| Kate Vernon | ... | Amanda Grace | |
| Robert Prentiss | ... | Charlie | |
| William Lawrence Allen | ... | Slim | |
| Greg Stone | ... | Graham | |
| Berlinda Tolbert | ... | Sasha Taylor | |
| Shanti Kahn | ... | Female Fan | |
| Max Gail | ... | Jasper Stone | |
| Stacie Bourgeois | ... | Sharon | |
| Lou Diamond Phillips | ... | Mick Burroughs | |
| Adam Roarke | ... | Robert Turner | |
| Karla Montana | ... | Maria | |
| Efrain Figueroa | ... | Home Owner (as Efran Figueroa) | |
| Andrew Divoff | ... | Johnnie | |
| Richard D'Alessandro | ... | Dino | |
| Monique Parent | ... | Nicole | |
| Ira Heiden | ... | Benny | |
| Michael Welden | ... | Male Fan | |
| Janet Zappala | ... | Herself | |
| Jeff Nokes | ... | Wade | |
| Irene Forrest | ... | Maid | |
| Mitch Pileggi | ... | Vince | |
| Tom Dugan | ... | Freddie | |
| Dale Ducko | ... | Waiter |
Directed by | |||
| Lou Diamond Phillips | |||
Writing credits | ||
| Kurt Voss | (writer) & | |
| Lou Diamond Phillips | (writer) | |
Original Music by | |||
| Terry Plumeri | |||
Cinematography by | |||
| Eric J. Goldstein | |||
| James Lemmo | |||
Film Editing by | |||
| Christopher Rouse | |||
Casting by | |||
| Donna Ekholdt | |||
Production Design by | |||
| John Krenz Reinhart Jr. | |||
Art Direction by | |||
| Don Diers | |||
Set Decoration by | |||
| Stephanie Sandston | |||
Costume Design by | |||
| Shanna Knecht | |||
Makeup Department | |||
| Dianne O. | .... | hair stylist: Berlinda Tolbert | |
| Dianne O. | .... | makeup artist: Berlinda Tolbert | |
| Malanie J. Romero | .... | key makeup artist | |
| Michael White | .... | key hair stylist | |
Production Management | |||
| Karen Dare | .... | executive in charge of production | |
| Liz Wartenberg | .... | production manager: second unit | |
| Cami Winikoff | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jim Goldthwait | .... | second assistant director | |
| Heather Kritzer | .... | second second assistant director | |
| Adam C. Taylor | .... | first assistant director | |
Art Department | |||
| Andrew Baron | .... | storyboard artist | |
| Barbara Anne Bock | .... | storyboard artist | |
| Tony Bonaventura | .... | property master | |
| Mark F. Dennett | .... | assistant property master | |
| Matthew Gilbert | .... | on-set dresser | |
| Matthew Gilbert | .... | swing gang (as Matthew Louis Gilbert) | |
| Natalie Kaluza | .... | lead person | |
Sound Department | |||
| Peter Burgess | .... | sound effects editor | |
| Steve Burgess | .... | dubbing mixer | |
| Gerard Long | .... | foley artist | |
| Glenn Newnham | .... | dialogue editor | |
| Geoffrey Patterson | .... | sound mixer | |
| Roger Savage | .... | dubbing mixer | |
| Craig Woods | .... | boom operator | |
Special Effects by | |||
| David Domeyer | .... | special effects | |
| G. Bruno Stempel | .... | special effects | |
Stunts | |||
| Jeff Cadiente | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Keith Banks | .... | first assistant camera | |
| Hank Baumert Jr. | .... | second second assistant camera | |
| Brian Berlin | .... | grip | |
| Anthony Lee Beverly | .... | electrician | |
| Billy Bosson | .... | key grip | |
| Sara Burka | .... | camera intern | |
| R. Adam Chambers | .... | best boy electric | |
| Brian Crane | .... | best boy grip | |
| Mike Flaningam | .... | dolly grip | |
| Alan Frazier | .... | lamp operator | |
| Héctor G. Gallardo | .... | generator operator | |
| David Luckenbach | .... | Steadicam operator | |
| Michael Lyon | .... | electrician | |
| Cathy Mahoney | .... | camera intern | |
| Kevin McNeil | .... | grip | |
| Ralph Merzbach | .... | video assistant operator | |
| Nancy Nathan | .... | second assistant camera | |
| Karen L. Ogle | .... | still photographer | |
| Randall Ott | .... | best boy electric (as C. Randall Ott) | |
| G.L. Phipps | .... | gaffer | |
| Scott Webb | .... | gaffer | |
| David L. Whitham | .... | grip | |
Costume and Wardrobe Department | |||
| Karen Abouab | .... | costume supervisor | |
Editorial Department | |||
| Mark Fitzgerald | .... | associate editor | |
| Gina Gallo | .... | assistant editor | |
| Ray Morfino | .... | color timer | |
| Wendy Smith | .... | assistant editor | |
| Heidi Zellner | .... | negative cutter | |
Music Department | |||
| Rick Winquest | .... | music scoring mixer | |
Other crew | |||
| Lon Gowan | .... | set production assistant | |
| Julie Hannum | .... | production secretary | |
| Debbie Henry | .... | trainer: Lou Diamond Phillips | |
| Michelle McGuire | .... | production coordinator: second unit | |
| Carole J. Meyer | .... | assistant accountant | |
| Monica Neshat | .... | craft service | |
| Diane H. Newman | .... | script supervisor (as Diane Hassinger Newman) | |
| David Schladweiler | .... | key set production assistant | |
| Ivan E. Schwarz | .... | location manager | |
| Cliff Simms | .... | assistant: Lou Diamond Phillips | |
| Sabrina Sipantzi | .... | production coordinator | |
| Mark Trapenberg | .... | location assistant | |
| Kyle Lee Van Horn | .... | office production assistant | |
| Michael Vogler | .... | production accountant | |
| Cory Williams | .... | set production assistant | |
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| Midnight Tease | Color of Night | Mercy | When Will I Be Loved | Forbidden Sins |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb USA section | Add this title to MyMovies |
...is so weird for me to think of! Although it seems almost pornographic at times, given the context of the lead's profession(sex therapist)and the fiery relationship with LDP, I grew up on this movie. I kept finding it on HBO when I was like 8...on vacation in motel rooms, at our house when HBO mysteriously started appearing for free and we didn't complain. And I taped it one night, and then watched it a few other times. It's an odd childhood favorite, LOL, but it's up there on my list with The Little Mermaid, Jurassic Park, and E.T. =) It's a good movie for a lazy Sunday in bed with your lover/spouse bc the plot is somewhat interesting and entertaining, both leads are fairly attractive, and it will almost certainly encourage sex to occur before the credits role. Don't expect miracles from this movie, but it's worth a look. Not what I would classify as 'family viewing'!!