| Photos (see all 16 | slideshow) |
| Peter Sallis | ... | Wallace (voice) | |
| Anne Reid | ... | Wendolene Ramsbottom (voice) |
Directed by | |||
| Nick Park | |||
Writing credits | ||
| Bob Baker | (written by) & | |
| Nick Park | (written by) | |
Produced by | |||
| Peter Lord | .... | executive producer | |
| Colin Rose | .... | executive producer: BBC | |
| Michael Rose | .... | producer | |
| Carla Shelley | .... | producer | |
| David Sproxton | .... | executive producer | |
Original Music by | |||
| Julian Nott | |||
Cinematography by | |||
| Dave Alex Riddett | (director of photography) | ||
Film Editing by | |||
| Helen Garrard | |||
Art Direction by | |||
| Phil Lewis | |||
Art Department | |||
| Trisha Budd | .... | assistant art director: props | |
| Tim Farrington | .... | scenic artist | |
| Richard Higgs | .... | graphic designer | |
| Michael Salter | .... | storyboard artist | |
| Jason Spencer Galsworthy | .... | model maker | |
| Zennor Witney | .... | model maker | |
Sound Department | |||
| Paul Hamblin | .... | dubbing mixer | |
| Adrian Rhodes | .... | dubbing editor | |
| Jack Stew | .... | foley artist | |
Visual Effects by | |||
| Jeff Cliff | .... | mechanical models | |
| Linda Langley | .... | model sculptor | |
| Del Lawson | .... | model technician | |
| John Parsons | .... | model coordinator | |
| John Wright | .... | mechanical models | |
| Stella Bogh | .... | digital compositor (uncredited) | |
| Pete Hanson | .... | studio manager: CFC (uncredited) | |
| Alison O'Brien | .... | visual effects producer (uncredited) | |
| Kevin Phelan | .... | scanning and recording producer: CFC (uncredited) | |
| Tim Wellspring | .... | visual effects coordinator: CFC (uncredited) | |
Camera and Electrical Department | |||
| John Bradley | .... | gaffer | |
| Simon Jacobs | .... | photographer | |
| Sam James | .... | camera operator | |
| Ian Jewels | .... | gaffer | |
| Tristan Oliver | .... | photographer | |
| Frank Passingham | .... | photographer | |
| Paul Smith | .... | camera operator | |
| Nick Upton | .... | camera assistant | |
Animation Department | |||
| Steve Box | .... | key character animator | |
| Gary Cureton | .... | character animator | |
| Sergio Delfino | .... | assistant animator | |
| Nick Park | .... | character animator | |
| Peter Peake | .... | character animator | |
| Loyd Price | .... | character animator | |
| Nick Upton | .... | animation assistant | |
| Ian Whitlock | .... | assistant animator | |
| Allan Yates | .... | animation systems engineer | |
Editorial Department | |||
| Bridget Mazzey | .... | assistant film editor | |
| Tasmin Parry | .... | assistant film editor | |
Music Department | |||
| Nic Raine | .... | orchestrator (uncredited) | |
| Simon Rhodes | .... | music scoring mixer (uncredited) | |
Other crew | |||
| Alan Gregory | .... | technical crew | |
| Bob Gregory | .... | technical crew | |
| Glenn Hall | .... | technical crew | |
| Harry Linden | .... | floor manager | |
| John Oaten | .... | technical crew | |
| Peter Thornton | .... | production consultant | |
Thanks | |||
| Tara Bacon | .... | thanks | |
| Lisa Bilbe | .... | thanks | |
| Mike Booth | .... | thanks | |
| Elizabeth Buttler | .... | thanks | |
| Douglas Calder | .... | thanks | |
| Ben Cook | .... | thanks | |
| Charles Copping | .... | thanks | |
| Maxine Guest | .... | thanks | |
| Toby Hannam | .... | thanks | |
| Beverley Issacs | .... | thanks | |
| Curtis Jobling | .... | thanks | |
| Janet Legg | .... | thanks | |
| Beth MacDonald | .... | thanks | |
| Stuart Markovic | .... | thanks | |
| Jason Marshall | .... | thanks | |
| John McAleavy | .... | thanks | |
| Viv Paeper | .... | thanks | |
| Darren Robbie | .... | thanks | |
| Susannah Shaw | .... | thanks | |
| Arthur Sheriff | .... | thanks (as Arthur Sherriff) | |
| Barry Shutler | .... | thanks | |
| John Truckle | .... | thanks | |
| Adam Vernon | .... | thanks | |
| Sophie Wright | .... | thanks | |
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| Wallace & Gromit in The Wrong Trousers | A Grand Day Out with Wallace and Gromit | Wallace & Gromit in The Curse of the Were-Rabbit | The Incredibles | Chicken Run |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb UK section | Add this title to MyMovies |
Of all the W&G films A Close Shave is by far the best of all. Not only is the animation far more polished & detailed than its earlier predecessors, A Grand Day Out (1992) and The Wrong Trousers ('93). But in addition the story is far more engaging, light & humourous compared to the darker more mechanical nature of TWT (my least favourite of the three).
For the first time, A Close Shave introduces an extra dimension to the W&G pairing, in the form of Wendolene, a lady woolshop owner who Wallace falls in love with when both he & Gromit clean her shop windows.
With the addition of a female into the story we are given a little more character development concerning Wallace. The previous two stories only centred around his self-serving interests in cheese, inventions, making money and relying on his pet pooch to get him out of sticky situations. But in ACS we are offered a more rounded perspective of his personal life and his keeness to have a woman sharing his home at long last.
As the film progresses the relationship between the couple grows, in spite of all the dangers & hazards that they face along the way. And by the end of the film we are left on tenterhooks as to whether Wendolene will finally move in with W&G for good!
So not only is the animation and attention to detail significantly improved over TWT but so too is the characterisation and storyline. The voice of Wallace, Peter Sallis, is dependable & easy on the ear, even though he doesn't have much to say compared to the previous films.
But it is to Gromit where the real plaudits lie. Because he can't speak (or bark apparently!) we have to rely on his facial expression to understand how he feels & reacts to those around him. Because of the wonderful attention to animated detail Nick Park and his crew have spent, we can connect & relate very easily to Gromit's body language, especially within his eyes. I don't think I've ever seen such wonderful expressions since Laurel & Hardy. In fact the next time you have the benefit of seeing a L&H film take note of Ollie's facial expressions to-camera and you'll understand the comparison between him & Gromit.
Its now 6 years since the last W&G installment and it is to be hoped that Nick Park will do another follow up. I only hope he doesn't rely on lifeless cgi for his animation technique. On average it took NP between 2 to 3 years for each of the W&G episodes. But it was worth the wait. However, the Dreamworks Studio to which NP is affiliated, may not like having to wait such a long time for the next installment to be made, a may insist on using computer animation rather than clay to speed the production process up somewhat.
Chicken Run (2000), NP's first full-feature movie in conjunction with Dreamworks was, on the whole, ok. But the story seemed so formulaic & safe that you just knew the studio had "influenced" the production more than NP would have liked. And as a result you get a bland film built on hype. So I only hope the next W&G doesn't follow the same route otherwise the entire W&G franchise will be ruined for the sake of the mighty dollar yet again.
****/*****