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Pulp Fiction (1994)
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Overview
Tagline:
Girls like me don't make invitations like this to just anyone! morePlot:
The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption. full summary | full synopsis (warning! may contain spoilers)Awards:
Won Oscar. Another 43 wins & 40 nominations moreNewsDesk:
(102 articles)
Do We Need a Christopher Nolan Batman Trilogy? (From Rope Of Silicon. 22 July 2008, 12:50 PM, PDT)
Before The Rain (From The AV Club. 1 July 2008, 8:45 PM, PDT)
User Comments:
The Movie that redefined a genre moreUS TV Schedule:
| Fri. July 25 | 11:30 PM | VH1 | |||
| Sat. July 26 | 8:00 PM | VH1 | more |
US Showtimes:
(register to personalize)Cast
(in credits order) (verified as complete)
Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (stories) & | |
| Roger Avary | (stories) | |
| Quentin Tarantino | (written by) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Danny DeVito | .... | executive producer | |
| Richard N. Gladstein | .... | co-executive producer | |
| Michael Shamberg | .... | executive producer | |
| Stacey Sher | .... | executive producer | |
| Bob Weinstein | .... | co-executive producer | |
| Harvey Weinstein | .... | co-executive producer | |
Cinematography by | |||
| Andrzej Sekula | |||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Ronnie Yeskel | |||
| Gary M. Zuckerbrod | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Charles Collum | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Betsy Heimann | |||
Makeup Department | |||
| Linda Arnold | .... | assistant hair designer | |
| Christina Bartolucci | .... | assistant hair stylist | |
| Christina Bartolucci | .... | assistant makeup artist | |
| Thomas L. Bellissimo | .... | special makeup effects artist (as Tom Bellissimo) | |
| Michelle Bühler | .... | key makeup artist (as Michelle Buhler) | |
| Bill Fletcher | .... | wig maker | |
| Audree Futterman | .... | key hair supervisor | |
| Erin Haggerty | .... | special makeup effects artist | |
| Theodore Haines | .... | special makeup effects artist (as Ted Haines) | |
| Iain Jones | .... | hair designer | |
| Douglas Noe | .... | special makeup effects artist | |
| David E. Smith | .... | special makeup effects artist (as David Smith) | |
| Wayne Toth | .... | special makeup effects artist | |
| Howard Berger | .... | special makeup supervisor (uncredited) | |
| Robert Kurtzman | .... | special makeup supervisor (uncredited) | |
| Michael Mosher | .... | prosthetics: Ed Sullivan (uncredited) | |
| Gregory Nicotero | .... | special makeup supervisor (uncredited) | |
Production Management | |||
| Paul Hellerman | .... | production manager | |
| Heidi Vogel | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | additional second second assistant director | |
| John W. Hyde Jr. | .... | second second assistant director (as John 'Crash' Hyde Jr.) | |
| Kelly Kiernan | .... | second assistant director | |
| Francis R. Mahoney III | .... | first assistant director (as Francis R. 'Sam' Mahony III) | |
Special Effects by | |||
| Stephen DeLollis | .... | special effects | |
| Pat Domenico | .... | special effects | |
| Larry Fioritto | .... | special effects coordinator | |
| Wes Mattox | .... | special effects (as Wesley Mattox) | |
| Evan Campbell | .... | special makeup effects (uncredited) | |
| Bruce Harris | .... | special effects propmaker (uncredited) | |
| Kevin McTurk | .... | special effects assistant (uncredited) | |
Stunts | |||
| Matthew Avila | .... | stunt safety | |
| Cameron | .... | stunts | |
| Christopher Doyle | .... | stunts (as Chris Doyle) | |
| Marcia Holley | .... | stunts | |
| Terry Jackson | .... | stunt double: Bruce Willis | |
| Terry Jackson | .... | stunts | |
| Melvin Jones | .... | stunts | |
| Linda Kaye | .... | stunts | |
| Hubie Kerns Jr. | .... | stunts | |
| Ken Lesco | .... | stunt coordinator | |
| Dennis Madalone | .... | stunts (as Dennis 'Danger' Madalone) | |
| Scott McElroy | .... | stunts | |
Animation Department | |||
| Russell Vossler | .... | character artist | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Ruth Lambert | .... | casting associate | |
| Jeff Olan | .... | extras casting: Rainbow Casting | |
Editorial Department | |||
| Liam Curtin | .... | post-production intern | |
| Andrew Dickler | .... | apprentice editor | |
| Jere Huggins | .... | assembly editor (as Jere P. Huggins) | |
| Donald Likovich | .... | assistant editor | |
| Katie Mack | .... | second assistant editor | |
| Kara Mazzola | .... | post-production coordinator | |
| Ray Neapolitan | .... | second assistant editor | |
| Ben Parker | .... | post-production assistant | |
| Tatiana S. Riegel | .... | first assistant editor | |
| John Sosnovski | .... | apprentice editor | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
Music Department | |||
| Kristen Becht | .... | assistant to music supervisor | |
| Billy Gottlieb | .... | assistant to music supervisor | |
| Rolf Johnson | .... | music editor | |
| Chuck Kelley | .... | music consultant | |
| Laura Lovelace | .... | music consultant | |
| The Marketts | .... | music performers | |
| Kathy Nelson | .... | music supervisor: MCA Records | |
| Karyn Rachtman | .... | music supervisor | |
| Mary Ramos | .... | music coordinator: Mind Your Music | |
Transportation Department | |||
| Derek N. Alff 'DNA' | .... | driver production assistant | |
| Alonzo Brown Jr. | .... | driver | |
| Bruce Callahan | .... | driver | |
| Steve Earle | .... | driver | |
| Don Feeney | .... | driver | |
| Scotty Goudreau | .... | driver | |
| David Joseph | .... | driver: production van | |
| John Key | .... | driver | |
| Suzy Mae Martin | .... | driver production assistant | |
| Glenn McCraven | .... | driver | |
| Richard Middleton | .... | driver production assistant (as Richard C. Middleton) | |
| Derek Raser | .... | transportation coordinator | |
| George A. Sack Jr. | .... | driver: water truck (as George Sack) | |
| J.T. Thayer | .... | transportation captain (as J.T. Thayer II) | |
| Earl Thielen | .... | driver (as Earl 'Mr. Blonde' Thielen) | |
| Tracy Thielen | .... | driver (as Tracy 'Ace' Thielen) | |
| Gregg Willis | .... | driver | |
| Paul Burlin | .... | driver (uncredited) | |
Other crew | |||
| Toni Baffo | .... | assistant to producer | |
| Jay Beattie | .... | office production assistant | |
| Cheryl Cain | .... | assistant production coordinator | |
| Cameron | .... | stand-in | |
| Cullen G. Chambers | .... | stand-in: Samuel L. Jackson (as Cullen Chambers) | |
| Vicki Cherkas | .... | legal advisor: Miramax | |
| Ruben Cortez | .... | set security supervisor | |
| Angelique A. Costanza | .... | post-production accountant | |
| Angelique A. Costanza | .... | production auditor | |
| Robert Earl Craft | .... | location manager | |
| Rory Dauson | .... | stand-in (as Rory K. Dauson) | |
| Steve Earle | .... | mechanic | |
| Nathan Easterling | .... | office production assistant | |
| Robert Fraade | .... | immigration legal service | |
| Carlos K. Goodman | .... | production legal services (as Carlos Goodman) | |
| Michael Haddad | .... | assistant craft service | |
| Cynthia Harding | .... | accounting intern | |
| Derek Hurd | .... | craft service | |
| Gloria Hylton | .... | stand-in | |
| John A. Johnston | .... | assistant location manager | |
| Scott Johnston | .... | stand-in | |
| Iain Jones | .... | set production assistant | |
| Sarah Kelly | .... | set production assistant | |
| Martin Kitrosser | .... | script supervisor | |
| Richard W. Kopenhefer | .... | labor legal service | |
| Victoria Lucai | .... | assistant to director | |
| Alicia Magnant | .... | office production assistant | |
| Thomas Magno | .... | set production assistant | |
| Stevie Maislen | .... | set production assistant | |
| Gerald Martinez | .... | chief graphic designer | |
| Francesca McCaffery | .... | office production assistant | |
| Courtney McDonnell | .... | assistant to producer post-production | |
| Bradley Morris | .... | production secretary | |
| Anna-Lisa Nilsson | .... | production coordinator | |
| Cathy Ragona | .... | coordinator: Miramax (as Cathy Agcayab Ragona) | |
| Tonya Richardson | .... | set production assistant (as Tanya Richardson) | |
| Tristan Sharp | .... | office production assistant | |
| Abigail Sheiner | .... | accounting assistant | |
| Jeffrey Stephan | .... | stand-in | |
| Haley Sweet | .... | location assistant (as Haley B. Sweet) | |
| James 'Chip' Weis | .... | key office production assistant (as Jim Weis) | |
| Kurt Woolner | .... | completion guarantee | |
| Deborah Wuliger | .... | unit publicist | |
| Zane | .... | assistant accountant | |
| Julia Zane | .... | production accountant | |
| Don Asher | .... | clearance supervisor (uncredited) | |
| Stephen J. Eads | .... | assistant: Bruce Willis (uncredited) | |
| Craig Hamann | .... | consultant (uncredited) | |
| Malle Jensen | .... | assistant: Mr. Keitel (uncredited) | |
| Tony Kerum | .... | caterer (uncredited) | |
Thanks | |||
| Lou Arkoff | .... | special thanks | |
| Emporio Armani | .... | special thanks | |
| Agnès B. | .... | special thanks (as Agnes B.) | |
| Jennifer Beals | .... | special thanks | |
| Linda R. Chen | .... | special thanks (as Linda Chen) | |
| Jim Hannafan | .... | special thanks | |
| Cathryn James | .... | special thanks (as Cathryn Jaymes) | |
| Cindy Lou Johnson | .... | special thanks | |
| John Logigian | .... | special thanks | |
| Stephen Martines | .... | special thanks (as Coltin Scott) | |
| Ricardo Mestres | .... | special thanks | |
| Rozann Newman | .... | special thanks | |
| Mike Simpson | .... | special thanks | |
| Scott Spiegel | .... | special thanks | |
| Cindy Jo Stanberry | .... | special thanks | |
| Emanuel Steward | .... | special thanks | |
| Lee Stollman | .... | special thanks | |
| Jamie Toscas | .... | special thanks | |
| Bill Unger | .... | special thanks | |
Production CompaniesDistributors
- Alliance Atlantis Home Video (2002) (Canada) (DVD)
- Alliance Atlantis Motion Picture Distribution
- Amuse Video (1995) (Japan) (VHS)
- Bac Films (1994) (France) (theatrical)
- Buena Vista Home Entertainment (2002) (UK) (DVD) (collector's edition)
- Buena Vista International (1994) (UK) (theatrical)
- Cecchi Gori Group
- Criterion Collection, The (????) (laserdisc)
- Delta Vidéo Diffusion (1995) (France) (video)
- Finnkino (1995) (Finland) (theatrical)
- Gativideo (Argentina) (video)
- Gemini Film (1994) (Czech Republic) (theatrical)
- Impuls Home Entertainment (2000) (Switzerland) (DVD)
- Laurenfilm (1995) (Spain) (theatrical)
- Miramax Films (1994) (USA) (theatrical)
- Miramax Home Entertainment (USA) (DVD)
- Miramax Home Entertainment (USA) (VHS)
- Miramax Home Entertainment (USA) (laserdisc)
- Praesens-Film (1994) (Switzerland) (theatrical)
- Scotia International Filmverleih (1994) (Germany) (theatrical)
- Spentzos Film Home Video (1995) (Greece) (VHS)
- Spentzos Films (1994) (Greece) (theatrical)
- Starz! Network (1995) (USA) (TV)
- Svensk Filmindustri (SF) (1994) (Sweden) (theatrical)
- Toshiba Digital Frontiers (TDF) (1999) (Japan) (DVD)
- Toshiba Digital Frontiers (TDF) (2003) (Japan) (DVD)
- Toshiba Entertainment (2006) (Japan) (DVD)
- Universum Film (UFA) (2000) (Germany) (DVD)
- Village Roadshow Entertainment (1999) (Australia) (DVD)
- Background Engineers Inc. process projection
- Buena Vista Sound re-recording
- Film Finance completion guarantee
- Great Northern Brokerage Services insurance
- Hama Design special thanks
- I.C.E. Negative Cutting negative cutting
- Judy Garland & Associates travel arrangements and services
- Lighthouse Studio Rentals Inc. grip and electrical equipment
- Loeb and Loeb labor legal services
- Mario's Catering catering
- Pacific Title titles and opticals
- Rainbow Casting Service extras casting
- Shark Production Services grip equipment
- Sound Services production sound
- Varitel Video lightworks editing system
- Weddington Productions post-production sound
Additional Details
MPAA:
Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality.Parents Guide:
View content advisory for parentsRuntime:
154 min | USA:168 min (special edition)Country:
USAColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby SRCertification:
Mexico:C | Finland:K-18 (original rating) (1995) (uncut) | Australia:M (TV rating) (cut) | Italy:VM18 (original rating) | Finland:K-16 (video rating) (1995) (cut) | Australia:R | Hungary:18 | Italy:VM14 (re-rating after appeal) (1997) | Canada:18 (Nova Scotia) | Brazil:18 | Singapore:R21 (re-rating) (uncut) | Canada:R (Manitoba/Ontario) | USA:R | Argentina:18 | Australia:MA (cable rating) | Canada:16+ (Quebec) | Chile:18 | Denmark:15 | France:-12 | Germany:16 | Hong Kong:III | Iceland:16 | Ireland:18 | Israel:18 | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:18 | Poland:15 | Portugal:M/16 | Portugal:M/18 (Qualidade) | Singapore:R(A) (original rating) (cut) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 | UK:18 (original rating) | UK:18 (video rating) (1995) (cut)MOVIEmeter: 
108% since last week
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Fun Stuff
Trivia:
In "Son of a Preacher Man", the apostrophe in "door's" is missing from Mia's note. The script, however, has the note punctuated correctly. moreGoofs:
Crew or equipment visible: When Vincent enters Mia's home for the first time, a camera and a camera operator are clearly visible in a reflection on the windows in front of them. They have a black blanket or tarp covering them to make them harder to see. moreQuotes:
[first lines]Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
more
Soundtrack:
Bullwinkle Part II moreFAQ
Vince is some kind of professional. So, at Butch's apartment, why would he leave a submachine gun on the counter for anyone to pick up while he uses the toilet?How much sex, violence, and profanity are in this movie?
What is the Connection Between Pulp Fiction and Jackie Brown?
more
Viewers are taken on a ride through three different stories that entertwine together around the world of Marcellus Wallace. Quentin Tarantino proves that he is the master of witty dialogue and a fast plot that doesn't allow the viewer a moment of boredom or rest. From the story of two hit-man on a job, to a fixed boxing match to a date between a hit-man and the wife of a mob boss. There was definitely a lot of care into the writing of the script, as everything no matter the order it is in, fits with the story. Many mysteries have been left such as what is inside of the briefcase and why Marcellus Wallace has a band-aid on the back of his neck, which may be connected. The movie redefined the action genre and reinvigorated the careers of both John Travolta and Bruce Willis. This movie is required viewing for any fan of film.