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Trzy kolory: Bialy (1994)
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Overview
User Rating:
Release Date:
18 February 1994 (USA) morePlot:
Second of a trilogy of films dealing with contemporary French society shows a man dealing with a Polish immigrant whose wife wants to divorce him because he can't perform in bed. full summary | add synopsisAwards:
1 win & 2 nominations moreUser Comments:
Kieslowski a masterful painter in Blue, White and Red: see all three! moreCast
(Cast overview, first billed only)| Zbigniew Zamachowski | ... | Karol Karol | |
| Julie Delpy | ... | Dominique | |
| Janusz Gajos | ... | Mikolaj | |
| Jerzy Stuhr | ... | Jurek | |
| Aleksander Bardini | ... | Le notaire (The Lawyer) | |
| Grzegorz Warchol | ... | L'elégant (The Elegant Man) | |
| Cezary Harasimowicz | ... | L'inspecteur (The Inspector) | |
| Jerzy Nowak | ... | La vieux payson (The Old Farmer) | |
| Jerzy Trela | ... | Monsieur Bronek | |
| Cezary Pazura | ... | Le propriétaire du bureau de change (Bureau de Change Proprietor) | |
| Michel Lisowski | ... | L'interprète (The Interpreter) | |
| Philippe Morier-Genoud | ... | Le juge (The Judge) (as Philippe Morier Genoud) | |
| Piotr Machalica | ... | L'homme de haute taille (The Tall Man) | |
| Francis Coffinet | ... | L'employé de banque (The Bank Employee) | |
| Barbara Dziekan | ... | La caissière (The Cashier) |
Additional Details
Also Known As:
Three Colours: White (Canada: English title) (UK)Three Colors: White (USA)
Trois couleurs: Blanc (France)
Trzy kolory: Biały (Poland)
White
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MPAA:
Rated R for some sexuality and language.Parents Guide:
View content advisory for parentsRuntime:
91 minColor:
Color (Eastmancolor)Aspect Ratio:
1.85 : 1 moreSound Mix:
Dolby SRCertification:
Canada:14 (New Brunswick/Nova Scotia/Prince Edward Island) (DVD rating) | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | Germany:12 | Hong Kong:IIA | Singapore:M18 | South Korea:18 | Spain:18 | Sweden:11 | UK:15 | USA:R | Iceland:12Fun Stuff
Trivia:
Almost every shot in the movie contains at least one white object. moreQuotes:
Karol Karol: [to the man who wanted help committing suicide] That was a blank. The next one's real. Are you sure? moreFAQ
The Meaning of the Sign Language in the Last Scene / La Signification de la language de signe en la scéne de la finmore
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It is not only difficult to comment separately on the three parts of Kieslowski's trilogy, it seems obvious that the filmmaker wants us to do just the opposite: view them in order, Blue, White, and Red, and consider them together as one complete work. It is true they are distinct stories with distinct themes: liberty, equality, fraternity, and each them is developed with unique applications of intrigue and artistry. They are each well worth seeing independently, but I believe they are best seen as one work. Collectively, I would rate the trilogy as a 9; separately, I place each in my top ten for the years 1993 and 1994.
White is the fabric of a bride, chaste and pure at the outset of her marriage; later it is the flash of an orgasm in the dark; and then .... But any more said of the instances of white in this film might spoil it for the first-time viewer. Unlike Three Colors: Blue, White is a more plot-oriented movie, with two main characters to Blue's one. And this is as it should be. Blue's theme of Liberty, the first word of France's motto, is an individual's principle, while White's theme of Equality, the French motto's second word, requires at least two people. The central quest for liberty is personal; the struggle for equality is fundamentally social. White is the most conventional of the three Color films, and while it is still one of my ten top films of 1994, I rate it an 8, slightly less than the highly visual Blue and the mind-bending Red.