| Photos (see all 11 | slideshow) | Videos (see all 2) |
| Pruitt Taylor Vince | ... | Victor Modino | |
| Shelley Winters | ... | Dolly Modino | |
| Liv Tyler | ... | Callie | |
| Deborah Harry | ... | Delores | |
| Joe Grifasi | ... | Leo | |
| Evan Dando | ... | Jeff | |
| David Patrick Kelly | ... | Grey Man in Hospital | |
| Marian Quinn | ... | Darlene | |
| Meg Hartig | ... | Donna | |
| Zandy Hartig | ... | Jean | |
| Peter Ortel | ... | Tony | |
| George Alvarez | ... | Orderly | |
| Cordis Heard | ... | Nurse | |
| J.C. MacKenzie | ... | Gas Man (as J.C. Mackenzie) | |
| Allan D'Arcangelo | ... | Sonny | |
| rest of cast listed alphabetically: | |||
| Vince Parenti | ... | Trucker (uncredited) | |
| Dennis Prager | ... | Radio Talk Show Host (voice) (uncredited) | |
Directed by | |||
| James Mangold | |||
Writing credits(in alphabetical order) | ||
| James Mangold | written by | |
Produced by | |||
| Herbert Beigel | .... | executive producer | |
| Scott Ferguson | .... | associate producer | |
| Gretchen McGowan | .... | line producer | |
| Richard Miller | .... | producer | |
| Jane Wright | .... | associate producer | |
Original Music by | |||
| Thurston Moore | |||
Cinematography by | |||
| Michael F. Barrow | (as Michael Barrow) | ||
Film Editing by | |||
| Meg Reticker | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
Production Design by | |||
| Michael Shaw | |||
Art Direction by | |||
| Daniel Goldfield | |||
Set Decoration by | |||
| Kara Cressman | |||
Costume Design by | |||
| Sarah Jane Slotnick | (as Sara Jane Slotnick) | ||
Makeup Department | |||
| Elaine Kuhn | .... | assistant hair stylist | |
| Tracy Warbin | .... | hair stylist | |
| Tracy Warbin | .... | makeup artist | |
Production Management | |||
| Trish Hofmann | .... | production manager | |
Art Department | |||
| Rachel Janocko | .... | property assistant | |
| F. Ron Miller | .... | graphic designer | |
| Peter Ortel | .... | set dresser | |
| Peter Ortel | .... | storyboard artist | |
| David Schanker | .... | property master | |
| Charles Winters | .... | carpenter | |
Sound Department | |||
| David Alvarez | .... | additional production sound mixer | |
| Laurel Bridges | .... | boom operator (as Laurel Ann Bridges) | |
| Nancy Cabrera | .... | foley artist | |
| Rick Dior | .... | sound re-recording mixer | |
| Eugenia Fiumi | .... | boom operator | |
| David Frankel | .... | assistant sound editor | |
| Fredrick Helm | .... | boom operator | |
| Sarah E. Hill | .... | assistant sound editor | |
| Bradford L. Hohle | .... | stereo sound consultant: Dolby | |
| Bruce Kitzmeyer | .... | sound editor | |
| Lenny Manzo | .... | boom operator | |
| Jan McLaughlin | .... | production sound mixer | |
| Tim O'Shea | .... | sound editor | |
| Mary Ellen Porto | .... | supervising sound editor | |
| V. Renee Taylor | .... | first assistant sound editor | |
| Paul J. Zydel | .... | adr mixer (as Paul Zydel) | |
| Paul J. Zydel | .... | foley mixer (as Paul Zydel) | |
| Rick Dior | .... | additional production sound mixer (uncredited) | |
Camera and Electrical Department | |||
| Will Arnot | .... | additional electrician (as William Shackleton Arnot) | |
| Evans Brown | .... | best boy electric | |
| Meredith Collins | .... | second assistant camera | |
| Jeffrey A. Eplett | .... | gaffer (as Jeff Eplett) | |
| Ray Flynn | .... | best boy electric (as Raymond Flynn) | |
| Raphaelle Gosse-Gardet | .... | third electrician | |
| Justin Keith | .... | best boy grip (as Justin 'Dusty' Keith) | |
| Dennis A. Livesey | .... | first assistant camera | |
| John Mantel | .... | still photographer | |
| Gene Page | .... | additional still photographer | |
| Rocco Palmieri | .... | additional electrician | |
| Andrew Sweeney | .... | third grip | |
| Justin Vanson | .... | key grip | |
| Elizabeth Wick | .... | second assistant camera | |
Casting Department | |||
| R.J. Kelly III | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jessica Fish | .... | wardrobe assistant | |
Editorial Department | |||
| David Frankel | .... | assistant editor | |
| Noëlle Penraat | .... | negative matcher (as Noelle Penraat) | |
| David Pultz | .... | color timer | |
| Jim Villone | .... | associate editor | |
| Vera Wagman | .... | post-production coordinator | |
Music Department | |||
| John Bowen | .... | additional music editor | |
| Michelle Kuznetsky | .... | music supervisor | |
| Thurston Moore | .... | musician: all instruments | |
| Ray Palagy | .... | music editor | |
| Jennifer Pyken | .... | music supervisor | |
| Mary Ramos | .... | music supervisor | |
| Lee Ranaldo | .... | score mixer | |
| Lee Ranaldo | .... | score recordist | |
| Meg Reticker | .... | music editor | |
| Jim Villone | .... | music editor | |
Transportation Department | |||
| Joe Orlowski | .... | transportation captain | |
| Matthew Salvato | .... | transportation coordinator | |
Other crew | |||
| Bebe Buell | .... | creative consultant | |
| John Doby | .... | production assistant | |
| Michael Dosoro | .... | production assistant | |
| Penny Elliott | .... | script supervisor | |
| Jill Footlick | .... | production coordinator | |
| Jason Fuchs | .... | additional production assistant (as Jason W. Fuchs) | |
| Jennifer Gardella | .... | intern | |
| Pamela Haber | .... | additional production assistant | |
| Don Jacobs | .... | tutor: Ms. Tyler, Eduactional Resource Services | |
| Patricia Kennedy | .... | intern (as Patty Kennedy) | |
| Rosalind Lichter | .... | production consultant | |
| Melissa Lintinger | .... | post-production accountant | |
| F. Ron Miller | .... | title designer | |
| Mick Reed | .... | production assistant | |
| Steve Schottenfeld | .... | production assistant (as Stephen Schottenfeld) | |
| Lisa Snodgrass | .... | tutor: Ms. Tyler, Educational Resource Services | |
| Diana Strauss | .... | location manager | |
| Julie St. Thomas | .... | location assistant | |
| Natascha Tillmanns | .... | assistant production coordinator | |
| Mary Werboneth | .... | production assistant | |
| Jane Wright | .... | chief production accountant | |
| Mary Wynn | .... | assistant: Ms. Winters | |
Thanks | |||
| Mel Carney | .... | special thanks | |
| Milos Forman | .... | very special thanks | |
| John Goodenow | .... | special thanks: Horton Memorial Hospital | |
| Michael Hausman | .... | very special thanks | |
| John Hendrickson | .... | very special thanks | |
| Sara Hendrickson | .... | very special thanks | |
| Sol LeWitt | .... | very special thanks (as Sol Lewitt) | |
| Keith MacKechnie | .... | special thanks (as Keith Mackecknie) | |
| Martin Mackechnie | .... | special thanks | |
| Peg Mackecknie | .... | special thanks | |
| Ross Mackecknie | .... | special thanks | |
| Alexander Mackendrick | .... | very special thanks | |
| Leslie Mangold | .... | very special thanks | |
| Robert Mangold | .... | very special thanks | |
| Sylvia Plimock Mangold | .... | very special thanks | |
| Craig McKay | .... | very special thanks | |
| Joe Mecca | .... | very special thanks (as Joseph Mecca) | |
| Eddie Mellon | .... | special thanks | |
| Dr. Anthony Miller | .... | very special thanks | |
| Mrs. Sheena Miller | .... | very special thanks | |
| David Parsons | .... | very special thanks | |
| Robert Ryman | .... | very special thanks | |
| Arthur Shapiro | .... | very special thanks | |
| Stefan Sharff | .... | very special thanks | |
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| Giant | The Unbearable Lightness of Being | Thirteen Conversations About One Thing | Next Stop Wonderland | My Own Private Idaho |
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Victor works as a cook in his mother's diner along with waitresses Delores and Callie. Callie is the new girl who arouses jealousy in Delores but feelings of longings in Victor. With his mother in the hospital Victor realises that his life needs more to it but his size puts him off being forward
Like the lead character this is a slow film that requires patience as everything is understated rather than shouted out. The story follows Victor as he tries to make progress from his shy, quiet life one step at a time. The eerie electronic score adds to the feeling of pace and thoughtfulness and in many ways the film backs it up. On the down side it does seem aimless at times and sometimes the plot feels like it isn't real.
These are minor flaws and the director has set a good story for a good cast to carry through on. Vince is especially good as Victor. He fits the role like a glove and his moving eyes and shy gestures bring the character to life and make him totally believable. Tyler is also very good what a shame that her most successful roles have been in MTV-type of stuff, but she is very bright here. Both Winters and Harry put in good roles but less central than the former two.
Overall this is a very patient piece of work looking at the character of Victor. It may seem aimless and drifting at times but it is quite touching mainly due to an understated performance from Vince.