| Photos (see all 22 | slideshow) |
Directed by | |||
| John Schlesinger | |||
Writing credits | ||
| Stella Gibbons | (novel) | |
| Malcolm Bradbury | writer | |
Produced by | |||
| Richard Broke | .... | executive producer: BBC Television | |
| Alison Gilby | .... | producer | |
| Joanna Gueritz | .... | associate producer | |
| Antony Root | .... | executive producer: Thames Television | |
Original Music by | |||
| Robert Lockhart | |||
Cinematography by | |||
| Chris Seager | |||
Film Editing by | |||
| Mark Day | |||
Casting by | |||
| Noel Davis | |||
Production Design by | |||
| Malcolm Thornton | |||
Art Direction by | |||
| Jim Holloway | |||
Costume Design by | |||
| Amy Roberts | |||
Makeup Department | |||
| Anita Burger | .... | makeup artist | |
| Carmel Jackson | .... | makeup artist | |
| Dorka Nieradzik | .... | hair style designer | |
| Dorka Nieradzik | .... | makeup designer | |
Art Department | |||
| Peter Bower | .... | construction manager | |
| Bob Cummins | .... | graphic designer | |
| Noel Deegan | .... | stand-by props | |
| Catherine Holmes | .... | design assistant | |
| Gerry Kelly | .... | stand-by painter | |
| Brian Larkin | .... | graphic designer | |
| Maura Laverty | .... | production buyer | |
| Laurie Miller | .... | property master | |
| Stuart Newton | .... | dressing props | |
| Brian Pincham | .... | stand-by props | |
| Joe Sheehan | .... | stand-by carpenter | |
| Lee Turnham | .... | dressing props | |
| Lee Turnham | .... | stand-by props | |
Sound Department | |||
| John Bateman | .... | adr mixer | |
| John Bateman | .... | foley mixer | |
| Paula Boram | .... | foley artist | |
| Julian Dodwell | .... | sound effects editor | |
| Allan Fowlie | .... | sound editor | |
| Jim Greenhorn | .... | sound recordist | |
| Maike Helmers | .... | dialogue editor | |
| Jenny Lee Wright | .... | foley artist | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Debbie Pragnell | .... | sound editor | |
| Joanne Stephens-Smith | .... | boom operator | |
Visual Effects by | |||
| Mike Kelt | .... | visual effects | |
| Jeremy King | .... | visual effects | |
Camera and Electrical Department | |||
| Catherine Brandish | .... | clapper loader | |
| Keith Broome | .... | focus puller | |
| Dave Mason | .... | gaffer | |
| Barrie More | .... | best boy | |
| Peter Muncey | .... | grip | |
| Micky Patten | .... | key grip (as Mickey Patten) | |
| Steve Phillips | .... | grip | |
| Alf Tramontin | .... | Steadicam operator | |
| Jan Pester | .... | Steadicam operator (uncredited) | |
Costume and Wardrobe Department | |||
| Dan Grace | .... | wardrobe master | |
| William McPhail | .... | costume supervisor | |
Music Department | |||
| Chris Dibble | .... | music recording engineer | |
| Robert Lockhart | .... | music arranger | |
| Steve Parr | .... | music recording engineer | |
Other crew | |||
| Elinor Day | .... | script editor | |
| Eleanor Fazan | .... | choreographer | |
| Carol Gardner | .... | script supervisor | |
| Linda James | .... | dialogue coach | |
| Maurice Scanlon | .... | finance assistant | |
| Heather Siverns | .... | production secretary | |
| Tim Stevenson | .... | location manager | |
|
|
|
|
|
| Sweet Land | Gone with the Wind | Giant | Howards End | Random Harvest |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
| Add this title to MyMovies |
This film was produced for BBC television but had a theatrical release the next year -- probably to take advantage of the popularity of all those Jane Austen movies (Emma, Persuasion, et. al.) It is not a Jane Austen story, but it is a sort of genial romance/comedy of manners (set in the early 1930's?) with a plucky, bright, but penniless heroine. The book it was based on was actually a parody of Gothic romance fiction. Even though this movie is played for laughs (and has many), it still manages to make you care for the characters. Everything works here and (editing, cinematography, performances) and you really appreciate what the director, John Schlesinger, managed to do on a probably skimpy budget.
This movie was the first I ever saw of Kate Beckinsale and I thought she was fantastic in it. I remained a fan for a long while, even though her subsequent movie performances (and choices) have been awful. She finally lost me with her recent laughable turn in Van Helsing. Nevertheless, she WAS good in Cold Comfort Farm, so if you're no fan of Beckinsale don't let that dissuade you from seeing this movie.
Other standouts in the cast are Eileen Atkins, Rufus Sewell, and Ian McKellen who is screamingly funny as a fire and brimstone preacher.
This film is definitely worth having on video or DVD in that it bears up very well to repeated viewings. I've seen it at least 5 times since its release, and my estimation of it rises with each viewing.