Overview
Contact:
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Release Date:
3 November 1995 (USA)
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Tagline:
The first late-night comedy show with an attention span shorter than yours.
Plot:
This is a sketch-comedy show. The twist here is that all of the sketches (Even the monolouge) are connected in some strange way.
Awards:
Nominated for 4 Primetime Emmys.
Another 1 nomination
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User Comments:
A little show I like to call really good, really nice.
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| David Cross | ... | Various / ... (30 episodes, 1995-1998) |
 | Bob Odenkirk | ... | Various / ... (30 episodes, 1995-1998) |
 | John Ennis | ... | Various (30 episodes, 1995-1998) |

| Jay Johnston | ... | Various (28 episodes, 1995-1998) |
 | Jill Talley | ... | Various (27 episodes, 1995-1998) |
 | Paul F. Tompkins | ... | Various (27 episodes, 1995-1998) |
 | Brett Paesel | ... | Various (22 episodes, 1996-1998) |
 | Tom Kenny | ... | Various (21 episodes, 1995-1998) |

| Brian Posehn | ... | Various (21 episodes, 1995-1998) |
 | Bill Odenkirk | ... | Various (17 episodes, 1995-1998) |
 | Dino Stamatopoulos | ... | Various / ... (17 episodes, 1996-1998) |
 | Karen Kilgariff | ... | Various (15 episodes, 1997-1998) |
 | BJ Porter | ... | Various / ... (14 episodes, 1996-1998) |
 | Theresa Mulligan | ... | Various / ... (13 episodes, 1995-1997) |
(more) |
| David Cross | | (30 episodes, 1995-1998) |
| Bob Odenkirk | | (30 episodes, 1995-1998) |
| Jay Johnston | | (24 episodes, 1996-1998) |
| Bill Odenkirk | | (24 episodes, 1996-1998) |
| Dino Stamatopoulos | | (21 episodes, 1996-1998) |
| Brian Posehn | | (20 episodes, 1996-1998) |
| Paul F. Tompkins | | (13 episodes, 1996-1997) |
| Mike Upchurch | | (10 episodes, 1997) |
| BJ Porter | | (10 episodes, 1998) |
| Scott Aukerman | | (9 episodes, 1998) |
| Jerry Collins | | (7 episodes, 1998) |
| Michael Stoyanov | | (5 episodes, 1997) |
| Eric Hoffman | | (5 episodes, 1998) |
| Brent Forrester | | (3 episodes, 1996-1998) |
|
| David Cross | .... | executive producer (30 episodes, 1995-1998) |
| Troy Miller | .... | producer (30 episodes, 1995-1998) |
| John Moffitt | .... | executive producer (30 episodes, 1995-1998) |
| Bob Odenkirk | .... | executive producer (30 episodes, 1995-1998) |
| Dino Stamatopoulos | .... | executive producer (20 episodes, 1997-1998) |
| Craig Armstrong | .... | associate producer (10 episodes, 1995-1996) |
| Bernie Brillstein | .... | executive producer (10 episodes, 1995-1996) |
| Brad Grey | .... | executive producer (10 episodes, 1995-1996) |
| Tim Sarkes | .... | co-producer (10 episodes, 1995-1996) |
| Jay Johnston | .... | producer (10 episodes, 1998) |
| Bill Odenkirk | .... | producer (10 episodes, 1998) |
| Mara B. Waldman | .... | associate producer (10 episodes, 1998) |
|
| Peter Giambalvo | .... | associate producer (unknown episodes) |
| John Saade | .... | coordinating producer (unknown episodes) |
| Tom Sherren | .... | coordinating producer (unknown episodes) |
| |
|
| David N. Banks | .... | camera operator (1 episode, 1995) |
| Paul Bell | .... | electrician (1 episode, 1995) |
| Grady Birt | .... | electric rigger (1 episode, 1995) |
| Thomas M. Birt | .... | gaffer (1 episode, 1995) |
| Sam Drummy | .... | camera operator (1 episode, 1995) |
| Dave Eastwood | .... | camera operator (1 episode, 1995) |
| Jonathan Fabry | .... | electric rigger (1 episode, 1995) |
| Thomas Geren | .... | camera operator (1 episode, 1995) |
| Hector Gonzales | .... | electrician (1 episode, 1995) |
| Craig Hampton | .... | camera operator (1 episode, 1995) |
| Robert Harkham | .... | electric rigger (1 episode, 1995) |
| James McCulley | .... | electric rigger (1 episode, 1995) |
| Simon Miles | .... | lighting director (1 episode, 1995) |
| Berry Mitchell | .... | electric rigger (1 episode, 1995) |
| Michael Murphy | .... | best boy (1 episode, 1995) |
| David Plakos | .... | camera operator (1 episode, 1995) |
|
| Jerry Abboud | .... | grip (unknown episodes) |
| Gus Dominguez | .... | electrician (unknown episodes) |
| Oscar Dominguez | .... | lighting director (unknown episodes) |
| Paul S. Shapiro | .... | assistant camera (unknown episodes) |
| |
|
| Mark Rivers | .... | composer: theme music (1 episode, 1995) |
| |
|
| Ari Emanuel | .... | special thanks (10 episodes, 1995-1996) |
| Sheck Bugge | .... | special thanks (4 episodes, 1995) |
| Peter Giambalvo | .... | special thanks (4 episodes, 1995) |
| Tracy Katsky | .... | special thanks (4 episodes, 1995) |
| Lisa Leingang | .... | special thanks (4 episodes, 1995) |
| Mark Cohen | .... | special thanks (3 episodes, 1995) |
| Jeff Ross | .... | special thanks (3 episodes, 1995) |
| Meleva Barbula | .... | special thanks (2 episodes, 1995) |
| Phil Duff | .... | special thanks (2 episodes, 1995) |
| Stacy Peralta | .... | special thanks / thanks (2 episodes, 1995) |
| |
Additional Details
Also Known As:
"Mr. Show" (USA) (short title)
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Runtime:
USA:27 min (30 episodes)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
Mr. Show regular
Tom Kenny is the voice of Spongebob Squarepants.
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Goofs:
Factual errors: Towards the end of one episode in the fourth season, the show offers the math problem "If he drives 15 MPH for fifteen minutes, how far has he travelled? Answer at the end of the show." When the end credits roll, they say that the answer is 3.5 The correct answer is 3.75
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Quotes:
Tom Kenny:
That's right, Bob. Listen to your friend, a person who makes more money than you, is better than you, and therefore beyond criticism. This is called the Worthington Law and it's used to gauge the value of human worth.
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I had HBO for many years, and was able to watch it at will (generally). Mr. Show came on one time, and I laughed at it because it was damned funny. Then I watched it again, this time on purpose. It was even funnier. Bob and Dave, even though I confused their names with their faces, are so original and are such good actors, that their first-rate satire and jokes come off as smoothly as when a composer is able to play all of his instruments at the same time. It's fair to compare this show to Monty Python, because the entire genre is borrowed from those chaps, but also because it is almost as creatively done. The State on MTV also came close to Monthy Python and rivals Mr. Show for creativity. Mr. Show has curses in it, so right away, thats good too.