Haine, La (1995)

Director:

Mathieu Kassovitz

Writer:

Mathieu Kassovitz (writer)

Release Date:

23 February 1996 (USA)

Genre:

Crime | Drama

Tagline:

Three Young Friends... One Last Chance.

Plot:

Abdel, a local hoodlum, is hospitalized after a riot, where a policeman lost his gun. His friend Vinz finds it and claims he will kill a cop if Abdel dies.

Plot Keywords:

Ghetto | Weapon | France | Drugs | D.J.

Awards:

8 wins & 11 nominations

Cast

Vincent Cassel	...	Vinz
Hubert Koundé	...	Hubert
Saïd Taghmaoui	...	Saïd
Abdel Ahmed Ghili	...	Abdel
Solo	...	Santo
Joseph Momo	...	Ordinary Guy
Héloïse Rauth	...	Sarah
Rywka Wajsbrot	...	Vinz's Grandmother
Olga Abrego	...	Vinz's Aunt
Laurent Labasse	...	Cook
Choukri Gabteni	...	Saïd's Brother
Nabil Ben Mhamed	...	Boy Blague
Benoît Magimel	...	Benoît
Medard Niang	...	Médard
Arash Mansour	...	Arash
Abdel-Moulah Boujdouni	...	Young Businessman
Mathilde Vitry	...	Journalist
Christian Moro	...	CRS TV Journalist
JiBi	...	Fat Youth
Edouard Montoute	...	Darty
Félicité Wouassi	...	Hubert's mother
Fatou Thioune	...	Hubert's Sister
Thang-Long	...	Grocer
Cut Killer	...	DJ
Sabrina Houicha	...	Saïd's Sister
Sandor Weitmann	...	Vinz Lookalike
François Levantal	...	Astérix
Julie Mauduech	...	Gallery Girl
Karin Viard	...	Gallerly Girl
Peter Kassovitz	...	Gallery Patron
Vincent Lindon	...	'Really' Drunk Man
Christophe Rossignon	...	Taxi Driver
Mathieu Kassovitz	...	Young Skinhead
Anthony Souter	...	Skin
Florent Lavandeira	...	Skin
Teddy Marques	...	Skin
Samir Khelif	...	Skin
Tadek Lokcinski	...	Monsieur Toilettes
Virginia Montel	...	SDF Metro
Andrée Damant	...	Concierge
Marcel Marondo	...	Bouncer
Karim Belkhadra	...	Samir
Marc Duret	...	Inspector 'Notre Dame'
Eric Pujol	...	Assistant Policeman
Philippe Nahon	...	Police Chief
Sébastien Tavel	...	Hospital police officer
François Toumarkine	...	Hospital police officer
Jose-Philippe Dalmat	...	Hospital Police Officer
Zinedine Soualem	...	Plainclothes Police Officer
Bernie Bonvoisin	...	Plainclothes Police Officer
Cyril Ancelin	...	Plainclothes Police Officer
Patrick Médioni	...	CRS Cave

Directed by
Mathieu Kassovitz

Writing credits (in alphabetical order)
Mathieu Kassovitz		writer

Produced by
Adeline Lecallier	....	associate producer
Alain Rocca	....	associate producer
Christophe Rossignon	....	producer
Gilles Sacuto	....	line producer

Original Music by
Assassin

Cinematography by
Pierre Aïm

Film Editing by
Mathieu Kassovitz
Scott Stevenson

Production Design by
Giuseppe Ponturo

Costume Design by
Virginie Montel

Makeup Department
Sophie Benaiche	....	makeup artist

Production Management
Sophie Quiédeville	....	unit production manager

Second Unit Director or Assistant Director
Ludovic Bernard	....	assistant director
Eric Pujol	....	first assistant director
Henri Pujol	....	assistant director

Sound Department
Nicolas Becker	....	foley artist
Dominique Dalmasso	....	sound
Fred Mays	....	post-synchronization
Laure Monrréal	....	sound trainee
Vincent Tulli	....	sound

Visual Effects by
Antoine Simkine	....	visual effects executive producer: Duboi
Rip Hampton O'Neil	....	director of reseach and development: DuboiColor (uncredited)

Stunts
Gilles Conseil	....	stunts
Philippe Guégan	....	stunt coordinator

Camera and Electrical Department
Vincent Blasco	....	key grip
Georges Diane	....	camera operator
Guy Ferrandis	....	still photographer
Jean-Claude Lother	....	still photographer
Jacques Monge	....	steadicam operator
Mikael Monod	....	gaffer

Editorial Department
Stratos Gabrielidis	....	first assistant editor

Music Department
Frank Loesser	....	composer: song "Say It - Over and Over Again"

Other crew
Thierry Artur	....	production accountant
Guillaume Favreau	....	assistant manager
Jodie Foster	....	presenter
Abdelnabi Krouchi	....	location manager

Production Companies

• Canal+
• Cofinergie 6
• Egg Pictures
• Kasso Inc. Productions
• La Sept Cinéma
• Les Productions Lazennec
• Polygram Filmed Entertainment
• Studio Image

Distributors

• Atalanta Filmes (1995) (Portugal) (theatrical)
• Concorde-Castle Rock/Turner (1995) (Germany) (theatrical)
• Criterion Collection, The (2007) (USA) (DVD)
• Golem Distribución (1996) (Spain) (theatrical)
• Gramercy Pictures (1995) (USA) (theatrical) (subtitled)
• Look Filmes (Brazil) (VHS)
• MKL Distribution (1995) (France) (theatrical)
• Mikado (1995) (Italy) (theatrical)
• Mondadori Video S.p.a. (1996) (Italy) (VHS)
• Universal Pictures Benelux (2006) (Netherlands) (DVD)
• Universal Pictures Finland Oy (2006) (Finland) (DVD)
• Warner Bros. Finland (1995) (Finland) (theatrical)
• Warner Home Video (1996) (Finland) (VHS)

Also Known As:

Hate (USA)

Runtime:

96 min

Country:

France

Language:

French

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Australia:MA | Iceland:14 | Iceland:16 (video rating) | Australia:M (TV rating) | Norway:15 | New Zealand:R18 | New Zealand:R16 | Finland:K-16 | Germany:12 (bw) | Portugal:M/18 | South Korea:18 | Spain:18 | Sweden:15 | UK:15 | USA:R | Netherlands:16

Filming Locations:

Chanteloup-les-Vignes, Yvelines, France

Company:

Canal+

Trivia:

In some English language versions the name Asterix has been changed to Snoopy, as the film traveled further than the Asterix books did.

Quotes:

Hubert: Heard about the guy who fell off a skyscraper? On his way down past each floor, he kept saying to reassure himself: So far so good... so far so good... so far so good. How you fall doesn't matter. It's how you land!

Movie Connections:

References Taxi Driver (1976)

Soundtrack:

Nsangu Nsangu

Great achievement. One of the most unforgettable Euro movies of the 90's.

La Haine aka Hate is a story about three friends living near Paris in France (one Jew, one Arab and one black) who have nothing special in their lives and try to live a day at a time by drinking and having a good time and also working (at least the black character, who owns a boxing hall). Their friend, however, is captured by a police which tortures and maltreats him so badly that he is sent to a hospital in a critical condition. This makes the youth gangs in city including the three protagonists start a war against the police and authorities for the horrible wrongs they and their friend have suffered, and suddenly they notice the whole society is collapsing, and all there is is hate and need to revenge...Violence and mayhem is almost everywhere, including authorities which should do nothing but fight against it..

This film is powerful and grim. Totally unforgettable is the last scene which at my first viewing time blew me away. It comes very suddenly and there are no warnings what will happen at the end of this film. The message is so important and these marks of the "apocalypse" can be found in our everyday life everywhere. The society is falling and it is "spinning" as the voice over says just before the end credits..The film brings into question such horrific facts as racism which should have passed away long times ago, but no. Racism is such a primitive, stupid and despisable cancer among people, that there is no hope of better future if individuals don't understand the real facts of life and right ways to live with each other. Hate feeds hate as the character Hubert says, and that is something that our stupid race has not learned.

There is one very powerful scene just before the end scene and it deals with a skinhead and these three characters who could kill him right away and pay something back. It is very challenging scene and even Vinz, the most revenge seeking character, starts to see things different way after that. The whole point of La Haine is violence in all its forms. Why there is violence and why the hell it is used so often everywhere in every form? Don't we ever learn? These kind of films are important and so powerful that unfortunately people who should see them don't want to or they can't bacause it would be as a mirror for them..

The film is also a comment on power used by police as they are pretty tough and hard in this film. Police think that they can use any methods in order to get some answers, or in order to have some fun..It certainly doesn't judge police as "pigs" or violent sadists in general, but it is a warning example of what must NOT happen anywhere ever, by police or by others. One has to see through the film and to its core in order to understand what it says. Otherwise there is no point in watching these kind of films. La Haine is that kind of a film that it should be seen by police and youths as well, because there are still possibilities to prevent things to go too far in our life and world we live in.

The camera techniques used in this film are magnificent. Director/screenwriter Mathieu Kassovitz uses camera so smoothly and passionately and there are many similarities in techniques between this film and his more recent, Assassin(s). I am very happy for this young talent to have won the director's award at Cannes. These kind of talents deserve their prizes because there are so many stupid and worthless films which don't have nothing artistic in them and have nothing to say, and are just mindless and greedy entertainment. The black and white is very great element and the film strikes greatly without colors. The same case is with the Belgian classic Man Bites Dog, by Remy Belvaux, Benoit Poelvoorde and Andre Bonzel.

A great masterpiece in French modern cinema and recommended for the fans of intelligent and important cinema so seldom found from big studios or Hollywood (there are exceptions, of course) nowadays.

10/10