| Photos (see all 13 | slideshow) | Videos |
| Renée Zellweger | ... | Jenny (as Renee Zellweger) | |
| Matthew McConaughey | ... | Vilmer | |
| Robert Jacks | ... | Leatherface | |
| Tonie Perensky | ... | Darla (as Tonie Perenski) | |
| Joe Stevens | ... | W.E | |
| Lisa Marie Newmyer | ... | Heather (as Lisa Newmyer) | |
| John Harrison | ... | Sean | |
| Tyler Cone | ... | Barry | |
| James Gale | ... | Rothman | |
| Chris Kilgore | ... | Rothman's Chauffeur | |
| Vince Brock | ... | I'm Not Hurt | |
| Susan Loughran | ... | Jenny's Mother | |
| David Laurence | ... | Jenny's Stepfather | |
| Grayson Victor Schirmacher | ... | Grandfather | |
| Jeanette Wiggins | ... | Woman Eating Chocolates | |
| Carmen Nogales | ... | Girl In Red Dress | |
| Lisa Caraveo | ... | Brenda | |
| Les Martin | ... | Heckler | |
| Adam White | ... | Heckler | |
| Bill Wise | ... | Heckler | |
| Loren Guerra | ... | Bud's Pizza Attendant | |
| Derek Keele | ... | Cop At Bud's Pizza | |
| Debra McMichael | ... | Cop At Bud's Pizza | |
| Geri Wolcott | ... | Couple In RV | |
| Axel L. Schiller | ... | Couple In RV | |
| Andy Cockrum | ... | Stuffed DPS Officer | |
| Roger Roe | ... | Stuffed Family | |
| Angee Hughes | ... | Stuffed Family | |
| Rebecca Rosenberg | ... | Stuffed Family | |
| John Dugan | ... | Cop At Hospital | |
| Paul A. Partain | ... | Hospital Orderly | |
| Marilyn Burns | ... | Patient on Gurney (as Anonymous) | |
| rest of cast listed alphabetically: | |||
| Ryan Wickerham | ... | Prom Guy (uncredited) | |
Directed by | |||
| Kim Henkel | |||
Writing credits | ||
| Kim Henkel | (characters) and | |
| Tobe Hooper | (characters) | |
| Kim Henkel | (written by) | |
Produced by | |||
| Kim Henkel | .... | producer | |
| Charles Kuhn | .... | associate producer | |
| Robert Kuhn | .... | producer | |
| Robert J. Kuhn | .... | executive producer | |
Original Music by | |||
| Wayne Bell | |||
| Robert Jacks | |||
Cinematography by | |||
| Levie Isaacks | |||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Isabelle Emmanuelle Coulet | |||
Production Design by | |||
| Deborah Pastor | |||
Art Direction by | |||
| Ann Yzuel | |||
Costume Design by | |||
| Kari Perkins | |||
Makeup Department | |||
| J.M. Logan | .... | key special makeup effects | |
| Shelley K. Meyer | .... | assistant hair stylist | |
| Shelley K. Meyer | .... | assistant makeup artist | |
| Daniel Nichols | .... | special makeup effects artist | |
| Kim Pish | .... | hair stylist | |
| Kim Pish | .... | makeup artist | |
Production Management | |||
| Loren Bivens | .... | production supervisor | |
| M. Cevin Cathell | .... | production manager (as Cevin Cathell) | |
| Christy Pipkin | .... | production manager: additional photography | |
Second Unit Director or Assistant Director | |||
| Ed Cathell III | .... | first assistant director | |
| Julia Lazarus | .... | second assistant director | |
Art Department | |||
| Kevin Berve | .... | property master | |
| Andy Blackwood | .... | construction coordinator (as Robert 'Andy' Blackwood) | |
| Leslie Bonnell | .... | set dresser | |
| Mark Lambert Bristol | .... | storyboard artist | |
| Billy Bunch | .... | carpenter | |
| Everett Byrom III | .... | lead carpenter | |
| Pat Davis | .... | carpenter | |
| April Eyerman | .... | art department coordinator | |
| Debra Fischman | .... | scenic artist | |
| Heyd Fontenot | .... | set dresser | |
| Jeff Hunter | .... | carpenter | |
| Bryant Jackson | .... | set dresser | |
| Julia Kirt | .... | on-set dresser | |
| Frank Kozik | .... | set dresser | |
| J.M. Logan | .... | special props maker | |
| Sean McGowan | .... | swing gang | |
| D. Montgomery | .... | set dresser | |
| Jamie Panzer | .... | assistant props | |
| Adele Plauche | .... | painter | |
| Clint Sawin | .... | assistant art director | |
| Jennifer Schneider | .... | set dresser | |
| Hank Schwemmer | .... | carpenter | |
| Tim Swingle | .... | carpenter | |
| Thomas C. Warren | .... | carpenter (as Thomas C. Warren) | |
Sound Department | |||
| Peter Brancaccio | .... | assistant sound editor | |
| Sheri Galloway | .... | dialogue editor | |
| Allan Gill | .... | boom operator | |
| Tom Hammond | .... | supervising sound editor | |
| Catherine Harper | .... | foley artist (as Katherine Harper) | |
| Ossama Khuluki | .... | foley artist | |
| Tricia Linklater | .... | assistant sound editor | |
| Chip Ritter | .... | sound effects editor | |
| Larry Seyer | .... | foley mixer | |
| Scott Szabo | .... | sound mixer | |
| Todd Toon | .... | sound effects editor | |
Special Effects by | |||
| Andy Cockrum | .... | special effects | |
| J.M. Logan | .... | special effects | |
Stunts | |||
| Oscar Carles | .... | stunt double | |
| Andy Cockrum | .... | stunt double | |
| Jody Haselbarth | .... | stunt double | |
| Jerry King | .... | stunts | |
| Laura King | .... | stunt double | |
| Kenneth Lauderdale | .... | stunt pilot | |
| David Sanders | .... | stunt coordinator (as David 'Stutter' Sanders) | |
| Mark Chavarria | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Abby Antweil | .... | first assistant camera: "b" camera | |
| Abby Antweil | .... | second assistant camera | |
| Robert Arjet | .... | grip | |
| Loren Bivens | .... | camera operator: "b" camera | |
| Scott Conn | .... | best boy electric | |
| Sean Devine | .... | key grip | |
| Curtis Herbert | .... | gaffer | |
| John Hoye | .... | grip | |
| Edison Jackson | .... | grip | |
| Jennifer Jaqua | .... | still photographer | |
| Ken Lichtenwalter | .... | still photographer | |
| Jimmy Lindsey | .... | assistant camera: additional photography | |
| Jason Maresch | .... | best boy grip | |
| Christopher J. Meyer | .... | grip (as Christopher Meyer) | |
| Todd Morris | .... | still photographer | |
| Eliza Putnam Parkerson | .... | grip | |
| Eric Picket | .... | grip | |
| Charles Seligman | .... | grip: additional photography (as Charlie Seligman) | |
| Tiffany Toby | .... | camera loader | |
| Sebastian Vega | .... | first assistant camera: additional photography | |
| Clark Walker | .... | first assistant camera (as Clark Lee Walker) | |
Costume and Wardrobe Department | |||
| Melanie Armstrong Fletcher | .... | key costumer | |
| Kari Perkins | .... | costumer | |
Editorial Department | |||
| Robert Colley | .... | negative cutter | |
| Justine Kalb | .... | apprentice editor | |
| Eric A. Lewy | .... | associate editor | |
| Jay Mahavier | .... | post-production assistant | |
| Stephanis Norris | .... | post-production assistant | |
| Gary Wallace | .... | negative cutter | |
Music Department | |||
| Paul Cullum | .... | music supervisor | |
Transportation Department | |||
| Steve Kuhn | .... | transportation coordinator | |
Other crew | |||
| Belinda Celis | .... | assistant production coordinator | |
| Marc Chase | .... | production assistant | |
| Katie Cokinos | .... | location manager | |
| Patrick J. Gallagher | .... | production assistant | |
| Cesar Giagnocovo | .... | office production assistant | |
| Charles Hackett | .... | craft service | |
| Toni Harkings | .... | craft service | |
| Lee Hunsaker | .... | set production assistant | |
| Chris Kilgore | .... | production secretary | |
| Mimi N. McGreal | .... | production assistant | |
| Ken Nessling | .... | production assistant | |
| Samara Paysse | .... | script supervisor | |
| Brenda Playfair | .... | executive secretary | |
| R. David Ruiz | .... | production assistant | |
| Derrick Sanders | .... | office production assistant | |
| Nancy Schafer | .... | production coordinator | |
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THE TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION / (1994) Zero Stars
Starring: Renee Zellweger, Matthew McConaughey, Robert Jacks, and Tonie Perensky Directed and written by Kim Henkel. Running time: 86 minutes. Rated R (for bizarre violent and sexual content, and for strong language).
By Blake French:
"The Texas Chainsaw Massacre: The Next Generation" is so bad it is virtually mind numbing. It is the worst movie I have ever seen. Even the most horrible of bad movies tower far above this romp that wonders between insipid concepts and horror free events. I have a real hard time excepting the fact that such badness can actually qualify as a mainstream film production. This picture is disturbing, bizarre, and god awful. I wish I could provide you with a more thought out opening paragraph, but what else can I say?
There is absolutely zero character development in "The Texas Chainsaw Massacre: The Next Generation." Due to this, we really couldn't care less about what happens to the main characters. The film's logic free story consists of several high school students becoming lost in the depth of a wooded area where they stumble upon a sickening family of psychopaths that put new meaning to the word dysfunctional.
There are two deaths in the film, both of side characters. One is run over with a truck. The other has his neck broken. In a movie titled "The Texas Chainsaw Massacre: The Next Generation," one would expect gory murders a plenty--though that is far from reality in this case. There is no blood, no guts, and no chainsaw killings. The Leatherface character does absolutely nothing in the film. Excuse me. He does do something. He dresses up like a woman and shrieks his chainsaw above his head while screaming wildly.
Who are the villains? What do they want? What conceivable reasons do they have for living the lifestyle they inhabit? There are no answers provided. I am not necessarily stating that the majority of viewers will even care enough about the plot to even ask any questions. I am just backing up my theory of the terrible qualities this production contains.
It is quite the surprise to witness some big names in the film's cast list, such as Renee Zellweger and Matthew McConaughey. Neither of the two are capable of rescuing the movie, nor are they able to perform with fine dramatic tension. What a complete waste of talent director and writer Kim Henkel constructs with this piece of trash.
After screening "The Texas Chainsaw Massacre: The Next Generation" I honestly felt sick to my stomach. I love movies so much, but this so-called movie is a disgrace to all film's associated with. It is so hard to understand what the individual's intentions were when they produced this heap of garbage. Did the filmmakers desire to give movies a bad name? Or did they actually believe "The Texas Chainsaw Massacre: The Next Generation" was worth a penny? After seeing this movie's poster, and seeing the tagline "Still Buzzing After All These Years," I had a question for it. Why is the series still buzzing when it ran out of fuel long before this film was made?