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| Tim Roth | ... | Joshua Shapira | |
| Edward Furlong | ... | Reuben Shapira | |
| Moira Kelly | ... | Alla Shustervich | |
| Vanessa Redgrave | ... | Irina Shapira | |
| Paul Guilfoyle | ... | Boris Volkoff | |
| Natalya Andreychenko | ... | Natasha | |
| Maximilian Schell | ... | Arkady Shapira | |
| David Vadim | ... | Sasha | |
| Mina Bern | ... | Grandma Tsilya | |
| Boris McGiver | ... | Ivan | |
| Mohammed Ghaffari | ... | Pahlevi | |
| Michael Khmurov | ... | Yuri | |
| Dmitry Preyers | ... | Victor | |
| David Ross | ... | Anatoly | |
| Ron Brice | ... | Man with one leg | |
| Jace Kent | ... | Mechanic | |
| Marianna Lead | ... | Clara | |
| Gene Ruffini | ... | Janitor | |
| rest of cast listed alphabetically: | |||
| Leonid Citer | (as Leonid Uscher) | ||
| Tuesday Knight | ... | Actress on Television (uncredited) | |
Directed by | |||
| James Gray | |||
Writing credits(in alphabetical order) | ||
| James Gray | writer | |
Produced by | |||
| Claudia Lewis | .... | executive producer | |
| Rolf Mittweg | .... | executive producer | |
| Kerry Orent | .... | co-producer | |
| Paul Webster | .... | producer | |
| Nick Wechsler | .... | executive producer | |
Original Music by | |||
| Dana Sano | |||
Cinematography by | |||
| Tom Richmond | |||
Film Editing by | |||
| Dorian Harris | |||
Casting by | |||
| Douglas Aibel | |||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Judy Rhee | |||
Set Decoration by | |||
| Charles Ford | |||
Costume Design by | |||
| Michael Clancy | |||
Makeup Department | |||
| Karen Nichols | .... | key hair stylist | |
| Karen Nichols | .... | key makeup artist | |
Production Management | |||
| Christopher Goode | .... | production manager | |
| Michael J. Harker | .... | post-production supervisor | |
| Lisa Rosen | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Steve Apicella | .... | first assistant director | |
| David M. Cox | .... | second assistant director | |
| David 'Wex' Wechsler | .... | second second assistant director | |
Art Department | |||
| Annie Ballard | .... | on-set dresser | |
| Dave Dearberg | .... | property master | |
| Danny Rovira | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Ulrika Akander | .... | dialogue editor | |
| Tony Cappelli | .... | sound editor | |
| Fred Cipriano | .... | sound effects editor | |
| Susan Dudeck | .... | adr editor | |
| Gary Gegan | .... | sound re-recording mixer | |
| Jeanne Gilliland | .... | boom operator | |
| Lewis Goldstein | .... | supervising sound editor | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| David Jobe | .... | foley mixer | |
| John A. Larsen | .... | supervising sound editor | |
| Tom Paul | .... | production sound mixer | |
| Alicia Stevenson | .... | foley artist | |
Special Effects by | |||
| Drew Jiritano | .... | special effects | |
| John Stifanich | .... | special effects | |
Stunts | |||
| Roy Farfel | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Tony Arnaud | .... | dolly grip | |
| David Burroughs | .... | best boy grip | |
| Prashant Gupta | .... | still photographer | |
| Margaret Heidenry | .... | grip | |
| Jonathan Mintz | .... | key grip | |
| Yiannis Samaras | .... | assistant camera: second unit | |
| Eric Schmidt | .... | gaffer | |
| Emelia Stockdale | .... | first assistant camera | |
| Andrew T. Watts | .... | best boy electric | |
| Elizabeth Wick | .... | second assistant camera (as Liz Wick) | |
Casting Department | |||
| Jordan Beswick | .... | casting assistant | |
| Kalev Kuusoeks | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Kevin Donaldson | .... | costume assistant | |
| Victoria Farrell | .... | assistant costume designer | |
| Joan Kaufman | .... | assistant costume designer | |
Editorial Department | |||
| Jeffrey Ford | .... | assistant editor | |
| Brian Johnson | .... | first assistant editor | |
Music Department | |||
| Dick Bernstein | .... | music editor (as Richard Bernstein) | |
| Richard Henderson | .... | music coordinator | |
| Philip Tallman | .... | music editor | |
Transportation Department | |||
| Bobby Marsh | .... | driver | |
Other crew | |||
| Gavin J. Behrman | .... | set production assistant | |
| Suzanne Celeste | .... | dialect coach: Tim Roth | |
| Eddy Collyns | .... | location manager | |
| Brian David Fisher | .... | production assistant | |
| Teri Kane | .... | unit publicist | |
| Sarah Lindborg | .... | location assistant | |
| Victoria McGarry | .... | production coordinator | |
| Andy Muller | .... | office runner | |
| Margo Myers | .... | production accountant | |
| Julie Oppenheimer | .... | script supervisor | |
| Andrew Saxe | .... | assistant location manager | |
| Mimi Turner | .... | production assistant | |
| Rick Washburn | .... | firearms | |
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| The Godfather: Part II | Mahler | Sunshine | Mark of the Spur | The Assassination of Richard Nixon |
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I saw this movie at a quite low age, I consider it one of the films that evoked my passion for this art form. This film is very bare, very raw yet somehow harmonious, as well. The violence is very well depicted, in a very cold & frightful way. This is a film without any greater hope, without any greater optimism of our future. A rapid & haunting way of showing the true face and consequences of brutal violence. Intensively and artistically this film displays a chaotic & desperate family, a destiny very honest and very haunting. Cinematography is stunning, as is the environment, which very well defines the fundamental characteristics of this film, cold, naked, intense & raw. Great debut by the very promising James Gray.