| Videos (see all 2) |
| Emma Thompson | ... | Dora Carrington | |
| Jonathan Pryce | ... | Lytton Strachey | |
| Steven Waddington | ... | Ralph Partridge | |
| Samuel West | ... | Gerald Brenan | |
| Rufus Sewell | ... | Mark Gertler | |
| Penelope Wilton | ... | Lady Ottoline Morrell | |
| Janet McTeer | ... | Vanessa Bell | |
| Peter Blythe | ... | Phillip Morrell | |
| Jeremy Northam | ... | Beacus Penrose | |
| Alex Kingston | ... | Frances Partridge | |
| Sebastian Harcombe | ... | Roger Senhouse | |
| Richard Clifford | ... | Clive Bell | |
| David Ryall | ... | Mayor | |
| Stephen Boxer | ... | Military Rep | |
| Annabel Mullion | ... | Mary Hutchinson | |
| Gary Turner | ... | Duncan Grant | |
| Georgiana Dacombe | ... | Marjorie Gertler | |
| Helen Blatch | ... | Nurse | |
| Neville Phillips | ... | Court Usher | |
| Christopher Birch | ... | Dr. Starkey Smith | |
| Daniel Betts | ... | Porter | |
| Simon Bye | ... | Fly Driver | |
| Marzio Idoni | ... | Gondolier |
Directed by | |||
| Christopher Hampton | |||
Writing credits(in alphabetical order) | ||
| Christopher Hampton | writer | |
| Michael Holroyd | book | |
Original Music by | |||
| Michael Nyman | |||
Cinematography by | |||
| Denis Lenoir | |||
Film Editing by | |||
| George Akers | |||
Production Design by | |||
| Caroline Amies | |||
Art Direction by | |||
| Frank Walsh | |||
Costume Design by | |||
| Penny Rose | |||
Makeup Department | |||
| Christine Beveridge | .... | hair stylist (as Chrissie Beveridge) | |
| Christine Beveridge | .... | makeup artist (as Chrissie Beveridge) | |
| Elaine Davis | .... | hair stylist | |
| Elaine Davis | .... | makeup artist | |
| Norma Webb | .... | hair stylist | |
| Norma Webb | .... | makeup artist | |
Production Management | |||
| Rosanna Roditi | .... | production manager: Italy | |
| Chloe Sizer | .... | post-production supervisor | |
Art Department | |||
| Peter Adams | .... | construction run-around | |
| Brian Aldridge | .... | dressing props | |
| Robert Betts | .... | painter (as Lee Betts) | |
| Dennis Bosher | .... | draughtsman | |
| Roger Bowles | .... | draughtsman | |
| Alan Chesters | .... | construction manager | |
| Leigh Chesters | .... | trainee carpenter | |
| Susanna Codognato | .... | art department: Italy | |
| Ciaran Donnelly | .... | carpenter | |
| Judy Ducker | .... | production buyer | |
| Martin Duffy | .... | chargehand carpenter | |
| Peter Duffy | .... | carpenter | |
| Brian Eke | .... | carpenter | |
| Christopher Evans | .... | decorative artist | |
| Davide Fadda | .... | art department laborer: Italy | |
| Nick Ferguson | .... | pastiche artist | |
| Jim Foran | .... | construction supervisor | |
| Barry Gibbs | .... | property master | |
| Jane Gifford | .... | pastiche artist | |
| Claire Grainger | .... | design assistant | |
| Fred Gray | .... | pastiche artist | |
| David Gruar | .... | stagehand | |
| Michael Gunner | .... | chargehand painter | |
| Rebecca Holmes | .... | design assistant | |
| Simon Hutchings | .... | painter | |
| Gary Ixer | .... | stand-by propman | |
| Matt James | .... | painter | |
| Malcolm Keen | .... | painter | |
| David Ned Kelly | .... | stand-by carpenter | |
| J.A. Lenman | .... | painter | |
| David Mears | .... | painter | |
| Martin O'Connor | .... | props run-around | |
| Graham Osten-Lee | .... | carpenter | |
| Darryl Patterson | .... | storeman | |
| Brian Rielly | .... | painter | |
| Nicky Risso-Gill | .... | draughtsman | |
| Raffaele Scarpa | .... | art department laborer: Italy | |
| Andy Semple | .... | assistant art director (as Andrew Semple) | |
| Bob Sherwood | .... | stand-by props | |
| Mike Sotheran | .... | painter | |
| Jim Stanes | .... | graphic artist | |
| Alison Stewart-Richardson | .... | design assistant | |
| Warren Stickley | .... | dressing props | |
| Terry Weaver | .... | painter | |
| Michael Webb | .... | stagehand | |
| Darryl Paterson | .... | props storeman (uncredited) | |
Sound Department | |||
| Jason Adams | .... | assistant sound editor | |
| Ed Colyer | .... | foley mixer (as Edward Colyer) | |
| Felicity Cottrell | .... | foley artist | |
| Graham Daniel | .... | sound re-recording mixer | |
| Sarah Ellis | .... | assistant sound editor | |
| Peter Lindsay | .... | sound mixer | |
| Dennis McTaggart | .... | sound editor | |
| Ray Merrin | .... | sound re-recording mixer | |
| Mervyn Moore | .... | boom operator | |
| Zivi Ronen | .... | sound room trainee | |
| Jupiter Sen | .... | adr editor | |
| Jupiter Sen | .... | foley editor | |
| Jason Swanscott | .... | foley artist | |
| Ted Swanscott | .... | adr mixer | |
Costume and Wardrobe Department | |||
| Jill Avery | .... | wardrobe mistress | |
| Kirsten Hecktermann | .... | assistant costume designer | |
| Loredana Nicolao | .... | seamstress: Italy | |
| Adrian Simmons | .... | wardrobe master | |
Editorial Department | |||
| James Marsh | .... | first assistant editor | |
Transportation Department | |||
| Mike Beaven | .... | unit driver | |
| Jed Bray | .... | unit driver | |
| Dave Carpenter | .... | makeup bus driver | |
| Tom Daly | .... | driver: honeywagon | |
| Alfio Galli | .... | transport: Italy | |
| Fred Harris | .... | truck driver | |
| Enyo Mortty | .... | unit driver | |
| Gary Palmer | .... | dining bus driver | |
| Tony Redman | .... | unit driver | |
| Sid Romain | .... | driver: minibus | |
| Brett Walker | .... | motorhome driver | |
| Simon Walker | .... | motorhome driver | |
| Tony Walker | .... | driver: construction department | |
| Ian Weatherly | .... | wardrobe driver | |
| Ian Young | .... | roadtrain driver | |
Thanks | |||
| Frank Bloom | .... | special thanks | |
| Susie Brown | .... | special thanks | |
| Joanna Carrington | .... | special thanks | |
| Harvey Edgington | .... | special thanks | |
| Teresa Grimes | .... | special thanks | |
| Philippe Hartmann | .... | special thanks | |
| Roger Heath | .... | special thanks | |
| Jane Hill | .... | special thanks | |
| Janet Ibbotson | .... | special thanks | |
| Phil Joanou | .... | special thanks | |
| Barry Krost | .... | special thanks | |
| Mike Newell | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Bill Stephens | .... | special thanks | |
| Stewart Till | .... | special thanks | |
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A movie that asks the question, how did it ever get made? Absolutely not a chance that it was made for profit. Once I stopped asking the question, I could enjoy the superior cinematic quality of all the elements that elevate a film to a work of art. I suppose it must have been exhibited in a theater, somewhere, though getting it booked must have been quite an accomplishment for its backers. I caught it on cable which allowed me to sip on a brandy while the film took its time unfolding in a style that I would describe as a splendidly animated coffee table book.
I am moved to comment on Carrington to express my gratitude to its makers.