| Videos |
Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| Michael De Luca | (written by) | |
Produced by | |||
| Michael De Luca | .... | executive producer | |
| Sandy King | .... | producer | |
| Artist W. Robinson | .... | associate producer (as Artist Robinson) | |
Original Music by | |||
| John Carpenter | |||
| Jim Lang | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Edward A. Warschilka | |||
Production Design by | |||
| Jeff Ginn | (as Jeff Steven Ginn) | ||
Art Direction by | |||
| Peter Grundy | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Robin Michel Bush | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects | |
| James D. Brown | .... | hair stylist | |
| Robert Kurtzman | .... | special makeup effects | |
| Donald Mowat | .... | makeup artist (as Donald J. Mowat) | |
| Gregory Nicotero | .... | special makeup effects | |
| Sean Sansom | .... | special makeup effects artist | |
| David P. Barton | .... | dental prosthetics (uncredited) | |
| Rob Hinderstein | .... | makeup artist (uncredited) | |
| Colin Penman | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Adrianna A.J. Cohen | .... | executive in charge of production | |
| John Danylkiw | .... | unit production manager | |
| Ric Keeley | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Adam Druxman | .... | second assistant director | |
| Olly Jansen | .... | trainee assistant director | |
| Glenn MacIntosh | .... | trainee assistant director | |
| Artist W. Robinson | .... | first assistant director (as Artist Robinson) | |
| Stuart Williams | .... | second second assistant director | |
Art Department | |||
| Gordon Barnes | .... | first assistant art director | |
| Stephen Myles Berger | .... | draftsman (as Stephen M. Berger) | |
| Robert Bonney | .... | assistant carpenter | |
| Carlos Caneca | .... | set dresser | |
| Karen M. Clark | .... | second assistant art director | |
| Peter Dwyer | .... | carpenter | |
| Danielle Fleury | .... | assistant set decorator | |
| Graeme Gossage | .... | assistant props (as Graeme B. Gossage) | |
| Joe Griffith | .... | illustrator (as Joseph F. Griffith Jr.) | |
| Ron Hewitt | .... | assistant props | |
| Henry Ilola | .... | head carpenter | |
| Scott Morrison | .... | art department assistant | |
| Ian Nelmes | .... | head scenic artist | |
| Peter P. Nicolakakos | .... | lead set dresser | |
| William F. O'Brien | .... | draftsman | |
| Roberto C. Ramacciotti | .... | scenic painter | |
| Vic Rigler | .... | property master | |
| Clive Thomasson | .... | lead man | |
| Donald Vandewater | .... | construction coordinator | |
Sound Department | |||
| Ron Bartlett | .... | sound effects mixer | |
| Denis Bellingham | .... | boom operator | |
| Damon Cohoon | .... | assistant sound editor (as Damon D. Cohoon) | |
| Jeff Courtie | .... | foley mixer | |
| John Dunn | .... | supervising sound editor | |
| Stephanie Flack | .... | dialogue editor | |
| Donald Flick | .... | sound editor | |
| Galen Goodpaster | .... | first assistant sound editor | |
| Robin Harlan | .... | foley artist (as Robin Harlin) | |
| Larry Hoki | .... | sound recordist | |
| Sarah Jacobs | .... | foley artist | |
| Owen Langevin | .... | sound mixer (as Owen A. Langevin) | |
| Matthew C. May | .... | sound editor | |
| Harry B. Miller III | .... | supervising adr editor | |
| Rick Mitchell | .... | foley editor | |
| Howard Neiman | .... | dialogue editor (as Howard S.M. Neiman) | |
| Andrew Patterson | .... | adr editor | |
| Jeffrey Perkins | .... | supervising re-recording mixer | |
| Ken S. Polk | .... | sound re-recording mixer | |
| John Pospisil | .... | sound designer | |
| Robert Thirlwell | .... | sound re-recording mixer | |
Visual Effects by | |||
| Randall K. Bean | .... | film scanning operator | |
| Patricia Blau | .... | executive ICO producer | |
| Kim Bromley | .... | visual effects producer | |
| Ronn Brown | .... | CG production assistant | |
| Sean M. Casey | .... | visual effects still photographer | |
| Rob Coleman | .... | computer graphics animator | |
| Giovanni Donovan | .... | chief model maker | |
| Lisa Drostova | .... | digital paint artist | |
| Carl N. Frederick | .... | computer graphics supervisor | |
| John Gazdik | .... | motion control camera assistant | |
| Ray Gilberti | .... | motion control camera operator | |
| Michael J. Halsted | .... | visual effects production assistant | |
| Rebecca Heskes | .... | rotoscope artist | |
| Robert Hill | .... | motion control camera assistant | |
| Mark Holmes | .... | digital compositor | |
| Brad Jerrell | .... | visual effects electrician | |
| Bill Kimberlin | .... | visual effects editor | |
| Jennifer Lee | .... | optical line up: ILM | |
| James Lim | .... | optical camera operator | |
| Euan K. MacDonald | .... | computer graphics animator | |
| Jack Mongovan | .... | rotoscope artist | |
| Mark Moore | .... | visual effects art director | |
| Patrick Neary | .... | technical assistant | |
| Bruce Nicholson | .... | visual effects supervisor | |
| Lorne Peterson | .... | cloud model maker | |
| Josh Pines | .... | film scanner supervisor (as Joshua Pines) | |
| Mary Serafini | .... | editor: CMX | |
| Kenneth Smith | .... | optical supervisor | |
| David Tanaka | .... | assistant editor: CMX | |
| Lisa Vaughn | .... | optical scanning coordinator | |
| Wade Howie | .... | effects animation supervisor (uncredited) | |
Stunts | |||
| Lloyd Adams | .... | stunts | |
| Randy Butcher | .... | stunts | |
| Phil Chiu | .... | stunts | |
| Shelley Cook | .... | stunts | |
| Rick Forsayeth | .... | stunts | |
| Shane Harvey | .... | stunts | |
| Jeff Imada | .... | stunt coordinator | |
| Jeff Imada | .... | stunts | |
| Danny Lima | .... | stunts | |
| Risa Litwin | .... | stunts | |
| Steve Lucescu | .... | stunts | |
| Dwayne McLean | .... | stunts | |
| Larry A. McLean | .... | stunts | |
| Rick Parker | .... | stunts | |
| Ken Quinn | .... | stunts | |
| Buck Randel | .... | stunts | |
| Alison Reid | .... | stunts | |
| Bryan Renfro | .... | stunts | |
| Paul Rutledge | .... | stunts | |
| Helen Scott | .... | stunts | |
| John Stead | .... | stunts | |
| John Stoneham Jr. | .... | stunts | |
| Robert Thomas | .... | stunts | |
| Tye Tyukodi | .... | stunts (as Anton Tyukodi) | |
| R. Ruddell Weatherwax | .... | stunts | |
Camera and Electrical Department | |||
| Kevin Alanthwaite | .... | co-gaffer | |
| Rob Conde | .... | electrician | |
| Carolyn Cox | .... | camera trainee | |
| Cesare DiGiulio | .... | rigging grip | |
| Kevan Dutchak | .... | second assistant camera | |
| Tim Evans | .... | gaffer | |
| Dave Ferguson | .... | best boy grip | |
| Michael Galbraith | .... | electrician | |
| Michael Hall | .... | first assistant camera | |
| Bob Hannah | .... | rigging gaffer | |
| Shane Harvey | .... | still photographer | |
| Delroy P. Jarrett | .... | electrician (as Delroy Jarrett) | |
| Jud Kehl | .... | camera operator | |
| Mike Kirilenko | .... | dolly grip | |
| John Scott MacDonald | .... | rigging grip | |
| Robert MacDonald | .... | first assistant camera | |
| Mark Manchester | .... | key grip | |
| Brian Montague | .... | best boy electric | |
| Richard Scaini | .... | camera trainee | |
| Ken Wyke | .... | electrician (as Kenneth Wyke) | |
| Ron Yolevsky | .... | grip | |
Casting Department | |||
| Ross Clydesdale | .... | casting: Canada | |
| Scott Mansfield | .... | extras casting | |
Costume and Wardrobe Department | |||
| Derek J. Baskerville | .... | set costumer: men | |
| Robert Lewis Bush | .... | costume supervisor: men (as Robert Bush) | |
| Cody Carpenter | .... | wardrobe production assistant | |
| Daniel Davies | .... | wardrobe production assistant | |
| Morganne Newson | .... | additional costumer (as Ann Tree Newson) | |
| Delphine White | .... | women's set costumer | |
Editorial Department | |||
| Joe Fineman | .... | executive in charge of post-production | |
| Gary Fluxgold | .... | second assistant editor | |
| Sharon McGeeney | .... | negative cutter | |
| Paul O'Driscoll | .... | color timer | |
| Richard Sellmer | .... | second assistant editor | |
| Paul C. Warschilka | .... | assistant editor | |
Transportation Department | |||
| Mike Doyle | .... | driver (as Michael Doyle) | |
| W. Doyle | .... | driver | |
| Frank Eldridge | .... | driver | |
| Lorne Frederick | .... | driver | |
| Jazz Helie | .... | driver (as Jazz G. Helie) | |
| Neil Montgomerie | .... | transportation coordinator | |
| John Muir | .... | driver | |
| Jeff Peebles | .... | driver | |
| Gerry Savoy | .... | head driver (as G. Savoy) | |
| Dave Staples | .... | driver | |
| Frank Tenaglia | .... | transportation captain | |
| Truman van Duzen | .... | driver: honeywagon | |
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| The Texas Chainsaw Massacre | 28 Days Later... | The Hills Have Eyes | Straw Dogs | Jacob's Ladder |
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What a treat of a film this was. It is witty, intelligent, and scary. The basic plot premise is anything but basic as the line between reality and fantasy is almost indistinguishable through most of the film. What is going on? Who really knows...I'm not sure even director John Carpenter knows. But what we do get is a guessing game of what is real and un-real in a very stylish, sophisticated, almost bizarre fashion. The film opens in a mental asylum with protagonist Sam Neill being put in a padded cell whilst in a straight-jacket. The setting is larger than life. The characters around Neill are caricatures for the most part. John Glover plays a doctor(Doctor Saperstein...a possible homage to Rosemary's Baby) with complete camp. David Warner, another doctor, begins talking to Neill and asking him about what happened. The rest of the film then details what Neill did working with regards to a lost author named Sutter Cane. The plot is much more complicated than that and may take subsequent viewings to fully understand WHAT can be understood. The end result is at the very least a very gratifying one as Carpenter constructs a dream-like story that has obvious roots in both the fiction of H. P. Lovecraft and Stephen King. The acting is good all around...Neill is excellent as John Trent. He makes a very believable presence in a sea of un-reality. Julie Carmen is also very good in her role. Look for Charlton Heston as a publisher and Bernie Casey in a cameo as well. Kudos to Mr. Carpenter for bringing his visions of horror to the silver screen once again. This may be his best film...certainly his most thought-provoking and sophisticated.