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Directed by | |||
| Steven Seagal | |||
Writing credits(WGA) | ||
| Ed Horowitz | (written by) & | |
| Robin U. Russin | (written by) | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Ric Waite | (director of photography) | ||
Film Editing by | |||
| Don Brochu | |||
| Robert A. Ferretti | |||
Casting by | |||
| Pamela Basker | |||
Production Design by | |||
| William Ladd Skinner | (as Wm Ladd Skinner) | ||
Art Direction by | |||
| Louis Montejano | |||
Set Decoration by | |||
| John H. Anderson | |||
| Ronald R. Reiss | |||
Costume Design by | |||
| Joseph G. Aulisi | |||
Makeup Department | |||
| Shanon Ely | .... | hair stylist | |
| Jef Simons | .... | makeup artist | |
Production Management | |||
| Peter Burrell | .... | unit production manager | |
Art Department | |||
| Nigel A. Boucher | .... | leadman | |
| Mary Buri | .... | set dresser | |
| Charles A. Carlsen | .... | propmaker | |
| Dale DeStefani | .... | foreman | |
| Johnnie Jenkins | .... | construction accountant | |
| Charles R. Lipscomb | .... | lead man | |
| Sam Moore | .... | property master | |
| Penny Smartt-Juday | .... | art department coordinator | |
| John Sweeney | .... | assistant propmaster | |
| Sally Thornton | .... | set designer | |
| Ron Ashmore | .... | lead paint foreman (uncredited) | |
| Mark Boucher | .... | set dresser (uncredited) | |
Sound Department | |||
| Bobbi Banks | .... | adr editor | |
| Lance Brown | .... | sound editor | |
| Rickley W. Dumm | .... | assistant sound editor | |
| Steven Gerrior | .... | first assistant sound editor | |
| Joseph Holsen | .... | sound editor | |
| Elliott Koretz | .... | sound editor | |
| Lance Laurienzo | .... | assistant sound editor | |
| John Leveque | .... | supervising sound editor | |
| Steve Mann | .... | sound effects editor | |
| Kenneth C. Mantlo | .... | boom operator | |
| Anthony Milch | .... | sound editor | |
| Jay Nierenberg | .... | sound editor | |
| Greg P. Russell | .... | sound re-recording mixer | |
| Shawn Sykora | .... | supervising foley editor | |
| Edward Tise | .... | sound mixer | |
| Tim Tuchrello | .... | assistant sound editor | |
| Robert Ulrich | .... | adr editor | |
| Marshall Winn | .... | sound editor | |
| Richard E. Yawn | .... | supervising sound editor | |
| William Jacobs | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Thomas L. Fisher | .... | special effects | |
| Roy Goode | .... | pyrotechnician | |
| Andrew Miller | .... | special effects foreman | |
| Jay King | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Rocco Gioffre | .... | matte artist | |
| Adam Hill | .... | modelmaker: SVSI | |
| Dennis Michelson | .... | visual effects supervisor | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Scott Schneider | .... | model maker | |
| Mark Stetson | .... | miniature effects co-supervisor: Stetson Visual Services | |
Camera and Electrical Department | |||
| Robert Reed Altman | .... | assistant camera | |
| Audie Aragon | .... | dolly grip | |
| Carl Boles | .... | gaffer | |
| Mike Bonnaud | .... | assistant chief lighting technician | |
| Richard Brooks Burton | .... | aerial first assistant camera | |
| David Emmerichs | .... | steadicam operator | |
| Christopher Goss | .... | assistant camera | |
| Kurt E. Soderling | .... | assistant camera | |
| Kurt E. Soderling | .... | camera operator: second unit | |
| Michael T. Travers | .... | best boy grip | |
| Andy Young | .... | grip | |
Costume and Wardrobe Department | |||
| Cathy Smith | .... | special costume design | |
Editorial Department | |||
| Gordon Antell | .... | assistant film editor | |
| Dawn M. Gerrior | .... | assistant editor | |
| Stefanie Wiseman | .... | assistant editor | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Budd Carr | .... | music supervisor | |
| J.J. George | .... | assistant music editor | |
| Greig McRitchie | .... | orchestrator | |
| Basil Poledouris | .... | conductor | |
| Lolita Ritmanis | .... | orchestrator | |
| Curtis Roush | .... | music editor | |
Transportation Department | |||
| Steve Boyd | .... | transportation coordinator: second unit | |
| Maxwell R. Johnson II | .... | transportation coordinator | |
Other crew | |||
| Jeff Dash | .... | payroll accountant | |
| Howard Fannon | .... | assistant propmaster: weapons | |
| Jay K. Fishburn | .... | head wrangler | |
| Kurt Greufe | .... | assistant accountant | |
| Dow Griffith | .... | location manager | |
| David 'Cajun' Guilbeau | .... | craft service | |
| Maureen Higgins | .... | assistant accountant | |
| Larry Jolly | .... | miniature helicopter pilot | |
| J. David Jones | .... | helicopter pilot | |
| Harry Lu | .... | armorer | |
| John Monsour | .... | 24 frame computer supervising engineer | |
| Robin Mounsey | .... | wilderness location specialist | |
| Heather Murphy | .... | production coordinator: Washington | |
| David Paris | .... | aviation coordinator | |
| Libby Riddles | .... | coordinator: dog team logistics | |
| Juan Ros | .... | production assistant | |
| Judi Rosner | .... | production coordinator | |
| Jewels Satterfield | .... | set key production assistant | |
| Larry Schmidt | .... | helicopter pilot | |
| Doug Seus | .... | bear owner | |
| Doug Seus | .... | bear trainer | |
| Laura Sode-Matteson | .... | location manager | |
| Brian Wescott | .... | technical advisor | |
| Bill Daly | .... | post-production accountant (uncredited) | |
| Tom Lent | .... | adr voice (uncredited) | |
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Forrest Taft is a trouble shooter for Michael Jennings' oil company. When the rig foreman comes to Taft with tales of faulty equipment Taft looks into it and finds Jennings is rushing the rig, compromising safety in order to drill within a 13 day deadline before the oil rights revert to the Eskimos. Jennings kills the foreman and frames Taft for industrial terrorism, bringing in mercenaries and the FBI to stop him. With Taft saved by the Inuits and taught the way of the bear he arms himself to stop the rig drilling.
In Seagal's debut as director he is given clear reign to base a story on a muddle of mysticism and environmental concern. The story is pure cod but it allows him to not only battle evil oil corporations but actually do physical battle with them. For half the film Seagal `dances with wolves' before he dumps all thoughts of spirituality, arms himself with a cabin full of weapons and does battle with the mercenaries as he tries to blow up the oil rig - he conveniently ignores the environmental damage done by this!
The action is the usual unimaginative stuff where Seagal does moves on baddies who come at him one at a time. He's starting to look a little old and out of shape here, but if you like his fighting generally then this is OK. It's a little hard to swallow when he takes on a elite group of soldiers but I suppose that if you're watching this type of film then you're happy with whatever you get! Once the film ends we are treated to a straight lecture on the environment and big business - it is full of open statements and sweeping requirements with no real practical solutions. Unlike his fights he doesn't hit the target once.
Seagal is as usual a terrible actor - only one facial expression, terrible one-liner delivery and generally no talent. Here, he shrouds himself in smugness and native American mysticism making it even harder to accept him. Caine has a laugh, hamming it up as the oil baron, but it's not a performance one could describe as good in any sense of the word - his American accent keeps changing to Cockney and back again! The rest of the cast are neither good or bad - they don't really have the material to do anything with - but it has a load of `name' actors. John C McGinley is alright, Ermey does what he always does (but has done better) and Billy Bob Thornton is in there if you keep your eyes open!
Overall it's slightly worse than most Seagal's films because of the environmental message being unsubtly rammed down the audiences throats. However if you like his fighting then there's maybe 15 minutes of enjoyment to be had here.