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Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (stories) & | |
| Roger Avary | (stories) | |
| Quentin Tarantino | (written by) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Danny DeVito | .... | executive producer | |
| Richard N. Gladstein | .... | co-executive producer | |
| Michael Shamberg | .... | executive producer | |
| Stacey Sher | .... | executive producer | |
| Bob Weinstein | .... | co-executive producer | |
| Harvey Weinstein | .... | co-executive producer | |
Cinematography by | |||
| Andrzej Sekula | |||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Ronnie Yeskel | |||
| Gary M. Zuckerbrod | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Charles Collum | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Betsy Heimann | |||
Makeup Department | |||
| Linda Arnold | .... | assistant hair | |
| Christina Bartolucci | .... | assistant hair stylist | |
| Christina Bartolucci | .... | assistant makeup artist | |
| Thomas L. Bellissimo | .... | special makeup effects artist (as Tom Bellissimo) | |
| Michelle Bühler | .... | key makeup artist (as Michelle Buhler) | |
| Bill Fletcher | .... | wig maker | |
| Audree Futterman | .... | key hair supervisor | |
| Erin Haggerty | .... | special makeup effects artist | |
| Theodore Haines | .... | special makeup effects artist (as Ted Haines) | |
| Iain Jones | .... | hair designer | |
| Douglas Noe | .... | special makeup effects artist | |
| David E. Smith | .... | special makeup effects artist (as David Smith) | |
| Wayne Toth | .... | special makeup effects artist | |
| Howard Berger | .... | special makeup supervisor (uncredited) | |
| Robert Kurtzman | .... | special makeup supervisor (uncredited) | |
| Michael Mosher | .... | prosthetics: Ed Sullivan (uncredited) | |
| Gregory Nicotero | .... | special makeup supervisor (uncredited) | |
Production Management | |||
| Paul Hellerman | .... | production manager | |
| Heidi Vogel | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | additional second second assistant director | |
| John W. Hyde Jr. | .... | second second assistant director (as John 'Crash' Hyde Jr.) | |
| Kelly Kiernan | .... | second assistant director | |
| Francis R. Mahoney III | .... | first assistant director (as Francis R. 'Sam' Mahony III) | |
Special Effects by | |||
| Stephen DeLollis | .... | special effects | |
| Pat Domenico | .... | special effects | |
| Larry Fioritto | .... | special effects coordinator | |
| Wes Mattox | .... | special effects (as Wesley Mattox) | |
| Evan Campbell | .... | special makeup effects (uncredited) | |
| Bruce Harris | .... | special effects propmaker (uncredited) | |
| Kevin McTurk | .... | special effects assistant (uncredited) | |
Stunts | |||
| Matthew Avila | .... | stunt safety | |
| Cameron | .... | stunts | |
| Christopher Doyle | .... | stunts (as Chris Doyle) | |
| Marcia Holley | .... | stunts | |
| Terry Jackson | .... | stunt double: Bruce Willis | |
| Terry Jackson | .... | stunts | |
| Melvin Jones | .... | stunts | |
| Linda Kaye | .... | stunts | |
| Hubie Kerns Jr. | .... | stunts | |
| Ken Lesco | .... | stunt coordinator | |
| Dennis Madalone | .... | stunts (as Dennis 'Danger' Madalone) | |
| Scott McElroy | .... | stunts | |
Animation Department | |||
| Russell Vossler | .... | character artist | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Ruth Lambert | .... | casting associate | |
| Jeff Olan | .... | extras casting: Rainbow Casting | |
Editorial Department | |||
| Liam Curtin | .... | post-production intern | |
| Andrew Dickler | .... | apprentice editor | |
| Jere Huggins | .... | assembly editor (as Jere P. Huggins) | |
| Donald Likovich | .... | assistant editor | |
| Katie Mack | .... | second assistant editor | |
| Kara Mazzola | .... | post-production coordinator | |
| Ray Neapolitan | .... | second assistant editor | |
| Ben Parker | .... | post-production assistant | |
| Tatiana S. Riegel | .... | first assistant editor | |
| John Sosnovski | .... | apprentice editor | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
Music Department | |||
| Kristen Becht | .... | assistant to music supervisor | |
| Billy Gottlieb | .... | assistant to music supervisor | |
| Rolf Johnson | .... | music editor | |
| Chuck Kelley | .... | music consultant | |
| Laura Lovelace | .... | music consultant | |
| The Marketts | .... | music performers | |
| Kathy Nelson | .... | music supervisor: MCA Records | |
| Karyn Rachtman | .... | music supervisor | |
| Mary Ramos | .... | music coordinator: Mind Your Music | |
Transportation Department | |||
| Derek N. Alff 'DNA' | .... | driver production assistant | |
| Alonzo Brown Jr. | .... | driver | |
| Bruce Callahan | .... | driver | |
| Steve Earle | .... | driver | |
| Don Feeney | .... | driver | |
| Scotty Goudreau | .... | driver | |
| David Joseph | .... | driver: production van | |
| John Key | .... | driver | |
| Suzy Mae Martin | .... | driver production assistant | |
| Glenn McCraven | .... | driver | |
| Richard Middleton | .... | driver production assistant (as Richard C. Middleton) | |
| Derek Raser | .... | transportation coordinator | |
| George A. Sack | .... | driver: water truck (as George Sack) | |
| J.T. Thayer | .... | transportation captain (as J.T. Thayer II) | |
| Earl Thielen | .... | driver (as Earl 'Mr. Blonde' Thielen) | |
| Tracy Thielen | .... | driver (as Tracy 'Ace' Thielen) | |
| Gregg Willis | .... | driver | |
| Paul Burlin | .... | driver (uncredited) | |
Other crew | |||
| Toni Baffo | .... | assistant to producer | |
| Jay Beattie | .... | office production assistant | |
| Cheryl Cain | .... | assistant production coordinator | |
| Cameron | .... | stand-in | |
| Cullen G. Chambers | .... | stand-in: Samuel L. Jackson (as Cullen Chambers) | |
| Vicki Cherkas | .... | legal advisor: Miramax | |
| Ruben Cortez | .... | set security supervisor | |
| Angelique A. Costanza | .... | post-production accountant | |
| Angelique A. Costanza | .... | production auditor | |
| Robert Earl Craft | .... | location manager | |
| Rory Dauson | .... | stand-in (as Rory K. Dauson) | |
| Steve Earle | .... | mechanic | |
| Nathan Easterling | .... | office production assistant | |
| Robert Fraade | .... | immigration legal service | |
| Carlos K. Goodman | .... | production legal services (as Carlos Goodman) | |
| Michael Haddad | .... | assistant craft service | |
| Cynthia Harding | .... | accounting intern | |
| Derek Hurd | .... | craft service | |
| Gloria Hylton | .... | stand-in | |
| John A. Johnston | .... | assistant location manager | |
| Scott Johnston | .... | stand-in | |
| Iain Jones | .... | set production assistant | |
| Sarah Kelly | .... | set production assistant | |
| Martin Kitrosser | .... | script supervisor | |
| Richard W. Kopenhefer | .... | labor legal service | |
| Victoria Lucai | .... | assistant to director | |
| Alicia Magnant | .... | office production assistant | |
| Thomas Magno | .... | set production assistant | |
| Stevie Maislen | .... | set production assistant | |
| Gerald Martinez | .... | chief graphic designer | |
| Francesca McCaffery | .... | office production assistant | |
| Courtney McDonnell | .... | assistant to producer post-production | |
| Bradley Morris | .... | production secretary | |
| Anna-Lisa Nilsson | .... | production coordinator | |
| Cathy Ragona | .... | coordinator: Miramax (as Cathy Agcayab Ragona) | |
| Tonya Richardson | .... | set production assistant (as Tanya Richardson) | |
| Tristan Sharp | .... | office production assistant | |
| Abigail Sheiner | .... | accounting assistant | |
| Jeffrey Stephan | .... | stand-in | |
| Haley Sweet | .... | location assistant (as Haley B. Sweet) | |
| James 'Chip' Weis | .... | key office production assistant (as Jim Weis) | |
| Kurt Woolner | .... | completion guarantee | |
| Deborah Wuliger | .... | unit publicist | |
| Zane | .... | assistant accountant | |
| Julia Zane | .... | production accountant | |
| Don Asher | .... | clearance supervisor (uncredited) | |
| Stephen J. Eads | .... | assistant: Bruce Willis (uncredited) | |
| Craig Hamann | .... | consultant (uncredited) | |
| Malle Jensen | .... | assistant: Mr. Keitel (uncredited) | |
| Tony Kerum | .... | caterer (uncredited) | |
Thanks | |||
| Lou Arkoff | .... | special thanks | |
| Emporio Armani | .... | special thanks | |
| Agnès B. | .... | special thanks (as Agnes B.) | |
| Jennifer Beals | .... | special thanks | |
| Linda R. Chen | .... | special thanks (as Linda Chen) | |
| Jim Hannafan | .... | special thanks | |
| Cathryn James | .... | special thanks (as Cathryn Jaymes) | |
| Cindy Lou Johnson | .... | special thanks | |
| John Logigian | .... | special thanks | |
| Stephen Martines | .... | special thanks (as Coltin Scott) | |
| Ricardo Mestres | .... | special thanks | |
| Rozann Newman | .... | special thanks | |
| Mike Simpson | .... | special thanks | |
| Scott Spiegel | .... | special thanks | |
| Cindy Jo Stanberry | .... | special thanks | |
| Emanuel Steward | .... | special thanks | |
| Lee Stollman | .... | special thanks | |
| Jamie Toscas | .... | special thanks | |
| Bill Unger | .... | special thanks | |
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My oh my. "Pulp Fiction" is one of those roller-coasters of a movie. It is both a joy and a trial to sit through. Amazingly original and unforgettable, Quentin Tarantino's trash masterpiece never gets old or seem outdated. It put a face on American independent film making in 1994. Miramax had been around since the 1970s and no one had heard of it before this film. Studios went into a panic when this film came out because they knew it would be an amazing hit. Of course it was. Independent film making became the rage and hit its peak in 1996 when four of the five nominated Best Picture films were from independent studios. The screenplay and direction by Tarantino are quite amazing, but the cast makes the film work. John Travolta (Oscar nominated) re-invented his career with this film. Bruce Willis cemented his celebrity. Samuel L. Jackson and Uma Thurman (both Oscar nominees) became marketable superstars. Others who make appearances include: Ving Rhames, Christopher Walken, Eric Stoltz, Rosanna Arquette, Steve Buscemi, Frank Whaley, Harvey Keitel, and of course Quentin Tarantino himself. They all leave lasting impressions as well. Samuel L. Jackson stood out the most to me, his lack of substantial screen time may have cost him the Oscar. Just an amazing accomplishment, all involved deserve recognition. Easily 5 stars out of 5.