The Hudsucker Proxy (1994)

User Rating:

7.4/10   

Director:

Joel Coen

Writers:

Ethan Coen (written by) &
Joel Coen (written by) ...

Release Date:

11 March 1994 (USA)

Genre:

Comedy | Drama | Fantasy | Romance

Tagline:

A Comedy of Invention.

Plot:

A naive business graduate is installed as president of a manufacturing company as part of a stock scam.

Plot Keywords:

Stock | Reporter | Suicide | Business | Frisbee

Awards:

2 wins & 3 nominations

Cast

Tim Robbins	...	Norville Barnes
Jennifer Jason Leigh	...	Amy Archer
Paul Newman	...	Sidney J. Mussburger
Charles Durning	...	Waring Hudsucker
John Mahoney	...	Chief
Jim True-Frost	...	Buzz (as Jim True)
Bill Cobbs	...	Moses
Bruce Campbell	...	Smitty
Harry Bugin	...	Aloysius
John Seitz	...	Benny
Joe Grifasi	...	Lou
Roy Brocksmith	...	Board Member
John Wylie	...	Board Member
I.M. Hobson	...	Board Member
Gary Allen	...	Board Member

Also Known As:

Hudsucker - Der große Sprung (Germany)

MPAA:

Rated PG for mild language and thematic elements.

Runtime:

111 min

Country:

UK | Germany | USA

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.37 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:L | Portugal:M/12 | France:U | South Korea:15 | Brazil:12 | USA:PG (No. 32848) | Argentina:Atp | Australia:PG | Chile:TE | Finland:K-10 | Germany:6 | Italy:T | Spain:13 | Sweden:11 | UK:PG | Singapore:PG

Filming Locations:

Chicago, Illinois, USA

Company:

PolyGram Filmed Entertainment

Trivia:

In Raising Arizona (1987) (also directed by Joel Coen), factory workers could be seen wearing a uniform bearing the name "Hudsucker Industries". The Chief also says "Yeah, and if a frog had wings, it wouldn't bump it's ass a-hoppin", just as Nathan Arizona Sr did.

Goofs:

Continuity: When Norville and Musburger get into the elevator together, the elevator doors open in the middle. When they get out on the first floor, the elevator doors open from one side to the other.

Quotes:

[addressing his troops]
Chief Editor Manhattan Argus: The Einstein of Enterprise. The Edison of Industry. The Billion Dollar Cranium. Idea Man. And not one of you mugs has given me a story on him! Bunch of lame-brained... Facts, figures, charts! They never sold a newspaper! I read this morning's edition of the Argus and let me tell you something: I'd wrap a fish in it...

Movie Connections:

Referenced in "Friends: The One Where Monica and Richard Are Just Friends (#3.13)" (1997)

Soundtrack:

In A Sentimental Mood

"Long Live The Hud!"

Another fascinating piece from the Coen Brothers, 'The Hudsucker Proxy' is an homage to the films of the 1930s. From the grey faux-Gothic cityscape to the over-the-top acting and rapid fire dialogue to the subdued colors to the stark sets, this film hearkens back to an earlier era of films.

The plot is simple enough. When company president Waring Hudsucker commits suicide, the board of directors, led by the deliciously evil Sidney J. Mussburger (Paul Newman) determines to devalue the stock by putting a 'shmoe' in charge of the company so that when the late Hudsucker's controlling interest in stock hits the market in 30 days, Mussburger's cabal can snap it up on the cheap. Enter shmoe Norville Barnes (Tim Robbins). Jennifer Jason Leigh is the newspaper reporter who infiltrates Hudsucker Industries under the guise of secretary, and is Barnes' love interest in the film.

Robbins performs more than adequately but is outshone by terrific performances by Newman and, in particular, by Leigh, who absolutely nails this role. Her saucy, lilt of the tongue is wonderful; she simply oozes sensual sass, and all in the very decent parameters of decades gone by in Hollywood.

Other highlights of the film include - the wonderful sets, where less is more; the usual Coen cinematography, which makes the film a visual delight above and beyond acting and plot; the clock (an unbilled role, in a sense). Curious characters pop up and return – Buzz the Elevator Operator, the Clock Maintainer, and many others. And, of course … that clock!

As will all Coen brothers films, this one calls me to see it again, as I always seem to discover new elements when watching their works for the second, third, fourth times, and beyond. A very worthwhile film – enjoy!

7 out of 10