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Braveheart (1995)
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Overview
User Rating:
Your Rating:
Director:
Writer (WGA):
Randall Wallace (written by)
Release Date:
24 May 1995 (USA)
more
Tagline:
The courage to face fear more
Plot:
William Wallace, a commoner, unites the 13th Century Scots in their battle to overthrow English rule. full summary | full synopsis
Awards:
Won 5 Oscars.
Another 15 wins
&
20 nominations
more
NewsDesk:
(251 articles)
Rpattz Update: New Interview And New 'Remember Me' Film Stills
(From TwilightersAnonymous. 8 February 2010, 8:42 AM, PST)
Akshay Kumar-Aishwarya Rai Go Wildly Retro
(From RealBollywood. 8 February 2010, 1:34 AM, PST)
(From TwilightersAnonymous. 8 February 2010, 8:42 AM, PST)
Akshay Kumar-Aishwarya Rai Go Wildly Retro
(From RealBollywood. 8 February 2010, 1:34 AM, PST)
User Reviews:
For he had only one life to give for Scotland.
more (896 total)
US TV Schedule:
Cast
(in credits order) (verified as complete)
Directed by | |||
| Mel Gibson | |||
Writing credits(WGA) | ||
| Randall Wallace | (written by) | |
Produced by | |||
| Bruce Davey | .... | producer | |
| Mel Gibson | .... | producer | |
| Alan Ladd Jr. | .... | producer | |
| Dean Lopata | .... | associate producer | |
| Stephen McEveety | .... | executive producer | |
| Elisabeth Robinson | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| John Toll | |||
Film Editing by | |||
| Steven Rosenblum | |||
Casting by | |||
| Patsy Pollock | |||
Production Design by | |||
| Thomas E. Sanders | (as Tom Sanders) | ||
Art Direction by | |||
| Ken Court | |||
| Nathan Crowley | |||
| Daniel T. Dorrance | (supervising art director) (as Dan Dorrance) | ||
| John Lucas | |||
| Ned McLoughlin | |||
Set Decoration by | |||
| Peter Howitt | |||
Costume Design by | |||
| Charles Knode | |||
Makeup Department | |||
| Lois Burwell | .... | makeup artist: Mr. Gibson | |
| Francesca Crowder | .... | hair stylist | |
| Eileen Doyle | .... | hair stylist | |
| Anne Dunne | .... | hair styles supervisor | |
| Peter Frampton | .... | key makeup artist | |
| Jennifer Hegarty | .... | crowd makeup supervisor | |
| Amanda Knight | .... | makeup artist | |
| Beryl Lerman | .... | makeup artist | |
| Sue Love | .... | hair stylist: Mr. Gibson | |
| Fernandes Mendes | .... | hair stylist: Ms. Marceau | |
| Maire O'Sullivan | .... | makeup supervisor | |
| Paul Pattison | .... | key hair stylist | |
| Barry Richardson | .... | hair stylist | |
| Annie Townsend | .... | hair stylist | |
| Kevin Murnane | .... | trainee makeup artist (uncredited) | |
| Conor O'Sullivan | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Mary Alleguen | .... | production manager | |
| Kevin De La Noy | .... | unit manager | |
| Ted Morley | .... | production supervisor | |
Art Department | |||
| Terry Apsey | .... | construction manager | |
| Russ Bailey | .... | construction manager | |
| Ken Barley | .... | head of department plasterer | |
| Eddie Butler | .... | sculptor | |
| Graham Caulfield | .... | supervising drape | |
| Triona Coen | .... | dressing props | |
| Bob Douglas | .... | chargehand prop storeman | |
| Belinda Edwards | .... | property buyer | |
| Cos Egan | .... | propman | |
| Ken Ferguson | .... | draughtsman | |
| Mike Fowlie | .... | chargehand dressing propman | |
| John Graham | .... | chargehand propman | |
| Jimmy Kavanagh | .... | drapes | |
| Michael King | .... | construction buyer | |
| Clare Langan | .... | assistant art director | |
| Owen Murnane | .... | master painter | |
| John New | .... | assistant construction manager | |
| Ron Newvell | .... | head of department rigger | |
| Tony Nicholson Jr. | .... | assistant props | |
| Padraig O'Neill | .... | assistant art director | |
| Lisa Parker | .... | art department coordinator | |
| Mickey Pugh | .... | stand-by chargehand props | |
| Gerry Quigley | .... | stand-by stagehand | |
| Anna Rackard | .... | assistant art director | |
| Brendan Rankin | .... | assistant art director | |
| Douglas Regan | .... | supervising painter | |
| Darren Reynolds | .... | dressing props | |
| Bobby Richardson | .... | chargehand painter | |
| Neil Ross | .... | production illustrator | |
| Kenneth Stachini | .... | head of department stagehand | |
| Adrian Start | .... | head of department painter | |
| Dan Sweetman | .... | storyboard artist | |
| Noel Walsh | .... | propman | |
| Jake Wells | .... | propman | |
| John Wells | .... | dressing props | |
| Terry Wells Jr. | .... | propman | |
| Terry Wells | .... | property master | |
| Mickey Woolfson | .... | stand-by propman | |
| Andrea Cantrell | .... | second unit props (uncredited) | |
| Jane Henwood | .... | art department assistant (uncredited) | |
| Thomas Martin | .... | supervising carpenter (uncredited) | |
| Frank Matthews | .... | supervising plasterer (uncredited) | |
| Philip Murphy | .... | props (uncredited) | |
| Dicken Warner | .... | thatcher (uncredited) | |
Special Effects by | |||
| Nick Allder | .... | chief special effects | |
| Peter Ch. Arnold | .... | special effects senior technician | |
| Robert Bromley | .... | special effects senior technician | |
| Steve Crawley | .... | special effects senior technician | |
| Gerry Johnston | .... | special effects senior technician | |
| Graham Longhurst | .... | special effects senior technician | |
| Neil Swan | .... | special effects senior technician | |
| Dave Chagouri | .... | prop maker (uncredited) | |
Visual Effects by | |||
| Tricia Henry Ashford | .... | visual effects executive producer (as Tricia Ashford) | |
| Kirk Cadrette | .... | digital animator | |
| Marsha Gray Carrington | .... | digital animator | |
| Michael L. Fink | .... | visual effects supervisor (as Michael Fink) | |
| Tim Guyer | .... | digital animator | |
| Greg Kimble | .... | digital animator | |
| Laurel Klick | .... | digital animator | |
| Stuart McAra | .... | additional digital compositor | |
| Joel Merritt | .... | digital animator | |
| Steven T Puri | .... | visual effects producer | |
| Andy Rosen | .... | digital animator (as Andrew Rosen) | |
| Janek Sirrs | .... | visual effects | |
| Chris Sjoholm | .... | digital animator | |
| Amie Slate | .... | digital animator | |
| Larry Weiss | .... | digital animator | |
| Janet Yale | .... | additional digital compositor | |
| Martin Body | .... | motion control camera assistant (uncredited) | |
| Stella Bogh | .... | digital compositor (uncredited) | |
| Noel Donnellon | .... | video assist operator: visual effects unit (uncredited) | |
| José Granell | .... | model unit supervisor (uncredited) | |
| Pete Hanson | .... | studio manager: CFC (uncredited) | |
| Brendan Lonergan | .... | sculptor (uncredited) | |
| Joe Pavlo | .... | digital artist (uncredited) | |
| Linda Renaud | .... | I/O manager (uncredited) | |
| Marc Rubone | .... | rotoscope and animation (uncredited) | |
| Eric Withee | .... | digital film technician: RGA/LA (uncredited) | |
Casting Department | |||
| Anne Campbell | .... | extras casting coordinator | |
| Leo Davis | .... | casting associate | |
| Julia Duff | .... | casting associate | |
| Manus Hingerty | .... | extras casting coordinator | |
| Jina Jay | .... | casting associate | |
| Georgina O'Connor | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Barber | .... | costumer | |
| Al Barnett | .... | costume assistant | |
| Russell Barnett | .... | costumer | |
| Frances Hill | .... | costumer | |
| Justine Luxton | .... | costume design assistant | |
| Rhona McGuirke | .... | wardrobe supervisor | |
| Penny McVitie | .... | costumer | |
| Mathilde Sandberg | .... | costume painting and dyeing | |
| David Whiteing | .... | wardrobe master | |
| Allison Wyldeck | .... | wardrobe mistress | |
| Elvis Davis | .... | key set costumer (uncredited) | |
| Edwin Francis | .... | costume coordinator: Rome (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Victor Du Bois | .... | additional film editor (as Victor DuBois) | |
| Paula Greatbatch | .... | assistant film editor (as Paula Suhy) | |
| Terry Haggar | .... | color timer | |
| Sheila MacDowell | .... | assistant editor: lightworks | |
| Paul Martinez | .... | assistant film editor | |
| Pablo Prietto | .... | apprentice film editor | |
| Laura Steiger | .... | apprentice film editor | |
| Cynthia E. Thornton | .... | first assistant film editor | |
| Paul Topping | .... | assistant film editor: location unit | |
| Matthew Tucker | .... | assistant film editor: location unit | |
| Ben Yeates | .... | assistant film editor: location unit | |
| William Yeh | .... | assistant editor: lightworks | |
| Jim Suhy | .... | assistant editor: lightworks (uncredited) | |
Music Department | |||
| Christine Cholvin | .... | assistant music editor | |
| Jim Henrikson | .... | music editor | |
| Tony Hinnigan | .... | musician: kena/whistle, London Symphony Orchestra (as Tony Hinnegan) | |
| James Horner | .... | musician: keyboards | |
| James Horner | .... | orchestrator | |
| Shawn Murphy | .... | music mixer | |
| Shawn Murphy | .... | music recordist | |
| Eric Rigler | .... | london symphony orchestra - uilleann pipes | |
| Mike Taylor | .... | london symphony orchestra - bodhran drum & whistle | |
| Ian Underwood | .... | london symphony orchestra - synth programming | |
| Dennis Dreith | .... | additional orchestrator (uncredited) | |
| James Horner | .... | conductor (uncredited) | |
| Lee Scott | .... | music editor (uncredited) | |
| Andrew Silver | .... | preview music editor (uncredited) | |
Transportation Department | |||
| Brian Baverstock | .... | transportation liaison | |
| Fred Chiverton | .... | transportation | |
| Peter Devlin | .... | transportation | |
| Gerry Fearon | .... | transportation captain | |
| Willie Fonfe | .... | transportation coordinator | |
| Bob 'Heart Attack' Lilley | .... | transportation | |
| Mark White | .... | transportation | |
| Peter Doyle | .... | unit car driver (uncredited) | |
| Michael Murphy | .... | driver (uncredited) | |
| Andrew Simpson | .... | atv operator (uncredited) | |
| Andy Thomson | .... | driver: facility/truck (uncredited) | |
Production Companies
- Icon Entertainment International
- Ladd Company, The (as Ladd Company)
- Twentieth Century Fox (presentation)
- B.H. Finance C.V.
- Paramount Pictures (1995) (USA) (theatrical)
- Twentieth Century-Fox Film Corporation (1995) (non-USA) (theatrical)
- 20th Century Fox Home Entertainment (2002) (Brazil) (DVD)
- 20th Century Fox Italia
- Abril Vídeo (Brazil) (VHS)
- Gativideo (Argentina) (video)
- Hispano Foxfilms S.A.E. (Spain)
- National Broadcasting Company (NBC) (1998) (USA) (TV)
- Nothing's New Video (2005) (USA) (VHS)
- Paramount Home Video (1996) (USA) (VHS)
- Paramount Home Video (1996) (USA) (laserdisc)
- Paramount Home Video (2002) (USA) (DVD)
- Paramount Pictures Corporation (Canada) (1995) (Canada) (all media)
- Twentieth Century Fox Home Entertainment (2009) (Netherlands) (DVD) (Blu-ray)
- R/Greenberg Associates (West) (digital visual effects and computer genarated imagery) (as R/Greenberg Associates West, Inc. a division of R/GA Digital Studios)
- Computer Film Company, The (CFC) (additional compositing) (as Computer Film Company)
- Peerless Camera Company (motion control system) (as Peerless Camera Co Ltd. London)
- Artem (body effects) (uncredited)
- Angels & Bermans costumes
- Academy Costumes costumes
- Royal National Theatre Hire costumes
- Royal Shakespeare Company costumes (as Royal Shakespeare Company Costume Hire)
- Farani costumes
- Tirelli Costumi costumes (as Tirelli Costumi Roma - Italy)
- GPH Rome costumes (as G.P.H.)
- Ditta Rancati costumes (as E. Rancati)
- Soundelux sound editing
- Rogers & Cowan publicity
- Corbett & Keene production publicity
- First Unit Caterers catering
- Fitzers Catering catering (as Fitzers)
- R/Greenberg Associates (West) titles
- Sinclair, Tenenbaum & Olesiuk legal services
- City National Bank banking services
- The Daiwa Bank Ltd. banking services
- International Film Guarantors completion guaranty provided through
- Icon Records soundtrack album on (as Icon/London Records CDs and Cassettes)
- London Records soundtrack album on (as Icon/London Records CDs and Cassettes)
- London Symphony Orchestra, The (LSO) orchestra
- Choir of Westminster Abbey chorus (as Choristers of Westminster Abbey)
- Abbey Road Studios recorded and mixed (as EMI Abbey Road, London)
- De Lane Lea adr recording
- Todd-AO Studios sound facilities
- Dolby Laboratories sound post-production
- Lee Lighting grip and lighting equipment
- British Airways thanks
- MBA Costumes thanks (as M.B.A. Costumes)
- Roots of Canada thanks (as Roots Canada)
Additional Details
MPAA:
Rated R for brutal medieval warfare.
Parents Guide:
Runtime:
177 min
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Certification:
Canada:13+ (Quebec) |
Singapore:M18 (re-rating) |
Philippines:R-18 |
Malaysia:18SG |
Brazil:16 |
France:U (with warning) |
New Zealand:R16 |
Argentina:16 |
Australia:MA |
Belgium:KT |
Canada:18A (DVD rating) |
Chile:14 |
Finland:K-16 |
Germany:16 (w) |
Hong Kong:IIB |
Iceland:16 |
Ireland:15 (cut) |
Netherlands:16 |
Norway:18 |
Peru:14 |
Portugal:M/12 |
Singapore:PG (cut) |
South Korea:15 (original rating) |
South Korea:18 (DVD rating) |
Spain:18 |
Sweden:15 |
UK:15 (cut) |
USA:R (certificate #33700) |
Greece:K-13 |
Canada:R (Ontario)
Filming Locations:
Company:
Fun Stuff
Trivia:
Goofs:
Continuity: At the end of the first battle, when William Wallace is standing looking upon the field, the nobleman arrives on his horse to salute Wallace because of their victory. In the background, an Englishman and a Scot are fighting. They are obviously doing a repeated sequence where the Englishman pushes his sword across the Scot, a mortal blow, and the Scot just turns around and continues the sequence as if nothing happened.
more
Quotes:
Movie Connections:
Referenced in Comic Relief Presents: Have I Got Buzzcocks All Over (2001) (TV)
more
FAQ
Who was Edward III's father? Longshanks or Wallace?How much sex, violence, and profanity are in this movie?
A Note Regarding Spoilers
more
more (896 total)
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On my list of the greatest movies of all time, BraveHeart ranks as number 3. It is by far one of the most epic stories ever told. Mel Gibson deserved all the credit he recieved and more. His portrayal of William Wallace, one of Scotlands most mightiest warriors, was spot on. The only part that lacked was the romantic affair of Princess Isabella and Wallace. It historically never happened. This movie also has other historical errors but WHO CARES!
The Battle of Stirling has to be the second most graphic piece of footage ever shot next to Omaha Beach in Saving Private Ryan. I love the part where the English Commander gives the order to charge and Wallace sees this and raises his broadsword into the air and starts yelling. He charges the field with the Scots and I'll let you see the movie to see what happens next.
Wallace's emotional speech at the battle of Stirling still is inspirational and I think that the REAL William Wallace would be proud of the way Mel Gibson portrayed him.
My hat goes off to Mel Gibson. I hope he makes a few more movies like this one.
Out of ten............10/10!