| Photos (see all 3 | slideshow) |
| James Russo | ... | Dan Cappelli | |
| Cynda Williams | ... | Gidell Ryan | |
| Paul Calderon | ... | Angel Delgado | |
| Victor Argo | ... | Victor Klein | |
| Jonathan Shaw | ... | Tatooed Inmate | |
| Verrone Romeoletti | ... | Malone | |
| Cedric Turner | ... | Inmate | |
| Matthew Styles | ... | Effeminate Inmate | |
| Richard Boes | ... | Boyce | |
| Andre Degas | ... | Bishop | |
| John Ashton | ... | Deputy Warden | |
| Ana Ortiz | ... | C Block Inmate | |
| Amanda Foster | ... | Blondie | |
| Donna Ryan | ... | Bully Inmate | |
| Monique Cintron | ... | Melita | |
| Shelita Birchett | ... | Radical Inmate | |
| Leslie Arnette | ... | Rapper | |
| Jann Ellis | ... | Captain Arnitha | |
| Leonora Veterano | ... | Muslim Inmate | |
| Dierdre Lewis | ... | Rose | |
| Joey Perillo | ... | D.A. #1 | |
| Arthur Louis Fuller | ... | D.A. #2 | |
| Tom Teti | ... | Gidell's Lawyer | |
| Charley Scalies | ... | Angel's Bodyguard | |
| Nell Johnson | ... | Gidell's Mother | |
| Kristin Moreu | ... | Shirley | |
| William Rothlein | ... | Henry | |
| Patricia Walker | ... | Female Guard | |
| Anna Minot | ... | Ethel Mae Cappelli (Dan's Mother) | |
| Charles Techman | ... | Bartender | |
| Tim Moyer | ... | Guard at door | |
| Jon Curry | ... | New Guard | |
| Elizabeth Roby | ... | Ticket Agent | |
| J.R. Ashton | ... | Warden | |
| Patrick McDade | ... | Federal Agent | |
| Patricia A. Meck | ... | Federal Correctional Officer | |
| Brooke Stacy Mills | ... | T.V. Reporter | |
| Matt Myers | ... | Cop | |
| rest of cast listed alphabetically: | |||
| Paul L. Nolan | ... | Bartender (uncredited) | |
Directed by | |||
| Mika Kaurismäki | |||
Writing credits(in alphabetical order) | ||
| Andre Degas | writer | |
Produced by | |||
| Hank Blumenthal | .... | line producer | |
| Andre Degas | .... | producer | |
| Klaus Heydemann | .... | associate producer | |
| Mika Kaurismäki | .... | executive producer (as Michael Bambihill) | |
| Ken Schwenker | .... | producer | |
Original Music by | |||
| Mauri Sumén | |||
Cinematography by | |||
| Ken Kelsch | |||
Film Editing by | |||
| Mika Kaurismäki | |||
| Suzanne Pillsbury | |||
Casting by | |||
| Mike Lemon | |||
| Jeffery Passero | |||
Production Design by | |||
| Stacey Tanner | |||
Art Direction by | |||
| Jeff Cox | |||
| Ondine Karady | |||
Costume Design by | |||
| Frances Hurley | |||
Makeup Department | |||
| Kat Robertson | .... | key makeup artist | |
Production Management | |||
| Matt Janes | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gretel Enck | .... | first assistant director | |
| Chris Sills | .... | second second assistant director | |
| Jeffery Stupak | .... | second second assistant director | |
| Rick Walls | .... | second assistant director (as Richard Mercer Walls II) | |
Art Department | |||
| Stephen Ball | .... | property master | |
Sound Department | |||
| Coll Anderson | .... | production sound mixer | |
| Brad Bergbom | .... | boom operator | |
| Ryan Webb | .... | boom operator | |
Special Effects by | |||
| Drew Jiritano | .... | special effects | |
| Jan-Eric Nyström | .... | special photographic effects | |
Stunts | |||
| Peter Bucossi | .... | stunts | |
| Verrone Romeoletti | .... | stunt coordinator | |
| Jeff Ward | .... | stunt driver | |
Camera and Electrical Department | |||
| Steven Brouwer | .... | grip | |
| Dave Fortino | .... | best boy | |
| Alpesh Patel | .... | grip truck | |
| Phil Testa | .... | gaffer | |
| Stephen Treadway | .... | second assistant camera | |
| Justin Vanson | .... | key grip | |
Costume and Wardrobe Department | |||
| Nancy Collini | .... | wardrobe supervisor | |
| Karin Leonard | .... | assistant costume designer | |
Editorial Department | |||
| Tom San Martin | .... | negative matcher | |
| Arnold Shuster | .... | negative matcher | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
Other crew | |||
| Tim Downs | .... | location manager | |
| Steven Killian | .... | production coordinator | |
| Michael LaCorte | .... | assistant production office coordinator | |
| Adam Middleton | .... | production assistant | |
| Nichelle Pace | .... | production assistant | |
| Pia Tikka | .... | script supervisor | |
| Michael Wakely | .... | location manager | |
| Donn Warr Lewis | .... | production assistant | |
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| Terminal Island | Chained Heat | Ten Violent Women | A Map of the World | The Big Bird Cage |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Finland section | Add this title to MyMovies |
Dan Capelli (James Russo) is a prison guard with a major attitude problem. After repeatedly getting too violent with inmates, he is temporarily transferred to duty in a women's prison. There, he meets Gidell (Cynda Williams), a stressed out inmate who initially just tries to make small talk with him. Dan tries to maintain detached from Gidell despite how he may really feel, but when Gidell's boyfriend Angel (James Calderon) comes into the picture, things seem to change.
This is a strange movie. Independent films have this strange effect on me - even if they aren't too good, if they're character driven little plots, I get sucked in no matter what. From a technical sense, this film isn't that great. It's a character driven story with underdeveloped characters, and a movie with no plot that still manages to have plot holes. But, I couldn't help it. There was something about it's low budget-ness that I liked. Maybe it was knowing that this was such a small film that I was seeing something perhaps only a handful of other people had ever seen.
James Calderon really changed for this role. I'm pretty sure he's Puerto Rican, but he looked African-American in this film. Strange what makeup can do. He and Victor Argo are too good actors who were underused in this movie. Cynda Williams is also good when she has stuff to work with, but like Kris Kristofferson, she's a performer who has had her fair share of characters that you just can't go anywhere with. But, James Russo's monologue at the end of this film makes up for all of that. Strange, how a good monologue can greatly improve a movie's quality.
This one is good to watch on the movie channels if you're up after midnight and no one else is home.