| Photos (see all 10 | slideshow) |
Directed by | |||
| Milcho Manchevski | |||
Writing credits(in alphabetical order) | ||
| Milcho Manchevski | writer | |
Produced by | |||
| Marc Baschet | .... | co-producer | |
| Judy Counihan | .... | producer | |
| Frédérique Dumas-Zajdela | .... | co-producer | |
| Cédomir Kolar | .... | producer | |
| Sheila Fraser Milne | .... | associate producer | |
| David Redman | .... | associate producer | |
| Paul Sarony | .... | line producer | |
| Sam Taylor | .... | producer | |
| Chris Thompson | .... | line producer | |
| Goran Tozija | .... | co-producer (as Gordon Tozija) | |
| Cat Villiers | .... | producer | |
Original Music by | |||
| Zlatko Origjanski | |||
| Zoran Spasovski | |||
| Goran Trajkoski | |||
Cinematography by | |||
| Manuel Teran | |||
Film Editing by | |||
| Nicolas Gaster | |||
Casting by | |||
| Moni Damevski | |||
Production Design by | |||
| Sharon Lomofsky | |||
| David Munns | |||
Costume Design by | |||
| Caroline Harris | |||
| Sue Yelland | |||
Makeup Department | |||
| Joan Hills | .... | makeup artist | |
| Sandra Ivatovic | .... | assistant hair stylist (as Sandra Todorovic) | |
| Morag Ross | .... | makeup artist | |
| Radmila Todorovic | .... | assistant makeup artist | |
Production Management | |||
| Stevce Acevski | .... | production manager | |
| Simon Hardy | .... | production manager | |
| Nikola Popovic | .... | production supervisor | |
Art Department | |||
| Nicole Albert | .... | set dresser | |
| St. John Bowman | .... | prop master | |
| Annabel Hands | .... | stand-by props | |
| Mike Houseman | .... | construction manager | |
| Colin Hutton | .... | art department assistant | |
| Robert Jazadziski | .... | art department assistant | |
| Nikola Lazarevski | .... | assistant art director | |
| Vangel Mijovski | .... | stand-by props | |
| Pance Minov | .... | assistant art director | |
| Pance Minov | .... | set dresser | |
| Michael T. Roberts | .... | assistant art director | |
| Gico Stratiev | .... | prop master | |
| Gary Cergol | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Polly Aitken | .... | footsteps editor | |
| Peter Baldock | .... | sound | |
| Simon Cox | .... | boom operator | |
| Peter Elliott | .... | dialogue editor | |
| Aidan Hobbs | .... | sound recordist | |
| Derek Holding | .... | dialogue editor | |
| Marton Jankov-Tomica | .... | boom operator (as Morton Jankov) | |
| Keith Lowes | .... | dubbing associate | |
| Laurie McDowell | .... | sound: second unit | |
| Clive Pendry | .... | assistant sound mixer | |
| Jack Stew | .... | foley artist | |
| Hugh Strain | .... | sound re-recording mixer | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Special Effects by | |||
| John Fontana | .... | special effects | |
| Valentin Lozev | .... | special effects | |
Stunts | |||
| Parvan Parvanov | .... | stunt coordinator | |
| Rod Woodruff | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sead Bihorac | .... | grip assistant | |
| Petar Bogoeski | .... | gaffer | |
| Fero Brant | .... | assistant camera | |
| John Donne | .... | key grip | |
| Rémy Fourneron | .... | focus puller | |
| Bob Horsefield | .... | best boy | |
| Milisav Krstevski | .... | best boy | |
| Philippe Le Sourd | .... | camera operator: second unit | |
| Philippe Le Sourd | .... | focus puller | |
| Mane Naskov | .... | grip assistant | |
| Jason Olive | .... | clapper loader | |
| Sreten Pakovski | .... | assistant camera | |
| John Pardue | .... | assistant camera | |
| Thierry Pouget | .... | focus puller | |
| Simon Reeves | .... | camera operator: second unit | |
| Dragan Salkovski | .... | camera operator: second unit | |
| Vladimir Samoilovski | .... | steadicam operator | |
| Kenny Sykes | .... | gaffer | |
Costume and Wardrobe Department | |||
| Tina Foster | .... | wardrobe assistant | |
| Katya Ivanova | .... | wardrobe assistant | |
| Zaklina Krstevska | .... | assistant costume designer | |
Editorial Department | |||
| Kim Gaster | .... | second assistant editor | |
| Laurie McDowell | .... | first assistant editor | |
| Anne Sopel | .... | assistant editor | |
Transportation Department | |||
| Zoran Risteski | .... | transportation coordinator | |
Other crew | |||
| Leonard Vigas Dos Santos | .... | production assistant | |
| Renée Glynne | .... | continuity | |
| Renée Glynne | .... | script supervisor | |
| Eve Heeks | .... | assistant accountant | |
| Biki Jandrevska | .... | production assistant | |
| Catherine Lecompte | .... | production accountant | |
| Biljana Mirkovic | .... | script supervisor | |
| Mira Nikcevska | .... | production secretary | |
| Tori Parry | .... | production coordinator | |
| David Pinnington | .... | unit location manager | |
| Patrice Salja | .... | production assistant | |
| Chloe Sizer | .... | production associate | |
| Matthew Wilson | .... | chief executive: Aim Productions | |
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This film by Milcho Manchevski is the ideal when talking about explaining and defining the Macedonian problem. I am Macedonian but I live in Germany. So I think I have an overview so that I am able to criticize. The problem between the ethnic groups in Macedonia go around in circles. But in the end it turns out that the circle goes round like a ferry wheel. Everything is happening again and again. The circle is not round though. In every end there is a change. A change which always makes the new beginning worse. In a way it is like a spiral. And Manchevski is smartly telling three stories. They are not linear, but in a way they come close to what the problem really is like. With the last episode he connects the three stories, and you can feel the message - his message.
Unfortunately this film was quite popular only in Europe and I think even in the US, but in Macedonia it was rarely seen by the people. I think if every single Macedonian Citizen had seen and understood this movie, it would be much easier to solve the Macedonian problem today. Because what it says is that we ourselves kill each other. Because of hatred and ethnic principles we force ourselves to fight against each other. And that is exactly why it is leading to nowhere. Because it is a circle...and the circle is not round. And one day, when the spiral is at its end, it's going to be too late.