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Directed by | |||
| Mel Gibson | |||
Writing credits(WGA) | ||
| Randall Wallace | (written by) | |
Produced by | |||
| Bruce Davey | .... | producer | |
| Mel Gibson | .... | producer | |
| Alan Ladd Jr. | .... | producer | |
| Dean Lopata | .... | associate producer | |
| Stephen McEveety | .... | executive producer | |
| Elisabeth Robinson | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| John Toll | |||
Film Editing by | |||
| Steven Rosenblum | |||
Casting by | |||
| Patsy Pollock | |||
Production Design by | |||
| Thomas E. Sanders | (as Tom Sanders) | ||
Art Direction by | |||
| Ken Court | |||
| Nathan Crowley | |||
| Daniel T. Dorrance | (supervising art director) (as Dan Dorrance) | ||
| John Lucas | |||
| Ned McLoughlin | |||
Set Decoration by | |||
| Peter Howitt | |||
Costume Design by | |||
| Charles Knode | |||
Makeup Department | |||
| Lois Burwell | .... | makeup artist: Mr. Gibson | |
| Francesca Crowder | .... | hair stylist | |
| Eileen Doyle | .... | hair stylist | |
| Anne Dunne | .... | hair styles supervisor | |
| Peter Frampton | .... | key makeup artist | |
| Jennifer Hegarty | .... | crowd makeup supervisor | |
| Amanda Knight | .... | makeup artist | |
| Beryl Lerman | .... | makeup artist | |
| Sue Love | .... | hair stylist: Mr. Gibson | |
| Fernandes Mendes | .... | hair stylist: Ms. Marceau | |
| Maire O'Sullivan | .... | makeup supervisor | |
| Paul Pattison | .... | key hair stylist | |
| Barry Richardson | .... | hair stylist | |
| Annie Townsend | .... | hair stylist | |
| Kevin Murnane | .... | trainee makeup artist (uncredited) | |
| Conor O'Sullivan | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Mary Alleguen | .... | production manager | |
| Kevin De La Noy | .... | unit manager | |
| Ted Morley | .... | production supervisor | |
Art Department | |||
| Terry Apsey | .... | construction manager | |
| Russ Bailey | .... | construction manager | |
| Ken Barley | .... | head of department plasterer | |
| Eddie Butler | .... | sculptor | |
| Graham Caulfield | .... | supervising drape | |
| Triona Coen | .... | dressing props | |
| Bob Douglas | .... | chargehand prop storeman | |
| Belinda Edwards | .... | property buyer | |
| Cos Egan | .... | propman | |
| Ken Ferguson | .... | draughtsman | |
| Mike Fowlie | .... | chargehand dressing propman | |
| John Graham | .... | chargehand propman | |
| Jimmy Kavanagh | .... | drapes | |
| Michael King | .... | construction buyer | |
| Clare Langan | .... | assistant art director | |
| Owen Murnane | .... | master painter | |
| John New | .... | assistant construction manager | |
| Ron Newvell | .... | head of department rigger | |
| Tony Nicholson Jr. | .... | assistant props | |
| Padraig O'Neill | .... | assistant art director | |
| Lisa Parker | .... | art department coordinator | |
| Mickey Pugh | .... | stand-by chargehand props | |
| Gerry Quigley | .... | stand-by stagehand | |
| Anna Rackard | .... | assistant art director | |
| Brendan Rankin | .... | assistant art director | |
| Douglas Regan | .... | supervising painter | |
| Darren Reynolds | .... | dressing props | |
| Bobby Richardson | .... | chargehand painter | |
| Neil Ross | .... | production illustrator | |
| Kenneth Stachini | .... | head of department stagehand | |
| Adrian Start | .... | head of department painter | |
| Dan Sweetman | .... | storyboard artist | |
| Noel Walsh | .... | propman | |
| Jake Wells | .... | propman | |
| John Wells | .... | dressing props | |
| Terry Wells Jr. | .... | propman | |
| Terry Wells | .... | property master | |
| Mickey Woolfson | .... | stand-by propman | |
| Andrea Cantrell | .... | second unit props (uncredited) | |
| Jane Henwood | .... | art department assistant (uncredited) | |
| Thomas Martin | .... | supervising carpenter (uncredited) | |
| Frank Matthews | .... | supervising plasterer (uncredited) | |
| Philip Murphy | .... | props (uncredited) | |
| Dicken Warner | .... | thatcher (uncredited) | |
Special Effects by | |||
| Nick Allder | .... | chief special effects | |
| Peter Ch. Arnold | .... | special effects senior technician | |
| Robert Bromley | .... | special effects senior technician | |
| Steve Crawley | .... | special effects senior technician | |
| Gerry Johnston | .... | special effects senior technician | |
| Graham Longhurst | .... | special effects senior technician | |
| Neil Swan | .... | special effects senior technician | |
| Dave Chagouri | .... | prop maker (uncredited) | |
Visual Effects by | |||
| Tricia Henry Ashford | .... | visual effects executive producer (as Tricia Ashford) | |
| Kirk Cadrette | .... | digital animator | |
| Marsha Gray Carrington | .... | digital animator | |
| Michael L. Fink | .... | visual effects supervisor (as Michael Fink) | |
| Tim Guyer | .... | digital animator | |
| Greg Kimble | .... | digital animator | |
| Laurel Klick | .... | digital animator | |
| Stuart McAra | .... | additional digital compositor | |
| Joel Merritt | .... | digital animator | |
| Steven T Puri | .... | visual effects producer | |
| Andy Rosen | .... | digital animator (as Andrew Rosen) | |
| Janek Sirrs | .... | visual effects | |
| Chris Sjoholm | .... | digital animator | |
| Amie Slate | .... | digital animator | |
| Larry Weiss | .... | digital animator | |
| Janet Yale | .... | additional digital compositor | |
| Martin Body | .... | motion control camera assistant (uncredited) | |
| Stella Bogh | .... | digital compositor (uncredited) | |
| Noel Donnellon | .... | video assist operator: visual effects unit (uncredited) | |
| José Granell | .... | model unit supervisor (uncredited) | |
| Pete Hanson | .... | studio manager: CFC (uncredited) | |
| Brendan Lonergan | .... | sculptor (uncredited) | |
| Joe Pavlo | .... | digital artist (uncredited) | |
| Linda Renaud | .... | I/O manager (uncredited) | |
| Marc Rubone | .... | rotoscope and animation (uncredited) | |
| Eric Withee | .... | digital film technician: RGA/LA (uncredited) | |
Casting Department | |||
| Anne Campbell | .... | extras casting coordinator | |
| Leo Davis | .... | casting associate | |
| Julia Duff | .... | casting associate | |
| Manus Hingerty | .... | extras casting coordinator | |
| Jina Jay | .... | casting associate | |
| Georgina O'Connor | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Barber | .... | costumer | |
| Al Barnett | .... | costume assistant | |
| Russell Barnett | .... | costumer | |
| Frances Hill | .... | costumer | |
| Justine Luxton | .... | costume design assistant | |
| Rhona McGuirke | .... | wardrobe supervisor | |
| Penny McVitie | .... | costumer | |
| Mathilde Sandberg | .... | costume painting and dyeing | |
| David Whiteing | .... | wardrobe master | |
| Allison Wyldeck | .... | wardrobe mistress | |
| Elvis Davis | .... | key set costumer (uncredited) | |
| Edwin Francis | .... | costume coordinator: Rome (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Victor Du Bois | .... | additional film editor (as Victor DuBois) | |
| Paula Greatbatch | .... | assistant film editor (as Paula Suhy) | |
| Terry Haggar | .... | color timer | |
| Sheila MacDowell | .... | assistant editor: lightworks | |
| Paul Martinez | .... | assistant film editor | |
| Pablo Prietto | .... | apprentice film editor | |
| Laura Steiger | .... | apprentice film editor | |
| Cynthia E. Thornton | .... | first assistant film editor | |
| Paul Topping | .... | assistant film editor: location unit | |
| Matthew Tucker | .... | assistant film editor: location unit | |
| Ben Yeates | .... | assistant film editor: location unit | |
| William Yeh | .... | assistant editor: lightworks | |
| Jim Suhy | .... | assistant editor: lightworks (uncredited) | |
Music Department | |||
| Christine Cholvin | .... | assistant music editor | |
| Jim Henrikson | .... | music editor | |
| Tony Hinnigan | .... | musician: kena/whistle, London Symphony Orchestra (as Tony Hinnegan) | |
| James Horner | .... | musician: keyboards | |
| James Horner | .... | orchestrator | |
| Shawn Murphy | .... | music mixer | |
| Shawn Murphy | .... | music recordist | |
| Eric Rigler | .... | london symphony orchestra - uilleann pipes | |
| Mike Taylor | .... | london symphony orchestra - bodhran drum & whistle | |
| Ian Underwood | .... | london symphony orchestra - synth programming | |
| Dennis Dreith | .... | additional orchestrator (uncredited) | |
| James Horner | .... | conductor (uncredited) | |
| Lee Scott | .... | music editor (uncredited) | |
| Andrew Silver | .... | preview music editor (uncredited) | |
Transportation Department | |||
| Brian Baverstock | .... | transportation liaison | |
| Fred Chiverton | .... | transportation | |
| Peter Devlin | .... | transportation | |
| Gerry Fearon | .... | transportation captain | |
| Willie Fonfe | .... | transportation coordinator | |
| Bob 'Heart Attack' Lilley | .... | transportation | |
| Peter Doyle | .... | unit car driver (uncredited) | |
| Andrew Simpson | .... | atv operator (uncredited) | |
| Andy Thomson | .... | driver: facility/truck (uncredited) | |
| Mark White | .... | transportation (uncredited) | |
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| Beowulf | The Lord of the Rings: The Return of the King | The Viking Queen | The Lord of the Rings: The Two Towers | Gladiator |
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| Full cast and crew | Company credits | External reviews |
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I saw this film for the first time on cable, and, fortunately, it was an "uncut" version. I was greatly impacted, but, as bad luck would have it, I would not see it again for two years.
Mel Gibson is an accomplished actor, with films like "Mad Max" and "Lethal Weapon" under his belt. "Ransom" showed he was more than just a quirky role actor, but it was "Braveheart" that proved to everyone that he was a great actor... and director.
What he has envisioned and ensnared on camera is one of the great cinematic achievements of all time, and at an awkward time, too. Looking back at previous years at the Oscars, and you have "Schindler's List," "Dances with Wolves," and "Unforgiven." Looking ahead, you have "Titanic," "Shakespeare in Love," and "Gladiator." These are all period pieces. Right smack dab in the middle is "Braveheart." It is the most simple of the films above, yet it is arguably the best. None will argue its impact is greater than "Schindler's List" nor its power greater than "Unforgiven," but what it has, more than any of those other films, is heart. Much like his "Passion of the Christ," Mel Gibson brings a passion to this film, and that is what sustains it.
Mel Gibson plays William Wallace, a well-educated Scottish peasant who is determined to lead a peaceful life. Well, if you've seen the poster for this film, you probably already know that he doesn't succeed. When a law is put into place that says English noblemen have first right to lay with Scottish brides, Wallace marries in secret. But, when it is found out, a local noble attempts to take Murron, Wallace's wife, she resists, leading to a gruesome execution. With little choice, Wallace opts for vengeance, and thus begins the journey of Scotland's greatest warrior.
This is a wonderfully acted, directed, photographed, and designed film with great performances, particularly from a breathtakingly beautiful Sophie Marceau, and I recommend it wholeheartedly.