| Videos |
| Shari Albert | ... | Susan | |
| Maxine Bahns | ... | Audrey | |
| Catharine Bolz | ... | Mrs. McMullen | |
| Connie Britton | ... | Molly McMullen | |
| Edward Burns | ... | Barry / Finbar McMullen | |
| Peter Johansen | ... | Marty | |
| Jennifer Jostyn | ... | Leslie | |
| Mike McGlone | ... | Patrick McMullen | |
| Elizabeth McKay | ... | Ann | |
| Jack Mulcahy | ... | Jack McMullen |
Directed by | |||
| Edward Burns | |||
Writing credits(in alphabetical order) | ||
| Edward Burns | writer | |
Produced by | |||
| Bill Baldwin | .... | associate producer | |
| Anthony Bregman | .... | associate producer | |
| Edward Burns | .... | producer | |
| Edward J. Burns | .... | executive producer | |
| Dick Fisher | .... | producer | |
| Ted Hope | .... | executive producer | |
| Joe Pichirallo | .... | production executive | |
| Judy Richter | .... | associate producer | |
| James Schamus | .... | executive producer | |
| Mary Jane Skalski | .... | associate producer | |
Original Music by | |||
| Seamus Egan | |||
Cinematography by | |||
| Dick Fisher | |||
Film Editing by | |||
| Dick Fisher | |||
Production Management | |||
| Bill Baldwin | .... | post-production supervisor | |
| Anthony Bregman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Eden Goldberg | .... | assistant director | |
| Gallia Hoshia | .... | assistant director | |
Sound Department | |||
| John Anthony | .... | sound mixer | |
| Steve Borne | .... | supervising sound editor | |
| Christian Castellano | .... | adr recordist | |
| Jonathan Cronin | .... | assistant sound editor | |
| Sabine Hoffmann | .... | sound editor | |
| Bobby Johanson | .... | adr recordist | |
| George A. Lara | .... | foley recordist (as George Lara) | |
| Rich Leeds | .... | boom operator | |
| Mike Marson | .... | production sound mixer | |
| Branka Mrkic | .... | additional sound editor | |
| Frank Navas | .... | boom operator | |
| Scott Pittinsky | .... | sound editor | |
| Mario Porporino | .... | production sound mixer | |
| Rocky Reid | .... | sound editor | |
| Steve Silkensen | .... | additional adr recordist: Spin Cycle Post | |
| Stefan Springman | .... | production sound mixer | |
| Reilly Steele | .... | post-production sound mixer: Sound One | |
| Dominick Tavella | .... | additional sound mixer: Sound One | |
| Brian Vancho | .... | foley artist | |
| Andrew Yarme | .... | production sound mixer | |
Camera and Electrical Department | |||
| Sal Coniglio | .... | assistant camera | |
| Kenny Gronningsater | .... | Steadicam operator | |
| Leigh Rathner | .... | assistant camera | |
| Andrew Yarme | .... | assistant camera | |
Editorial Department | |||
| Kent McGrew | .... | color timer | |
| Dan O'Grady | .... | negative matcher: JG Films | |
| David Pultz | .... | color timer | |
Music Department | |||
| Michael Aharon | .... | composer: additional music | |
| Michael Aharon | .... | music producer | |
| John Anthony | .... | music mixer | |
| Thomas S. Drescher | .... | music editor | |
| Thomas S. Drescher | .... | music supervisor (as Thomas Drescher) | |
| Kristen M. Johnson | .... | assistant music editor | |
| Mick Moloney | .... | musician | |
Other crew | |||
| Glen Basner | .... | production assistant | |
| Chris Cereda | .... | production assistant | |
| Danielle Dos Santos | .... | script supervisor | |
| Peter Himmelstein | .... | title designer | |
| Chris McGovern | .... | production assistant | |
| Molly McKenna Burns | .... | caterer: Fine Irish Cooking | |
| Paul J. Memmi | .... | translator | |
| Nadje | .... | production assistant | |
| Mick Reed | .... | production assistant | |
| John Sloss | .... | legal services: Sloss Law Office | |
Thanks | |||
| Alexandre Naufel | .... | special thanks | |
| Robert Redford | .... | special thanks | |
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| Knuckle Draggers | The Lonely Passion of Judith Hearne | Enemies: A Love Story | Ma femme est une actrice | Sunshine |
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I don't have much to say of this amazing film, except that it is an example how years from now, when Edward Burns receives life time achievement awards for all of his many talents, the people who were smart enough to see this film will be able to tell their children of how they could see this day coming from decades away. His ability to take three men and tell their story brilliantly without ever straying from something realistic, and still getting his happy ending, is surreal. He is an amazement and inspiration for all young film makers.