| Photos (see all 68 | slideshow) | Videos (see all 7) |
| Bruce Willis | ... | John McClane | |
| Jeremy Irons | ... | Simon Gruber | |
| Samuel L. Jackson | ... | Zeus Carver | |
| Graham Greene | ... | Joe Lambert | |
| Colleen Camp | ... | Connie Kowalski | |
| Larry Bryggman | ... | Insp. Walter Cobb | |
| Anthony Peck | ... | Ricky Walsh | |
| Nicholas Wyman | ... | Mathias Targo (as Nick Wyman) | |
| Sam Phillips | ... | Katya | |
| Kevin Chamberlin | ... | Charles Weiss | |
| Sharon Washington | ... | Officer Jane | |
| Stephen Pearlman | ... | Dr. Fred Schiller | |
| Michael Alexander Jackson | ... | Dexter | |
| Aldis Hodge | ... | Raymond | |
| Mischa Hausserman | ... | Mischa | |
| Edwin Hodge | ... | Dexter's Friend | |
| Robert Sedgwick | ... | Rolf (as Rob Sedgwick) | |
| Tony Halme | ... | Roman | |
| Bill Christ | ... | Ivan | |
| Anthony Thomas | ... | Gang Member #1 | |
| Glenn Herman | ... | Gang Member #2 | |
| Kent Faulcon | ... | Gang Member #3 | |
| Akili Prince | ... | Gang Member #4 | |
| Ardie Fuqua | ... | Gang Member #5 | |
| Mike Jefferson | ... | Gang Member #6 | |
| Andre Ware | ... | Gang Member #7 (as Frank Andre Ware) | |
| Michael Lee Merrins | ... | Van Driver | |
| Birdie M. Hale | ... | Harlem Woman | |
| Daryl Edwards | ... | Livery Driver | |
| Barbara Hipkiss | ... | Phone Woman | |
| Aasif Mandvi | ... | Arab Cabbie | |
| William Kux | ... | Businessman in Taxi (as Bill Kux) | |
| Scott Nicholson | ... | Transit Cop | |
| Ralph Buckley | ... | Businessman at Station | |
| Charles Dumas | ... | FBI Agent Andy Cross | |
| Michael Cristofer | ... | Bill Jarvis, from Another Organization | |
| Phyllis Yvonne Stickney | ... | Wanda Shepard | |
| J.R. Horne | ... | Sgt. John Turley | |
| Michael Tadross | ... | Greek Deli Proprietor | |
| Elvis Duran | ... | Radio D.J. | |
| John McTiernan Sr. | ... | Fisherman | |
| Greg A. Skoric | ... | Kurt | |
| Sven Toorvald | ... | Karl | |
| Todd A. Langenfeld | ... | Berndt | |
| Timothy Adams | ... | Gunther | |
| John C. Vennema | ... | Felix Little | |
| Gerrit Vooren | ... | Nils | |
| Willis Sparks | ... | Klaus | |
| Tony Travis | ... | Marshal #1 | |
| Danny Dutton | ... | Marshal #2 | |
| James Saito | ... | Korean Proprietor | |
| Patrick Borriello | ... | Kid #1 | |
| Víctor Rojas | ... | Kid #2 | |
| Jeffrey Dreisbach | ... | Yuppie Stockbroker | |
| Joe Zaloom | ... | Jerry Parks | |
| John Doman | ... | Foreman | |
| Patricia Mauceri | ... | Miss Thomas | |
| Franchelle Stewart Dorn | ... | Principal Martinez | |
| Kharisma | ... | Little Tina | |
| Gerry Becker | ... | Larry Griffith | |
| Richard Council | ... | Otto | |
| John Robert Tillotson | ... | Broker #2 | |
| Ray Aranha | ... | Janitor (as Ray Arahna) | |
| Phil Theis | ... | Erik | |
| Flip | ... | Subway Man | |
| Dory Binyon | ... | Reporter | |
| David Vitt | ... | Kid at Gas Station | |
| John Hoyt | ... | Federal Reserve Guard #1 (as John Glenn Hoyt) | |
| Bray Poor | ... | Federal Reserve Guard #2 | |
| David P. Martin | ... | Federal Reserve Guard #3 | |
| Shari-Lyn Safir | ... | Secretary | |
| Ivan Skoric | ... | Villain A | |
| Faisal Hassan | ... | FBI Agent | |
| Richard Russell Ramos | ... | FBI Chief | |
| Richard V. Allen | ... | Chief Allen | |
| Angela Amato | ... | Cop #1 | |
| Shirley J. Hatcher | ... | Cop #2 | |
| James Patrick Whalen Sr. | ... | Fat Larry Lumis | |
| Paul Simon | ... | Man in Precinct | |
| Carl Brewer | ... | Helicopter Villain | |
| rest of cast listed alphabetically: | |||
| Steve Altes | ... | Gang Member #9 (uncredited) | |
| Tony Brubaker | ... | Man at Subway Station (uncredited) | |
| Vernon Campbell | ... | Large Gang Member (uncredited) | |
| Dick Cheney | ... | Police Official (uncredited) | |
| Dick Durock | ... | Man at Subway Station (uncredited) | |
| Jeannie Epper | ... | Woman at Subway Station (uncredited) | |
| Anibal O. Lleras | ... | Train Passenger (uncredited) | |
| Michael Luggio | ... | Teacher (uncredited) | |
| Alan Rickman | ... | Hans Gruber (archive footage) (uncredited) | |
| Don Vasicek | ... | (uncredited) | |
| Don Wallace | ... | Gang Member #8 (uncredited) | |
Directed by | |||
| John McTiernan | |||
Writing credits(WGA) | ||
| Jonathan Hensleigh | (written by) | |
| Roderick Thorp | (certain original characters) | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Peter Menzies Jr. | (director of photography) (as Peter Menzies) | ||
Film Editing by | |||
| John Wright | |||
Casting by | |||
| Pat McCorkle | |||
Production Design by | |||
| Jackson De Govia | (as Jackson DeGovia) | ||
Art Direction by | |||
| John R. Jensen | |||
| Woods Mackintosh | |||
Set Decoration by | |||
| Leslie Bloom | |||
Costume Design by | |||
| Joseph G. Aulisi | |||
Makeup Department | |||
| Christina Bartolucci | .... | makeup artist: Mr. Willis (as Cristina Bartolucci) | |
| Verne Caruso | .... | key hair stylist | |
| Annie M. DeMille | .... | hair stylist | |
| Linda DeVetta | .... | hair stylist: Mr. Irons (as Linda deVetta) | |
| Linda DeVetta | .... | makeup artist: Mr. Irons (as Linda deVetta) | |
| Audree Futterman | .... | hair stylist: Bruce Willis | |
| Edward D.M. Jackson Jr. | .... | makeup artist | |
| Carol Meikle | .... | hair stylist: Bruce Willis | |
| Marilyn Peoples | .... | key makeup artist | |
| Pamela Priest | .... | hair stylist: South Carolina | |
| Cecilia Verardi | .... | makeup artist: South Carolina | |
Second Unit Director or Assistant Director | |||
| Joe Burns | .... | second assistant director | |
| T. Sean Ferguson | .... | first assistant director: second unit | |
| Susan E. Fiore | .... | second second assistant director (as Susan Fiore) | |
| Carl Goldstein | .... | first assistant director | |
| Terry Leonard | .... | second unit director (as Terry J. Leonard) | |
| Brian A. York | .... | DGA trainee: second unit | |
| Nicholas Wolfert | .... | second assistant director: second unit (uncredited) | |
Art Department | |||
| Beverly Ballzigler | .... | construction clerk: South Carolina | |
| Robert Barnett | .... | stand-by painter | |
| Roland Brooks | .... | paint supervisor | |
| Kyung W. Chang | .... | set designer | |
| David Cooney | .... | storyboard artist | |
| Warren Drummond | .... | storyboard artist: second unit | |
| Anthony Dunne | .... | construction coordinator: New York | |
| Bruce J. Gfeller | .... | construction coordinator: South Carolina (as Bruce Gfeller) | |
| Richard Hebrank | .... | key construction grip (as Rich Hebrank) | |
| Bryan Lee | .... | foreman: South Carolina | |
| W. Scott Mason | .... | foreman: South Carolina (as Scott Mason) | |
| Kevin McCarthy | .... | lead man (as Kevin B. McCarthy) | |
| William F. McLaughlin | .... | property assistant | |
| Debbie Nolan | .... | propmaker | |
| John J. Passanante | .... | stand-by painter: South Carolina | |
| Ralph Peterson | .... | general foreman: South Carolina | |
| David Q. Quick | .... | property assistant (as David Quick) | |
| Carla Raij | .... | assistant construction estimator | |
| Mike Riley | .... | labor foreman: South Carolina | |
| Peter Rogness | .... | assistant art director | |
| Peter Rogness | .... | set designer | |
| Philip Saccio Jr. | .... | property master: second unit (as Phil Saccio Jr.) | |
| David B. Sharp | .... | art director: South Carolina (as David Sharp) | |
| Bob Shaw | .... | set designer | |
| Tommy 'Tom' Tomlinson | .... | property master | |
| Benjamin Whitehouse | .... | construction accountant (as Benj Whitehouse) | |
| Don Zappia | .... | construction best boy grip | |
| Sean Bernard | .... | painter (uncredited) | |
| John Blanchard | .... | carpenter (uncredited) | |
| John B. Clarey III | .... | set construction (uncredited) | |
| Daniel Dietrich | .... | propmaker (uncredited) | |
| Tim Eckel | .... | set designer (uncredited) | |
| Frank M. Fleming | .... | lead man: South Carolina (uncredited) | |
| George Harding III | .... | set dresser (uncredited) | |
| Lillian Heyward | .... | signwriter foreman (uncredited) | |
| Lindanne Lewis | .... | set painter (uncredited) | |
| Eric Luling | .... | set dresser (uncredited) | |
| John Peter Melendez | .... | set dresser (uncredited) | |
| John W. Morgan | .... | plaster foreman (uncredited) | |
| Scott P. Murphy | .... | assistant art director (uncredited) | |
| James Passanante | .... | paint supervisor: South Carolina (uncredited) | |
| Rosalie Russino | .... | scenic artist (uncredited) | |
| Richard Salinas | .... | set dresser (reshoot) (uncredited) | |
| Michael Scarola | .... | construction grip (uncredited) | |
| Steve A. Stephenson | .... | carpenter (uncredited) | |
| Amy Taylor | .... | painter (uncredited) | |
| Michael A. Wells | .... | construction foreman (uncredited) | |
Sound Department | |||
| Bob Beemer | .... | supervising rerecording mixer | |
| Michael J. Benavente | .... | sound editor | |
| Joseph A. Brennan | .... | re-recording engineer | |
| Alan Bromberg | .... | foley editor (as Allan Bromberg) | |
| Mike Chock | .... | sound editor | |
| Matt Colleran | .... | dubbing recordist | |
| Ezra Dweck | .... | sound effects recordist | |
| Bryan Fowler | .... | dubbing re-recordist | |
| Rick Freeman | .... | sound editor | |
| Don Givens | .... | foley recordist | |
| Avram D. Gold | .... | adr supervisor (as Avram Gold) | |
| Mark Harris | .... | dubbing re-recordist | |
| Ellen Heuer | .... | foley artist | |
| David Jobe | .... | foley mixer | |
| Daniel J. Leahy | .... | rerecording mixer (as Daniel Leahy) | |
| Patricio A. Libenson | .... | sound editor (as Patricio Libenson) | |
| Dennis Maitland | .... | sound mixer (as Dennis Maitland Sr.) | |
| Dennis Maitland II | .... | sound boom | |
| Kim Maitland | .... | sound recordist | |
| Mark A. Mangini | .... | sound designer (as Mark Mangini) | |
| Mark A. Mangini | .... | sound supervisor (as Mark Mangini) | |
| Michael Minkler | .... | supervising rerecording mixer | |
| Oscar Mitt | .... | assistant sound editor | |
| Christopher Moriana | .... | foley artist (as Chris Moriana) | |
| Andrew Patterson | .... | adr editor | |
| Sonny Pettijohn | .... | assistant sound editor | |
| Eric Potter | .... | sound effects recordist (as Eric 'Buzzy' Potter) | |
| Charleen Richards | .... | adr mixer | |
| Alexandra Root | .... | assistant sound editor | |
| Geoffrey G. Rubay | .... | sound editor (as Geoffrey Rubay) | |
| Solange S. Schwalbe | .... | foley editor | |
| George Simpson | .... | sound editor | |
| Greg Steele | .... | adr mixer | |
| David A. Whittaker | .... | sound editor (as David Whittaker) | |
| Paul J. Zydel | .... | adr mixer (as Paul Zydel) | |
| Donna Barrett | .... | cable person (uncredited) | |
| David Hewitt | .... | audio truck engineer (uncredited) | |
| Brooke Satrazemis | .... | cable person (uncredited) | |
Visual Effects by | |||
| Monica Anderson | .... | effects editor: SPI | |
| Scott E. Anderson | .... | visual effects supervisor | |
| Pam Auditore | .... | digital animator: Mass Illusion | |
| Judith Bell | .... | digital artist: Pacific | |
| Ron Brinkmann | .... | computer graphics supervisor: SPI | |
| Eric Calderon | .... | motion control assistant: New York, Mass Illusion | |
| Mageara Cameron | .... | visual effects coordinator (as Margeara Cameron) | |
| Don Canfield | .... | motion control camera operator South Carolina, Mass Illusion | |
| Alex Carone | .... | production assistant: Mass Illusion | |
| Jon Craig | .... | assistant model shop supervisor: South Carolina | |
| Art David | .... | digital animator: Mass Illusion | |
| Amy G. Davis | .... | digital animator: Mass Illusion | |
| Heather Davis | .... | digital artist: SPI | |
| Tim Douglas | .... | digital artist: SPI | |
| David Drzewiecki | .... | effects director of photography: SPI | |
| Leo Fernekes | .... | motion control rigger: New York, Mass Illusion | |
| Shoshana Fishbein | .... | digital animator: Mass Illusion | |
| Lisa Foster | .... | digital artist: SPI | |
| Julia Frey | .... | visual effects producer: SPI | |
| Joe Gareri | .... | executive producer: Pacific | |
| Allen Gonzales | .... | digital matte work: Buena Vista | |
| Joel Hynek | .... | visual effects consultant: Mass Illusion | |
| Lisa Kelly | .... | digital effects coordinator: Pacific | |
| Stephen Kennedy | .... | digital artist: SPI (as Steve Kennedy) | |
| Scott Kilburn | .... | digital artist: SPI | |
| Susan MacLeod | .... | visual effects manager: Mass Illusion | |
| M. Scott McKee | .... | digital artist: SPI | |
| Carrie Owens | .... | assistant visual effects producer: Mass Illusion | |
| Suzanne Pastor | .... | production supervisor: SPI (as Suzzanne Pastor) | |
| Diane Pearlman | .... | visual effects producer: Mass Illusion | |
| Winston Quitasol | .... | digital compositor: Buena Vista | |
| Kris Robinson | .... | visual effects accountant: South Carolina | |
| Olivier Sarda | .... | digital artist: Pacific | |
| Wally Schaab | .... | special projects supervisor: Buena Vista | |
| Jennifer Lee Scheer | .... | digital effects coordinator: Pacific | |
| David B. Sharp | .... | visual effects art director | |
| Nina Sloan | .... | live action visual effects producer: New York, Mass Illusion | |
| Carolyn Soper | .... | visual effects producer: Buena Vista | |
| David Sosalla | .... | digital effects producer: Pacific | |
| Serge Sretschinsky | .... | digital visual effects supervisor | |
| Serge Sretschinsky | .... | software designer: Mass Illusion | |
| John E. Sullivan | .... | director of photography: Mass Illusion | |
| John E. Sullivan | .... | visual effects supervisor | |
| Tim Teramoto | .... | technical assistant: SPI | |
| Kristen D. Trattner | .... | digital artist: SPI | |
| Bill Villareal | .... | digital effects supervisor: Pacific | |
| Peter Warner | .... | digital artist: SPI | |
| Luigi Warren | .... | software engineer: SPI | |
| Dennis Webb | .... | film recording supervisor: SPI | |
| Boyd Wold | .... | motion control camera operator New York, Mass Illusion | |
| Jennifer Wollan | .... | visual effects editor: Mass Illusion | |
| Juliette Yager | .... | visual effects editor: Buena Vista | |
| Lisa Yu | .... | digital artist: Pacific | |
| Erin Flynn | .... | visual effects production assistant (uncredited) | |
| Peter Gornstein | .... | digital department assistant (uncredited) | |
Casting Department | |||
| Riccardo Bertoni | .... | extras casting | |
| Fleet Emerson | .... | casting associate | |
| Fleet Emerson | .... | extras casting | |
| Karen Gilman | .... | casting assistant | |
| Barbara Hipkiss | .... | casting associate | |
| Margaret Mullins | .... | extras casting: South Carolina | |
| Jeff Wickline | .... | casting assistant | |
| Jeff Wickline | .... | extras casting: South Carolina | |
| Melissa Biggs | .... | extras casting (uncredited) | |
| Susan Gish | .... | extras casting (uncredited) | |
| Len Hunt | .... | extras casting (uncredited) | |
| Cathy Pritchard | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Adkins | .... | wardrobe supervisor | |
| Lisa Emerson | .... | additional wardrobe: South Carolina | |
| Suzanne McCabe | .... | assistant costume designer | |
| Robert Musco | .... | wardrobe supervisor | |
| Lori Stilson | .... | wardrobe: Mr. Willis | |
| Missy West | .... | additional wardrobe: South Carolina | |
| Patrick Chevillot | .... | assistant costume designer (uncredited) | |
| Dorothy Masters | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| John Scott Cook | .... | apprentice editor | |
| Barbara Dunning | .... | first assistant editor | |
| Mark Herman | .... | assistant editor | |
| Kelly Irvine | .... | lightworks assistant | |
| Jeffrey L. Jamison | .... | apprentice editor | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Colleen Sharp | .... | assistant editor | |
| Emily Wallin | .... | lightworks assistant | |
| Cort Wright | .... | apprentice editor | |
| Steve Bartlett | .... | post-production (uncredited) | |
Music Department | |||
| Christopher Brooks | .... | supervising music editor | |
| Eric Harryman | .... | music supervisor | |
| Joel Iwataki | .... | music mixer | |
| Joel Iwataki | .... | music recordist | |
| Barry Levine | .... | music supervisor | |
| Stephen McLaughlin | .... | music mixer (as Steve McLaughlin) | |
| Stephen McLaughlin | .... | music recordist (as Steve McLaughlin) | |
| Eric Reasoner | .... | music editor | |
| David Sabee | .... | orchestra contractor | |
| Bruce Babcock | .... | composer: additional music (uncredited) | |
| Bruce Babcock | .... | orchestrator (uncredited) | |
| Robert Puff | .... | music preparation (uncredited) | |
Transportation Department | |||
| Gino Lucci | .... | picture car coordinator | |
| Ralph Lucci | .... | picture car coordinator: second unit | |
| Michael Luckeroth | .... | transportation captain: Baltimore | |
| Bob O'Neill | .... | transportation co-captain | |
| Columbo Saggese | .... | picture cars east | |
| Chris Summerell | .... | shotmaker driver | |
| D.R. Toney | .... | transportation co-captain | |
| James Patrick Whalen Jr. | .... | transportation captain | |
| Richard Curry | .... | driver: Mr. Willis (uncredited) | |
| J. Armin Garza II | .... | driver (uncredited) | |
| Greg Koronowicz | .... | picture cars (uncredited) | |
| Gerald Titus | .... | driver (uncredited) | |
| Robert Van Apeldoorn | .... | transportation: South Carolina (uncredited) | |
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| Live Free or Die Hard | Die Hard 2 | Die Hard | Face/Off | The Dark Knight |
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Someone calling himself Simon detonates several bombs in the centre of New York City. He then sets a series of dangerous tasks for Officer John McClane to achieve or he will detonate more. McClane sets out to meet the demands of the terrorists with bystander Zeus Carver in tow.
This is the third in the Die Hard series and it makes an immediate improvement on the second by bringing back the original director John McTiernan. Here the film doesn't try to repeat the formula of the first film (terrorists/wife/rescue) but instead takes on a whole new plot while still tying it into the first film. The second movie tried to repeat the first film's plot but set in an airport, here the different angle makes this feel a lot fresher and feel like a movie in itself. The tie-in to the first film is clever and not too much of a stretch of the imagination - happily this is not the reason for the action itself - instead the terrorist's main aim is the gold held in vaults in the Federal Reserve on Wall Street, but the game with McClane is a special treat.
McTiernan was great in the first film, making everything feel tense and claustrophobic. Here he has the whole of NYC to run across and the camera shows this new found freedom. In action scenes the camera swings wildly round and zooms into focus on the action. During scenes set in offices etc containing a lot of dialogue the camera slowly prowls round like it's dieing to rush off to the next action scene. It's the opposite to the style in the first film and again makes this feels different enough to be a film in it's own right.
Usually film series can get a lot of baggage (watch Lethal Weapon 4 for proof), but here all the repeat characters are dropped, even McClane's wife only features as a voice on the phone. And that works well here and the only characters that are brought back here are McClane (of course) and Hans Gruber (in a flashback). This frees the film up to basically go where it wants without having to squeeze in old characters the way the second film did. However it links the films by having Simon Gruber taking supposed revenge for the death of his brother. The fresh active feel to this movie really gives it life and lifts the series out of the hole that the second film had threatened to put it.
The chemistry between Willis and Jackson is great and lends a lot of comedy to the film, there's lot of racial humour between the two and Jackson is more than the "black sidekick" that exists in many films. Irons continues the fine tradition of English actors playing Hollywood villains and is good for the most. His ticks and stutters stop him being anywhere near as good as Rickman was in the original role but he's still good. Willis gets good support from the likes of Graham Greene, Larry Bryggman and Colleen Camp as fellow cops but really him and Jackson carry the show.
Some of the scenes are a little forced and the plot doesn't always join together easily (a scene where Willis is fired out of a water pipe just as Jackson happens to drive by is a little too convenient) but many iffy bits can be overlooked if you focus on the action. The most effective thing that returns from the first film is the musical score. In the first film the score used variations on Christmas music to dramatic effect, here the score uses music well to add tension and comedy in a different way. It's difficult to put into words but this effect was missing from the second film.
The film has a hatful of nice twists towards the end and the only problem is that the conclusion in Canada doesn't feel like it fits in (the original ending was changed following the Okalahoma bombing) but this is a minor problem in a film that is a great addition to the action packed Die Hard series.