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Directed by | |||
| John Schlesinger | |||
Writing credits | ||
| Stella Gibbons | (novel) | |
| Malcolm Bradbury | writer | |
Produced by | |||
| Richard Broke | .... | executive producer: BBC Television | |
| Alison Gilby | .... | producer | |
| Joanna Gueritz | .... | associate producer | |
| Antony Root | .... | executive producer: Thames Television | |
Original Music by | |||
| Robert Lockhart | |||
Cinematography by | |||
| Chris Seager | |||
Film Editing by | |||
| Mark Day | |||
Casting by | |||
| Noel Davis | |||
Production Design by | |||
| Malcolm Thornton | |||
Art Direction by | |||
| Jim Holloway | |||
Costume Design by | |||
| Amy Roberts | |||
Makeup Department | |||
| Anita Burger | .... | makeup artist | |
| Carmel Jackson | .... | makeup artist | |
| Dorka Nieradzik | .... | hair style designer | |
| Dorka Nieradzik | .... | makeup designer | |
Art Department | |||
| Peter Bower | .... | construction manager | |
| Bob Cummins | .... | graphic designer | |
| Noel Deegan | .... | stand-by props | |
| Catherine Holmes | .... | design assistant | |
| Gerry Kelly | .... | stand-by painter | |
| Brian Larkin | .... | graphic designer | |
| Maura Laverty | .... | production buyer | |
| Laurie Miller | .... | property master | |
| Stuart Newton | .... | dressing props | |
| Brian Pincham | .... | stand-by props | |
| Joe Sheehan | .... | stand-by carpenter | |
| Lee Turnham | .... | dressing props | |
| Lee Turnham | .... | stand-by props | |
Sound Department | |||
| John Bateman | .... | adr mixer | |
| John Bateman | .... | foley mixer | |
| Paula Boram | .... | foley artist | |
| Julian Dodwell | .... | sound effects editor | |
| Allan Fowlie | .... | sound editor | |
| Jim Greenhorn | .... | sound recordist | |
| Maike Helmers | .... | dialogue editor | |
| Jenny Lee Wright | .... | foley artist | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Debbie Pragnell | .... | sound editor | |
| Joanne Stephens-Smith | .... | boom operator | |
Visual Effects by | |||
| Mike Kelt | .... | visual effects | |
| Jeremy King | .... | visual effects | |
Camera and Electrical Department | |||
| Catherine Brandish | .... | clapper loader | |
| Keith Broome | .... | focus puller | |
| Dave Mason | .... | gaffer | |
| Barrie More | .... | best boy | |
| Peter Muncey | .... | grip | |
| Micky Patten | .... | key grip (as Mickey Patten) | |
| Steve Phillips | .... | grip | |
| Alf Tramontin | .... | Steadicam operator | |
| Jan Pester | .... | Steadicam operator (uncredited) | |
Costume and Wardrobe Department | |||
| Dan Grace | .... | wardrobe master | |
| William McPhail | .... | costume supervisor | |
Music Department | |||
| Chris Dibble | .... | music recording engineer | |
| Robert Lockhart | .... | music arranger | |
| Steve Parr | .... | music recording engineer | |
Other crew | |||
| Elinor Day | .... | script editor | |
| Eleanor Fazan | .... | choreographer | |
| Carol Gardner | .... | script supervisor | |
| Linda James | .... | dialogue coach | |
| Maurice Scanlon | .... | finance assistant | |
| Heather Siverns | .... | production secretary | |
| Tim Stevenson | .... | location manager | |
| Company credits | Box office and business | Technical specifications |
| Main details |