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Valentine Davies (story)
George Seaton (1947 screenplay)
(more)
18 November 1994 (USA) more
Experience the Miracle. more
A little girl discovers dreams do come true if you really believe. Six-year-old Susan has doubts about childhood's most enduring miracle - Santa Claus... more | add synopsis
1 nomination more
Hugh Laurie’s ‘House M.D.’ to Lose Jennifer Morrison as Dr. Allison Cameron; 2009 Premiere Delivers
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Red Band Rant: Home Alone 2 Is Mediocre At Best
(From Cinema Blend. 3 December 2008, 9:11 AM, PST)
You Really Can't Get Too Much of This Story more (45 total)
| Richard Attenborough | ... | Kris Kringle | |
| Elizabeth Perkins | ... | Dorey Walker | |
| Dylan McDermott | ... | Bryan Bedford | |
| J.T. Walsh | ... | Ed Collins | |
| James Remar | ... | Jack Duff | |
| Jane Leeves | ... | Alberta Leonard | |
| Simon Jones | ... | Donald Shellhammer | |
| William Windom | ... | C.F. Cole | |
| Mara Wilson | ... | Susan Walker | |
| Robert Prosky | ... | Judge Henry Harper | |
| Kathrine Narducci | ... | Mother | |
| Mary McCormack | ... | Myrna Foy | |
| Alvin Greenman | ... | The Doorman | |
| Allison Janney | ... | Woman in Christmas Shop | |
| Greg Noonan | ... | Cmdr. Coulson | |
| Byrne Piven | ... | Dr. Hunter | |
| Peter Gerety | ... | Cop | |
| Jack McGee | ... | Tony Falacchi | |
| Joe Pentangelo | ... | Bailiff | |
| Mark Damiano II | ... | Daniel | |
| Casey Wurzbach | ... | Grandson | |
| Jennifer Morrison | ... | Denice | |
| Peter Siragusa | ... | Cabbie | |
| Samantha Krieger | ... | Sami | |
| Horatio Sanz | ... | Orderly | |
| Lisa Sparrman | ... | Rebecca Collins | |
| Kimberly Smith | ... | Court Clerk | |
| Mike Bacarella | ... | Santa | |
| Harve Kolzow | ... | Businessman | |
| Bianca Rose Pucci | ... | Little Girl | |
| Jimmy Joseph Meglio | ... | Little Boy | |
| Hank Johnston | ... | Boy | |
| Margo Buchanan | ... | Another Mother | |
| Bill Buell | ... | Band Director | |
| Ron Beattie | ... | Priest | |
| Alexandra Michelle Stewart | ... | Child | |
| Paige Walker Leavell | ... | Tricia | |
| Rosanna Scotto | ... | News Anchor | |
| Michele Marsh | ... | News Anchor | |
| Joe Moskowitz | ... | News Anchor | |
| Lester Holt | ... | Newscaster | |
| Susie Park | ... | Newscaster | |
| Janet Kauss | ... | Newscaster | |
| rest of cast listed alphabetically: | |||
| Joss Ackland | ... | Victor Landbergh (uncredited) | |
| John D. Bair | ... | Parade turkey (uncredited) | |
| Melinda Chilton | ... | Reporter (uncredited) | |
| Peter D'Alessio | ... | Reporter (uncredited) | |
| Brian Ferrari | ... | Balloon Handler (uncredited) | |
| Matthew T. Gitkin | ... | Bridge Worker (uncredited) | |
| Eliza Harris | ... | Iceskater (uncredited) | |
| Antonio Polk | ... | Court Reporter (uncredited) | |
| John Thurner | ... | Newspaper Reporter (uncredited) | |
Directed by | |||
| Les Mayfield | |||
Writing credits(WGA) | ||
| Valentine Davies | (story) | |
| George Seaton | (1947 screenplay) | |
| George Seaton | (screenplay) and | |
| John Hughes | (screenplay) | |
Produced by | |||
| William S. Beasley | .... | executive producer | |
| John Hughes | .... | producer | |
| William Ryan | .... | executive producer | |
Original Music by | |||
| Bruce Broughton | |||
Cinematography by | |||
| Julio Macat | |||
Film Editing by | |||
| Raja Gosnell | |||
Production Design by | |||
| Doug Kraner | |||
Art Direction by | |||
| Steve Arnold | |||
Set Decoration by | |||
| Leslie E. Rollins | |||
Costume Design by | |||
| Kathy O'Rear | |||
Makeup Department | |||
| Milton Buras | .... | hair stylist: New York | |
| Craig Lyman | .... | makeup artist | |
| Dominic Mango | .... | hair stylist | |
| Bernadette Mazur | .... | makeup artist: New York | |
| Ben Nye Jr. | .... | makeup artist | |
| Laine Trzinski | .... | hair stylist (as Elaine M. Cascio) | |
| Jamie Sue Weiss | .... | makeup artist | |
Production Management | |||
| William S. Beasley | .... | unit production manager | |
| Christine A. Johnston | .... | production supervisor | |
| Steve Rose | .... | unit production manager: New York | |
Special Effects by | |||
| Steven Kirshoff | .... | special effects foreman: New York | |
| John D. Milinac | .... | special effects coordinator: Chicago | |
Visual Effects by | |||
| Karen deJong | .... | matte painter | |
| Rhonda C. Gunner | .... | visual effects | |
| Don Hansard | .... | projection scenes | |
| Bryan Hirota | .... | cg artist: VIFX | |
| Gregory L. McMurry | .... | visual effects supervisor | |
| Gus Duron | .... | visual effects editor: VIFX (uncredited) | |
Stunts | |||
| John Casino | .... | utility stunts | |
| Ray Abbott | .... | precision driver (uncredited) | |
Casting Department | |||
| Claudia Ciardelli | .... | casting assistant: Chicago | |
| Susanna Griffith | .... | casting associate | |
| Janet Hirshenson | .... | casting | |
| Jane Jenkins | .... | casting | |
| Moira Michiels | .... | extras casting assistant | |
| Regina Prokop | .... | extras casting assistant | |
| Suzy Sachs | .... | additional casting: Seattle | |
| Maria Spaeth | .... | casting assistant: Chicago | |
| Johnny White | .... | key extras casting assistant | |
| John D. Bair | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Adkins | .... | assistant wardrobe supervisor: New York | |
| Jacqueline S. Beatka | .... | costumer: second unit | |
| Patricia Eiben | .... | wardrobe supervisor: New York | |
| Beulah Jones-Black | .... | assistant wardrobe supervisor: New York (as Beulah Jones) | |
| Lisa Padovani | .... | assistant costume supervisor: New York | |
| Heather Pollock | .... | set costumer | |
Music Department | |||
| Terry Brown | .... | scoring crew | |
| Bill Olson | .... | scoring crew | |
| Steven L. Smith | .... | music preparation | |
| Del Spiva | .... | scoring crew | |
| Armin Steiner | .... | scoring mixer | |
| Jim Walker | .... | scoring crew | |
| Katherine Quittner | .... | music editor: temp score (uncredited) | |
Transportation Department | |||
| Edward Iacobelli | .... | transportation captain: New York | |
Rated PG for some mild language.
114 min
1.85 : 1 more
Iceland:L | Germany:o.Al. (f) | South Korea:All | Peru:PT | Argentina:Atp | Australia:G | Chile:TE | Finland:S | Spain:T | Sweden:Btl | UK:U | USA:PG | Singapore:PG
Alvin Greenman (The Doorman) appeared in the original version as Alfred. more
Continuity: When Jack and Alberta have dropped Kris off at the old folks' home and Jack is returning to the limousine, you can see Alberta's crossed legs through the open door. When Jack enters the car, however, Alberta's legs are completely covered by her overcoat. more
Featured in The Great Christmas Movies (1998) (TV) more
Jingle Bells more
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| The Santa Clause | Santa Claus | The Santa Clause 3: The Escape Clause | Ernest Saves Christmas | The Polar Express |
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Few things are more amusing that reading the comments from the crybaby dishrags who whine about remaking a classic like "Miracle On 34th Street" (1947). How are these weepy rants helpful?
Did it need to be remade? No. But the source material is good enough that any number of professionally done remakes would still be entertaining. If this 1994 version had been the original, people would already be crowning it with the classic tag.
But it is not the original. It strikes a decent compromise by keeping many of the original story elements, deleting some, updating others, and making a few generally ill-advised additions.
There are even some clear improvements. Elizabeth Perkins and Mara Wilson are a much better mother and daughter match than Natalie Wood and Maureen O'Hara. There is a real chemistry between them and the producers appear to have grasped this connection. This "Miracle" is told much more from their respective points of view and in that sense is much more their story than in the original. Wilson brings a focus and intensity to her roles that few child actors can match. She gave a similar performance the next year in Matilda. Perkins is one of those actresses you don't really notice at first, memorable in "Big" and "Speak" for performances filled with subtle nuances.
It is no surprise that Richard Attenborough falls short of the Edmund Gwenn standard but that was Gwenn's signature role; and as much a part of cinema history as Gregory Peck's Atticus Finch. But look for the sequence where Wilson pulls his beard and discovers it is real-this is one of the great all-time scenes.
As long as Perkins and/or Wilson are being featured, the film works quite well. And it really only stumbles seriously during the courtroom scene and during the subplot elements featuring James Remar and Jane Leeves. The film staggers along a bit but recovers itself in time for an original and very effective conclusion. As Roger Ebbert said, while it will never replace the original; this is a sweet, gentle, good-hearted film that stays true to the spirit of the original and doesn't try to make everything slick and exploitative.
Then again, what do I know? I'm only a child.