theater
(From BroadwayWorld.com. 29 October 2009, 3:00 AM, PDT)
Rt Interview: David Yates on Harry Potter and the Half-Blood Prince
(From Rotten Tomatoes. 14 July 2009, 11:27 PM, PDT)
A DEFINITIVE INSTANCE when the Academy, indeed the public, truly missed the mark...and indeed missed out more (95 total)
Directed by | |||
| Alfonso Cuarón | |||
Writing credits(WGA) | ||
| Frances Hodgson Burnett | (novel) | |
| Richard LaGravenese | (screenplay) and | |
| Elizabeth Chandler | (screenplay) | |
Produced by | |||
| Alan C. Blomquist | .... | executive producer | |
| Dalisa Cohen | .... | co-producer | |
| Amy Ephron | .... | executive producer | |
| Mark Johnson | .... | producer | |
Original Music by | |||
| Patrick Doyle | |||
Cinematography by | |||
| Emmanuel Lubezki | |||
Film Editing by | |||
| Steven Weisberg | |||
Casting by | |||
| Jill Greenberg Sands | |||
Production Design by | |||
| Bo Welch | |||
Art Direction by | |||
| Tom Duffield | |||
Set Decoration by | |||
| Cheryl Carasik | |||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist | |
| Bonnie Clevering | .... | hair stylist | |
| Julie Hewett | .... | makeup artist | |
| Robert Norin | .... | makeup artist (as Robert N. Norin) | |
Production Management | |||
| Robert P. Cohen | .... | unit production manager | |
Art Department | |||
| Fred Apolito | .... | propmaker | |
| John Dexter | .... | set designer | |
| Michael Diersing | .... | construction coordinator | |
| Giacomo G. Ghiazza | .... | illustrator | |
| Lawrence A. Hubbs | .... | set designer (as Larry Hubbs) | |
| Scott Lafferty | .... | carpenter | |
| David Manhan | .... | lead man | |
| Andrew Petrotta | .... | assistant property master | |
| Jacques Rey | .... | illustrator | |
| Stephanie Schwartzman | .... | art department coordinator | |
| Jeffrey Thomas | .... | stand-by greensman | |
| Clyde Zimmerman | .... | paint supervisor | |
| Carlo Basail | .... | greens crafts service (uncredited) | |
| Tim R. Lafferty | .... | construction foreman (uncredited) | |
Special Effects by | |||
| Matt Farell | .... | technical director | |
| Alan E. Lorimer | .... | special effects | |
| Lambert Powell | .... | special effects | |
| Floyd Van Wey | .... | special effects foreman | |
Visual Effects by | |||
| Matt Farell | .... | digital artist | |
| Evelyn Fitzgerald | .... | visual effects coordinator | |
| Amy Harrington | .... | visual effects production manager | |
| Rob House | .... | digital artist | |
| Hiroki Itokazu | .... | digital artist | |
| Eugene Jeong | .... | digital artist | |
| Kallen Kagen | .... | visual effects coordinator (as Kallan Kagan) | |
| Amy McNamara | .... | digital artist (as Amy McNamara Farrell) | |
| Katherine Percy | .... | digital artist | |
| Dane Picard | .... | digital artist | |
| John Scheele | .... | senior visual effects supervisor: Warner Bros. | |
| John Scheele | .... | visual effects supervisor | |
| Jesse Silver | .... | visual effects supervisor | |
| Ariel Velasco-Shaw | .... | CGI supervisor (as Ariel Shaw) | |
| Gary Allan Parks | .... | production engineer (uncredited) | |
| Kevin Andrew Smith | .... | systems administrator: Warner Brothers Imaging Technology (uncredited) | |
| Joseph Thomas | .... | animation cameraman (uncredited) | |
Stunts | |||
| Kathy Brock | .... | stunt performer | |
| Charles Croughwell | .... | stunt coordinator | |
| Joe Finnegan | .... | stunt performer | |
| Svetla Krasteva | .... | stunt performer | |
| Lee Poppie | .... | stunt performer | |
| Scott Sproule | .... | stunt performer | |
Camera and Electrical Department | |||
| Brian W. Armstrong | .... | first assistant camera | |
| George M. Chappell | .... | electrician | |
| Murray Close | .... | still photographer | |
| Glenn Corbett | .... | rigging gaffer | |
| Robert Gray | .... | key grip | |
| Chris Hayes | .... | camera operator | |
| Bud Heller | .... | best boy | |
| Chris Hood | .... | additional second assistant camera | |
| Kenny King | .... | best boy | |
| Kris Krosskove | .... | camera operator | |
| Mark Mele | .... | rigging technician | |
| Charles Minsky | .... | director of photography: second unit (as Charles D. Minsky) | |
| Dayton Nietert | .... | chief lighting technician | |
| Brad Rea | .... | dolly grip | |
| Greg Wardell | .... | assistant chief lighting technician | |
| Steve Wolfe | .... | assistant chief lighting technician | |
| Harry Zimmerman | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Marci R. Johnson | .... | set costumer | |
| Marilyn Matthews | .... | assistant costume designer | |
| Florence-Isabelle Megginson | .... | assistant costume designer | |
| Sue Moore | .... | costume supervisor | |
| Kelly Porter | .... | set costumer | |
Editorial Department | |||
| Camille Bourque | .... | assistant editor | |
| Samuel Craven | .... | additional editor | |
| Mo Henry | .... | negative cutter | |
| Bob Kaiser | .... | color timer (as Robert Kaiser) | |
| Evelyn Purwins | .... | first assistant editor | |
Music Department | |||
| Lawrence Ashmore | .... | orchestrator | |
| Paul Hulme | .... | scoring mixer | |
| Roy Prendergast | .... | music editor | |
| Maggie Rodford | .... | score co-producer | |
| David Snell | .... | conductor | |
Transportation Department | |||
| Kenneth Newland | .... | transportation captain | |
Other crew | |||
| Steph Benseman | .... | location manager | |
| Paula Benson-Himes | .... | production secretary | |
| Christof Bove | .... | intern | |
| Kevin Brennan | .... | staff assistant | |
| Richard Castro | .... | payroll accountant | |
| Jonás Cuarón | .... | staff assistant | |
| Chandos Erwin | .... | staff assistant (as John Chandos Erwin) | |
| Jill Frenzel | .... | staff assistant | |
| Gonzalo García Barcha | .... | title designer | |
| Shawn Gillespie | .... | assistant accountant | |
| Claudette Grand | .... | studio teacher | |
| Mark Harden | .... | animal coordinator | |
| Steve Hinton | .... | pilot | |
| Susann Jones | .... | assistant: Mark Johnson | |
| June Jordan | .... | stand-in | |
| Bryan A. Kenny | .... | assistant: Mr. Cuarón | |
| John Labib | .... | assistant production secretary | |
| Matt Luber | .... | staff assistant | |
| Andrew Magarian | .... | consultant | |
| Robin Meier | .... | staff assistant | |
| Rebecca Melisi | .... | staff assistant | |
| Kari Ann Messina | .... | unit publicist | |
| Lori Miyakawa | .... | assistant accountant | |
| Steve Montal | .... | staff assistant | |
| Carol Mukhalian | .... | harp coach | |
| B.J. Smith | .... | first aid (as PJ Smith) | |
| P.J. Smith | .... | first aid | |
| Ricki L. Stein | .... | production accountant | |
| Linda Stone | .... | studio teacher | |
| Cynthia Upstill | .... | script supervisor | |
| Nadia Venesse | .... | dialect coach | |
| Chris Winn | .... | key craft service | |
| Harry Winters | .... | staff assistant | |
| Deborah Ambrosino | .... | milliner (uncredited) | |
| Bill Daly | .... | post-production accountant manager (uncredited) | |
| Michael Haro | .... | assistant location manager (uncredited) | |
| Jack E. Herman | .... | extras set coordinator (uncredited) | |
97 min
Color (Technicolor)
1.85 : 1 more
Iceland:L | USA:G (certificate #33528) | South Korea:All | Argentina:Atp | Australia:G | Canada:F (Ontario) | Canada:G (Nova Scotia) | Chile:TE | Italy:T | Singapore:PG | UK:U
As Sarah rides down the street at the film's conclusion, the name of one of the stores on the street is A.C. Blomquist & Co. Alan C. Blomquist was the Executive Producer of the film. more
Continuity: When the girls are trying to steal back Sara's locket a box on the desk opens and closes between shots. more
[the amnesiac Capt Crewe comes across Sara crying in a corner of a darkened room]
Capt. Crewe:
What is it? Why are you crying? Please tell me. I won't hurt you. Won't you tell me your name?
Sara Crewe:
[sobbing] Sara.
Capt. Crewe:
'Sara'... that's such a pretty name.
Sara Crewe:
[there is a flash of lightening, and the lights suddenly come back on] Papa...?
Capt. Crewe:
What did you say?
[she runs to him, and he tries to hold her away]
Capt. Crewe:
I'm sorry...
Sara Crewe:
Papa, it's me! It's Sara!
Capt. Crewe:
Do you know me?
[...]
more
Referenced in "Buffy the Vampire Slayer: Tough Love (#5.19)" (2001) more
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| The Little Princess | The Secret Garden | Gone with the Wind | Giant | Bridge to Terabithia |
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This film reminds you what life's all about. Emmanual Luzbeki's cinematography demands praise- it's so stunningly beautiful one wonders why he didn't win the oscar. Indeed, this film is flawlessly scripted, acted, and executed, it is perhaps the definitive example of how the Academy oftentimes nominates based on box-office receipts, and not based on merit. *&#$() braveheart, THIS movie was the best film of 1995. And should have been nominated. No other film makes me tear up or cry as much for its brutal honesty, it's uncliched tenderness, and heartfelt truth about those ultimately human truths- love, kindness, and the magic of believing. Rarely does a film so positively move one's heart. Seek this film out. Go now.