| Jennifer Ehle | ... | Elizabeth Bennet (6 episodes, 1995) | |
| Colin Firth | ... | Mr. Darcy (6 episodes, 1995) | |
| Susannah Harker | ... | Jane Bennet (6 episodes, 1995) | |
| Julia Sawalha | ... | Lydia Bennet (6 episodes, 1995) | |
| Alison Steadman | ... | Mrs. Bennet (6 episodes, 1995) | |
| Benjamin Whitrow | ... | Mr. Bennet (6 episodes, 1995) | |
| Crispin Bonham-Carter | ... | Mr. Bingley (6 episodes, 1995) | |
| Polly Maberly | ... | Kitty Bennet (6 episodes, 1995) | |
| Lucy Briers | ... | Mary Bennet (6 episodes, 1995) | |
| Anna Chancellor | ... | Miss Bingley (6 episodes, 1995) | |
| Lucy Robinson | ... | Mrs. Hurst (6 episodes, 1995) | |
| Adrian Lukis | ... | Wickham (5 episodes, 1995) | |
| David Bamber | ... | Mr. Collins (5 episodes, 1995) | |
| Lucy Scott | ... | Charlotte Lucas (5 episodes, 1995) | |
| Marlene Sidaway | ... | Hill, the housekeeper (4 episodes, 1995) | |
| Barbara Leigh-Hunt | ... | Lady Catherine de Bourgh (4 episodes, 1995) | |
| Tim Wylton | ... | Mr. Gardiner (4 episodes, 1995) | |
| Rupert Vansittart | ... | Mr. Hurst (4 episodes, 1995) | |
| Joanna David | ... | Mrs. Gardiner (4 episodes, 1995) | |
| Nadia Chambers | ... | Miss Anne de Bourgh (4 episodes, 1995) | |
| David Bark-Jones | ... | Lt. Denny (4 episodes, 1995) | |
| Lynn Farleigh | ... | Mrs. Phillips (4 episodes, 1995) | |
| Lucy Davis | ... | Maria Lucas (4 episodes, 1995) | |
| Emilia Fox | ... | Georgiana Darcy (3 episodes, 1995) | |
| Christopher Benjamin | ... | Sir William Lucas (3 episodes, 1995) | |
| Kate O'Malley | ... | Sarah, the maid (3 episodes, 1995) | |
| Roger Barclay | ... | Capt. Carter (3 episodes, 1995) | |
| Norma Streader | ... | Lady Lucas (3 episodes, 1995) | |
| Paul Moriarty | ... | Col. Forster (3 episodes, 1995) | |
| Victoria Hamilton | ... | Mrs. Forster (3 episodes, 1995) | |
| Anthony Calf | ... | Col. Fitzwilliam (2 episodes, 1995) | |
| Sarah Legg | ... | Hannah (2 episodes, 1995) | |
| Annabel Taylor | ... | Maggie, the maid (2 episodes, 1995) | |
| Harriet Eastcott | ... | Mrs. Jenkinson (2 episodes, 1995) | |
| Natasha Isaacs | ... | Alice Gardiner (2 episodes, 1995) | |
| Marie-Louise Flamank | ... | Kate Gardiner (2 episodes, 1995) | |
| Roy Holder | ... | Hodge, the gardener (2 episodes, 1995) | |
| Julian Erleigh | ... | William Gardiner (2 episodes, 1995) | |
| Neville Phillips | ... | Fossett, the footman (2 episodes, 1995) | |
| Christopher Staines | ... | Lt. Sanderson (2 episodes, 1995) | |
| Jacob Casselden | ... | Robert Gardiner (2 episodes, 1995) |
Series Directed by | |||
| Simon Langton | (6 episodes, 1995) | ||
Series Writing credits | ||
| Jane Austen | (6 episodes, 1995) | |
| Andrew Davies | (6 episodes, 1995) | |
Series Produced by | |||
| Sue Birtwistle | .... | producer (6 episodes, 1995) | |
| Julie Scott | .... | associate producer (6 episodes, 1995) | |
| Michael Wearing | .... | executive producer (6 episodes, 1995) | |
Series Original Music by | |||
| Carl Davis | (6 episodes, 1995) | ||
Series Cinematography by | |||
| John Kenway | (6 episodes, 1995) | ||
Series Film Editing by | |||
| Peter Coulson | (6 episodes, 1995) | ||
Series Production Design by | |||
| Gerry Scott | (6 episodes, 1995) | ||
Series Art Direction by | |||
| John Collins | (6 episodes, 1995) | ||
| Mark Kebby | (6 episodes, 1995) | ||
Series Costume Design by | |||
| Dinah Collin | (6 episodes, 1995) | ||
Series Makeup Department | |||
| Caroline Noble | .... | hair designer / makeup designer (6 episodes, 1995) | |
| Jenny Eades | .... | assistant makeup artist (2 episodes, 1995) | |
| Philippa Hall | .... | assistant makeup artist (2 episodes, 1995) | |
| Ashley Johnson | .... | assistant makeup artist (2 episodes, 1995) | |
Series Production Management | |||
| Paul Brodrick | .... | production manager (6 episodes, 1995) | |
Series Second Unit Director or Assistant Director | |||
| Anne-Marie Crawford | .... | third assistant director (6 episodes, 1995) | |
| Amanda Neal | .... | first assistant director (6 episodes, 1995) | |
| Melanie Panario | .... | second assistant director (6 episodes, 1995) | |
| Pip Short | .... | first assistant director (6 episodes, 1995) | |
| Sarah White | .... | third assistant director (6 episodes, 1995) | |
Series Art Department | |||
| Sara Richardson | .... | property master (6 episodes, 1995) | |
| Liz Friedman | .... | graphic designer (2 episodes, 1995) | |
| Barry Moll | .... | construction manager (2 episodes, 1995) | |
| Marjorie Pratt | .... | set dresser (2 episodes, 1995) | |
| John Salisbury | .... | graphic designer (2 episodes, 1995) | |
| Richard Kelloway | .... | dressing props (unknown episodes) | |
Series Sound Department | |||
| John Downer | .... | dubbing editor (6 episodes, 1995) | |
| Michael Feinberg | .... | dubbing editor (6 episodes, 1995) | |
| Brian Marshall | .... | sound recordist (6 episodes, 1995) | |
| Rupert Scrivener | .... | dubbing mixer (6 episodes, 1995) | |
| Keith Pamplin | .... | boom operator (2 episodes, 1995) | |
| Julie Ankerson | .... | foley artist (unknown episodes) | |
Series Visual Effects by | |||
| Graham Brown | .... | visual effects designer (2 episodes, 1995) | |
Series Camera and Electrical Department | |||
| Phil Brookes | .... | best boy (6 episodes, 1995) | |
| Liam McGill | .... | lighting gaffer (6 episodes, 1995) | |
| Roger Pearce | .... | camera operator (6 episodes, 1995) | |
| Brendan Judge | .... | grip (2 episodes, 1995) | |
| Rob Southam | .... | focus puller (2 episodes, 1995) | |
| Alf Tramontin | .... | Steadicam operator (2 episodes, 1995) | |
Series Costume and Wardrobe Department | |||
| Yves Barre | .... | costume design assistant (2 episodes, 1995) | |
| Donna Nicholls | .... | wardrobe mistress (2 episodes, 1995) | |
| Michael Purcell | .... | wardrobe master (2 episodes, 1995) | |
| Richard Cooke | .... | costume trainee (unknown episodes) | |
Series Editorial Department | |||
| Fiona B. McTavish | .... | post-production (6 episodes, 1995) | |
| Julius Gladwell | .... | first assistant film editor (2 episodes, 1995) | |
Series Music Department | |||
| Andrew Shulman | .... | musician: cello soloist (6 episodes, 1995) | |
Series Transportation Department | |||
| Wayne Thompson | .... | transportation captain (1 episode, 1995) | |
Series Other crew | |||
| Sam Breckman | .... | location manager (6 episodes, 1995) | |
| Sue Clegg | .... | continuity (6 episodes, 1995) | |
| Susie Conklin | .... | script editor (6 episodes, 1995) | |
| Janet Radenkovic | .... | production coordinator (6 episodes, 1995) | |
| Melvyn Tan | .... | fortepiano (6 episodes, 1995) | |
| Jane Gibson | .... | choreographer (4 episodes, 1995) | |
| Maggie Anson | .... | contracts executive (2 episodes, 1995) | |
| Elaine Dawson | .... | assistant production accountant (2 episodes, 1995) | |
| Vic Young | .... | production operative supervisor (2 episodes, 1995) | |
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| Pride & Prejudice | Emma | "Pride and Prejudice" | Emma | "Mansfield Park" |
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This adaptation of the Jane Austen novel is really incredible. Set design and costumes are very believable and the acting is practically perfect for most of characters.
A few comments on costume: one of the most believable aspects of the details put into this miniseries has to do with the costumes. Elizabeth and Jane are both adorned simple enough to convey a Christian background and some decor and modesty, as they would have properly been dressed during this time, yet the costumers could have expanded their wardrobe as you see many times in American films (the 1999 version of Emma comes to mind here, particularly) and yet at the time, the women would *not* have had 10 different ensembles to wear at special events. I honestly admired the holding back of their wardrobes to a few gowns rather than having gone overboard as you often see! The women who were of higher stature were properly attired in their jewels and every costume fit the character and situation beautifully. This and the musical score are two of the biggest highlights, I felt.
I would also like to give props to Jennifer Ehle and Colin Firth who were cast wonderfully. Jennifer was able to convey a sort of devilish satire and quick wit which I thought suited her exceedingly well and accentuated the wit Austen was trying to get across in the novel. Firth held back and it suited his character. He shows a quiet power, a feeling of disdain and complexity in his acting that worked well for the first half of the miniseries and then turned this into admiration and openness later as the story develops. By the time he declares his undying love to Elizabeth you get the impression he is ready to burst open and you breathe a huge sigh of relief for him, yet the energy continues to pulse. Its a great thing to watch..
I would recommend this miniseries to anyone, especially those not yet familiar with Austen. This specific miniseries is so well done many people I have watched it with have sparked incredible interests in the intrigues of Austen's works. Good job BBC!