Trois couleurs: Rouge (1994)

Director:

Krzysztof Kieslowski

Writers:

Krzysztof Kieslowski (writer)
Krzysztof Piesiewicz (writer)

Release Date:

December 1994 (USA)

Genre:

Drama | Mystery | Romance

Plot:

Final entry in a trilogy of films dealing with contemporary French society concerns a model who discovers her neighbour is keen on invading people's privacy.

Plot Keywords:

Judge | Model | Trilogy | Dog | Money

Awards:

Nominated for 3 Oscars. Another 12 wins & 14 nominations

Cast

Irène Jacob	...	Valentine (as Irene Jacob)
Jean-Louis Trintignant	...	Le juge
Frédérique Feder	...	Karin (as Frederique Feder)
Jean-Pierre Lorit	...	Auguste
Samuel Le Bihan	...	Le photographe (Photographer) (as Samuel Lebihan)
Marion Stalens	...	Le Vétérinaire (Veterinary surgeon)
Teco Celio	...	Le barman (Barman)
Bernard Escalon	...	Le disquaire (Record dealer)
Jean Schlegel	...	Le voisin (Neighbour)
Elzbieta Jasinska	...	La femme (Woman)
Paul Vermeulen	...	L'ami de Karin (Karen's friend)
Jean-Marie Daunas	...	Le gardien du théâtre (Theatre manager)
Roland Carey	...	Le trafiquant (Drug dealer)
Brigitte Raul
Leo Ramseyer

Also Known As:

Three Colours: Red (Canada: English title) (UK)
Red (USA) (short title)
Three Colors: Red (USA)
Trzy kolory: Czerwony (Poland)

MPAA:

Rated R for a brief but strong sex scene.

Runtime:

99 min

Country:

Poland | France | Switzerland

Language:

French

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Canada:14 (New Brunswick/Nova Scotia/Prince Edward Island) (DVD rating) | Iceland:L | Argentina:16 | Australia:M | Chile:14 | Finland:K-12 | Germany:6 | Hong Kong:IIA | Netherlands:AL | Norway:10 | Singapore:M18 | South Korea:18 | Spain:T | Sweden:11 | UK:15 | USA:R

Filming Locations:

Geneva, Canton de Genève, Switzerland

Company:

CAB Productions

Trivia:

Final movie for filmmaker Krzysztof Kieslowski

Goofs:

Crew or equipment visible: A stage hand reflected in the window upon Valentine's first visit to the Judge's house.

Quotes:

The Judge: Deciding what is true and what isn't now seems to me...a lack of modesty.
Valentine: Vanity?
The Judge: Vanity.

Movie Connections:

Features Dead Poets Society (1989)

Perhaps the most philosophically dense film ever made

I feel at a loss, so brilliant is this film. Kieslowski is a writer, a philosopher; and while an excellent filmmaker, his greatness lies in his writing; and "Red" is his paradigm. This film is a metafictional study of the artist's judgement in the creation of his fictional world; of how an artist can attempt to remake life -- even his own -- thru his art, even as he cannot escape the knowledge that, no matter how he involves himself in his story, it is still fiction and he is still outside of his remade world, still burdened with its unreality and the reality of the life he has tried to artistically remake. And magically, all of this is not to the smallest degree at the expense of a wonderful story about the mysteries of love and fate and the characters who live out this story, this pre-judged destiny. If I had to choose, I might nominate this the greatest film ever made.