| Photos (see all 9 | slideshow) | Videos |
| Taylor Nichols | ... | Ted Boynton | |
| Chris Eigeman | ... | Fred Boynton | |
| Tushka Bergen | ... | Montserrat Raventos | |
| Mira Sorvino | ... | Marta Ferrer | |
| Pep Munné | ... | Ramone | |
| Hellena Schmied | ... | Greta | |
| Núria Badia | ... | Aurora Boval | |
| Thomas Gibson | ... | Dickie Taylor | |
| Jack Gilpin | ... | The Consul | |
| Pere Ponce | ... | Young doctor | |
| Laura López | ... | Nuria (Ted's assistant) | |
| Francis Creighton | ... | Frank Robinson | |
| Edmon Roch | ... | Javier | |
| Diana Sassen | ... | Woman (shootings in America) | |
| Àngels Bassas | ... | Woman (jazz) | |
| Elisenda Bautesta | ... | Woman (USO bombing) | |
| Andrea Montero | ... | 1st Trade Fair Girl | |
| Fred Degen | ... | Jurgen | |
| Paca Barrera | ... | Plain princess | |
| Nico Baixas | ... | Victor (hangar trumpeter) | |
| Gerardo Seeliger | ... | Dr. Ribo (weekending doctor) (as Gerardo Selliger) | |
| Mercè Puy | ... | Hospital nurse | |
| Rosa Grifell | ... | Hospital nurse | |
| Francesco X. Canals | ... | Marta's other guy | |
| Juan Martinez-Lage | ... | Terrorist gunman | |
| Isabel Ruiz de Villa | ... | Sevillanas dancer | |
| Montserat Zubiria | ... | Sevillanas dancer (as Montserrat Zuriguel) | |
| Gabriela Tubella | ... | Cool Barcelonan | |
| Leopoldo Pomés Jr. | ... | Cool Barcelonan | |
| Ana Sans | ... | Cool Barcelonan | |
| Elizabeth Sans | ... | Cool Barcelonan | |
| Carina Murtra | ... | Cool Barcelonan | |
| Helena Garrabou | ... | Cool Barcelonan | |
| Nacho Fontcuberta | ... | Cool Barcelonan | |
| Silvia Loewe | ... | Cool Barcelonan | |
| Florencio Sueldo | ... | Cool Barcelonan | |
| Toni Priante | ... | Cool Barcelonan | |
| Ines Ventos | ... | Cool Barcelonan | |
| Debbon Ayer | ... | Betty | |
| George H. Beane | ... | Prof. Thompson | |
| James Shaw | ... | Schoolboy actor | |
| Stillman Finley | ... | Schoolboy actor | |
| George Andrew Johnston | ... | Schoolboy actor | |
| Gordon Pennoyer | ... | Schoolboy actor | |
| George Sim Johnston | ... | IHSMOCO salesman | |
| Russell Pennoyer | ... | IHSMOCO salesman | |
| J. Harden Rose | ... | Audiotape voice | |
| Jonni Bassiner | ... | Catalan businessman | |
| Alexander Mantel | ... | Young Ted at lake | |
| Gavin Kovaks | ... | Young Fred at Lake | |
| Wayne Carney | ... | Jack of IHSMOCO | |
| rest of cast listed alphabetically: | |||
| Joan Frank Charansonnet | ... | (uncredited) | |
Directed by | |||
| Whit Stillman | |||
Writing credits(in alphabetical order) | ||
| Whit Stillman | writer | |
Produced by | |||
| Edmon Roch | .... | associate producer | |
| Cecilia Kate Roque | .... | associate producer | |
| Whit Stillman | .... | producer | |
| Victoria Borrás | .... | line producer (uncredited) | |
| Antonio Llorens | .... | producer (uncredited) | |
| Rosa Romero | .... | line producer (uncredited) | |
| Jordi Tusell | .... | producer (uncredited) | |
Original Music by | |||
| Mark Suozzo | |||
Cinematography by | |||
| John Thomas | |||
Film Editing by | |||
| Christopher Tellefsen | |||
Casting by | |||
| Billy Hopkins | |||
| Simone Reynolds | |||
Production Design by | |||
| José María Botines | |||
Costume Design by | |||
| Edi Giguere | |||
Makeup Department | |||
| Ana Álvarez | .... | assistant makeup artist: second unit | |
| Rose Benavides | .... | hair stylist: second unit | |
| Laura Casellas | .... | assistant makeup artist | |
| Margarida Font | .... | hair stylist (as Margarita Font) | |
| Pilar Gatius | .... | makeup artist: second unit | |
| M. Consuelo Jiménez | .... | assistant hair stylist: second unit (as Consuelo Jimenez) | |
| Chass Llach | .... | makeup artist | |
Production Management | |||
| Fernando Marqueríe | .... | production manager (as Fernando Marquerie) | |
Art Department | |||
| Blanca Francoli | .... | associate art director | |
| Juan Martinez-Lage | .... | decoration assistant | |
| Margalida Obrador | .... | props | |
| Margalida Obrador | .... | set dresser | |
| Carlos Orta | .... | assistant set dresser | |
| Jordi Yrla | .... | associate art director | |
Sound Department | |||
| Felipe Aragó | .... | sound assistant (as Felipe Alejandro Arago) | |
| Catherine Benedek | .... | sound editor | |
| Catherine Benedek | .... | supervising sound editor | |
| Nancy Cabrera | .... | foley artist | |
| Louis Cerborino | .... | dialogue editor | |
| Tom Foligno | .... | assistant sound editor (as Thomas Foligno) | |
| Dani Fontrodona | .... | boom operator (as Daniel Fontrodona) | |
| Dan Korintus | .... | dialogue editor (as Daniel Korintus) | |
| Jaime Meléndez | .... | sound assistant (as Jaume Melendez) | |
| Licio Marcos de Oliveira | .... | sound (as Lício Marcos de Oliveira) | |
| Misako Shimizu | .... | apprentice sound editor | |
| L. Mark Sorre | .... | apprentice sound editor | |
| Dominick Tavella | .... | sound re-recording engineer | |
| Robert S. Warren | .... | stereo sound consultant: Dolby | |
| Paul J. Zydel | .... | foley engineer (as Paul Zydel) | |
Special Effects by | |||
| Reyes Abades | .... | special effects | |
Visual Effects by | |||
| Deborah Mann | .... | titles and opticals: The Effects House | |
| Michael Ventresco | .... | titles and opticals: The Effects House | |
Camera and Electrical Department | |||
| Jorge Benavent | .... | camera car | |
| Dani Blanco | .... | electrician | |
| Teresa Burgos | .... | focus puller | |
| Javier Costa | .... | electrician | |
| Michele Curel | .... | still photographer | |
| Pablo León | .... | electrician (as Pablo Leon) | |
| Emili Llorach | .... | additional photographer | |
| Emili Llorach | .... | camera operator | |
| Enrique López Quesada | .... | video assist operator (as Enrique Lopez) | |
| Adrián Lorente | .... | electrician (as Adrian Lorente) | |
| Bob Marshak | .... | still photographer | |
| Enrique Martinez | .... | electrician | |
| Andrés Moral | .... | electrician (as Andres Moral) | |
| Segismundo Mulero | .... | key grip | |
| Jaume Peracaula | .... | additional photographer | |
| Apolinar Ramiro | .... | lighting technician (as A. Ramiro) | |
| Poli Ramiro hijo | .... | electrician (as Poli Ramiro) | |
| Eric Schwarz | .... | camera loader (as Erik Schwarz) | |
| Marta Sentís | .... | still photographer (as Marta Sentis) | |
| Pete Sloan | .... | video assist operator | |
Casting Department | |||
| Kathleen Chopin | .... | additional casting | |
| Marta Perez-Porro | .... | extras casting | |
| Joanna Servia | .... | additional extras casting | |
| Consol Tura | .... | additional casting | |
| Marta Valsecchi | .... | additional casting | |
Costume and Wardrobe Department | |||
| Francisca Naharro | .... | wardrobe supervisor (as Ms. Francisca Naharro) | |
| Beatriz Pérez Porro | .... | assistant costume designer (as Beatriz Perez-Porro) | |
Editorial Department | |||
| Nico Baixas | .... | assistant editor | |
| Tim Brennan | .... | negative cutter | |
| Andrew Hafitz | .... | first assistant editor | |
| Marçal Mora | .... | apprentice editor: Spain | |
Music Department | |||
| Lou Christie | .... | special music collaborator | |
| Leopoldo Pomés Jr. | .... | music consultant (as Leopoldo Pomes Jr.) | |
| Ted Spencer | .... | music mixer | |
| Ted Spencer | .... | music recordist | |
Transportation Department | |||
| Angel Blancas | .... | driver | |
| José Antonio Cerezo | .... | driver (as Jose Antonio Cerezo) | |
| Jordi Cortes | .... | driver | |
| Mario Garcia | .... | driver | |
| Vicente Hurtado | .... | driver | |
| Jaume Juncosa | .... | transportation manager | |
Other crew | |||
| Ana Ayesta | .... | production assistant | |
| Jonni Bassiner | .... | accountant | |
| Jonni Bassiner | .... | associate accountant | |
| Chapman Bellan | .... | insurance: D.R. Reiff & Assocs. | |
| Sonia Beltrán | .... | production secretary (as Sonia Beltran) | |
| Claire Best | .... | continuity | |
| Lisa Brigantino | .... | rights clearance: BZ Rights | |
| Xavier Espalade | .... | provider: ants | |
| Becky Evarts | .... | provider: Ted's BMW | |
| Jim Evarts | .... | provider: Ted's BMW | |
| Brian Gibbs | .... | accountant | |
| Brian Gibbs | .... | supervising accountant | |
| Marcos Jové | .... | location manager (as Marc Jove) | |
| Yolanda Marqueríe | .... | production coordinator (as Yoli Marquerie) | |
| Allan R. McKinnon | .... | coordinator: USA | |
| Russell Pennoyer | .... | supervisor: Westerly Films | |
| Irene Perez-Porro | .... | additional dialogue | |
| Irene Perez-Porro | .... | supervisor: Spanish elements | |
| Pam Shaw | .... | title designer: Louise Fili Ltd. | |
| John Sloss | .... | legal services: Sloss Law Office | |
| Robert Snow | .... | medical consultant (as Dr. Robert Snow) | |
| Pere Tresserras | .... | medical consultant (as Dr. Pere Tresseras) | |
| Peter Turner | .... | production assistant | |
| Inmaculada Umbert | .... | legal services: Estudio Legal | |
| Maurici Valldeperas | .... | production assistant (as Mauricio Valldeperas) | |
| Mauricio Vallderperas | .... | production assistant | |
| Aurora Yúfera Ponte | .... | production secretary (as Aurora Yufera) | |
| Marta Rigau | .... | pre-production coordinator (uncredited) | |
Thanks | |||
| Francisco Blazquez | .... | special thanks | |
| Valerie Carney | .... | special thanks | |
| Nash Castro | .... | special thanks | |
| Federico Correa | .... | special thanks | |
| Eduardo Criado | .... | special thanks | |
| Jordi Daude | .... | special thanks | |
| Christy Dimmig | .... | special thanks | |
| Carmen Figerola | .... | special thanks | |
| Elena Gaminde | .... | special thanks | |
| Mark Ginsberg | .... | special thanks | |
| Josep Maria Godia | .... | special thanks | |
| Ralph D. Griffin | .... | special thanks | |
| Robert Lambert | .... | special thanks | |
| Ramón Martos | .... | special thanks (as Ramon Martos) | |
| Feli Miguel | .... | special thanks | |
| Alfonso Mila | .... | special thanks | |
| Richard Milligan | .... | special thanks | |
| Leonardo Morena | .... | special thanks | |
| Julian Moreno | .... | special thanks | |
| Bill Nisselson | .... | special thanks | |
| Don Nolan | .... | special thanks | |
| Eric Rayman | .... | special thanks (as Erik Rayman) | |
| Tony Romano | .... | special thanks | |
| Calvin Stillman | .... | special thanks | |
| Doris Stillman | .... | special thanks | |
| Linda Stillman | .... | special thanks | |
| Margaret Stillman | .... | special thanks | |
| Emili Villardo | .... | special thanks | |
| Joe Violante | .... | special thanks (as Joey Violante) | |
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| L'auberge espagnole | Apocalypse Now | Michael | The Hunt for Red October | Vicky Cristina Barcelona |
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This very unusual movie exudes such charm and creates a great well of sympathy for its anxious and innocent central characters.
They find themselves throughout in worlds they find alien - a world of puerile anti-Americanism, of foreign women, and either commercial sales or the Navy ("well, you were ROTC, weren't you?" said disparagingly to a former bond trader now Navy officer).
The movie is very funny, the main American characters very likeable, naive, impressionable and voluble, the Spanish male character and several of the Spanish female characters, enjoyably detestable in every way.
There were two things I particularly enjoyed. First, every American who has lived in Europe for any period of time will find the movie rings all kinds of bells of memory - the woeful ignorance but insufferable patronizing tone of Europeans discoursing on American history and politics (e.g., the whole discourse on the "terrible union AFL-CIA that subverted democratic movements in Europe" is a hoot). Many young Europeans have exhibited since the War such an astonishing combination of ignorance, facile categorization and jealousy toward American life, history and policy that the American finds himself suddenly overwhelmed by both uninformed European prejudice and an astonishing unwillingness to be educated about a country that Americans obviously know far better than the lecturers. This movie is almost a tribute to that suffering.
Second, this movie is a nice antidote to the usual pedestal-placing of women, particularly foreign women, as the pawns of men. In this, the women are FAR more predatory and exhibit a deceit that is commonplace in most movies about male wolfishness. It's nice to see the tables turned.
The movie is also quite good on the relationship between two young Chicago men - and the way in which their lives as children affect their continuing view of each other - and how that changes.
The movie is off-beat, and has a peculiar pace. Do pay attention because there are about 5 female characters who are easy to confuse. Do see it- you'll enjoy it. (Oh, and in contradiction to the reviewer below, I think it quite normal, though funny, for a man to happen to speak - even though still in bed - to a girlfriend about his worry that he may be shaving the wrong way).