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| Photos (see all 8 | slideshow) | Videos (see all 3) |
| James Earl Jones | ... | Narrator (voice) |
Directed by | |||
| George Casey | |||
Writing credits(in alphabetical order) | ||
| George Casey | writer | |
| Mose Richards | writer | |
Cinematography by | |||
| Andrew Kitzanuk | (director of photography) | ||
Film Editing by | |||
| Tim Huntley | |||
Production Management | |||
| Matthew Geer | .... | production manager | |
| Gerald Grossman | .... | post-production supervisor | |
Sound Department | |||
| Tim Archer | .... | sound effects editor | |
| Tim Archer | .... | sound re-recording engineer | |
| Rob Bertola | .... | sound effects editor | |
| Erin Casey | .... | location sound recordist | |
| Sean M. Casey | .... | location sound recordist | |
| Gary Daprato | .... | foley artist | |
| Patrick Flynn | .... | audio transfer: Riverton Productions | |
| Jim Frank | .... | sound re-recording executive | |
| Alan Lindley | .... | audio transfer: Riverton Productions | |
| Steven Toepell | .... | foley recordist (as Steve Toepell) | |
| Mark Wright | .... | sound re-recording engineer | |
Visual Effects by | |||
| Jay Cox | .... | optical supervisor: Imagica USA, Inc. | |
| Linda Giella | .... | opticals: Imagica USA Inc. | |
| Koji Ichihashi | .... | opticals: Imagica USA Inc. | |
| Tetsuo Kawano | .... | optical camera (for Imagica USA, Inc.) (as Tetsue Kawano) | |
| Alan G. Markowitz | .... | visual effects supervisor: Imagica USA | |
| P. Christopher Reyna | .... | opticals (for Imagica USA, Inc.) (as Christopher Reyna) | |
| Tim Sassoon | .... | titles and effects | |
Camera and Electrical Department | |||
| Sean M. Casey | .... | photographer: second unit | |
| Marc Ehrenbold | .... | assistant camera | |
| Rodney Taylor | .... | assistant camera | |
| Denny Tedesco | .... | key grip | |
Editorial Department | |||
| Bob Alosco | .... | video editor: Sunset Post | |
| Jon Archer | .... | post-production coordinator | |
| Ron Burdett | .... | video editor: Sunset Post | |
| James Carney | .... | assistant editor | |
| Jodee Housholder | .... | video editor: Sunset Post | |
| Brian Hutchings | .... | video editor: Sunset Post | |
| Kathy Lewis | .... | video editor: Sunset Post | |
| Nelson Mah | .... | video editor: Sunset Post | |
| Dan Muscarella | .... | color timer: CFI | |
| Joe Yates | .... | video editor: Sunset Post | |
Music Department | |||
| George Cadebe | .... | composer: song "Mother Africa Reprise" | |
| James Carney | .... | music sweetener | |
| Tim Huntley | .... | music editor | |
Other crew | |||
| Bob Alosco | .... | video transfers: Sunset Post | |
| Jock Anderson | .... | consultant | |
| Ron Burdett | .... | video transfers: Sunset Post | |
| David Bygote | .... | consultant | |
| Richard Estes | .... | principal science consultant (as Dr. Richard Estes) | |
| Jodee Housholder | .... | video transfers: Sunset Post | |
| Robin Hurt | .... | consultant | |
| Brian Hutchings | .... | video transfers: Sunset Post | |
| Barbara Jampel | .... | consultant | |
| George Johnson | .... | prints: CFI, Hollywood | |
| Mary Leakey | .... | consultant | |
| Phil Ledeboer | .... | prints: CFI, Hollywood | |
| Kathy Lewis | .... | video transfers: Sunset Post | |
| Adrian Luckhurst | .... | consultant | |
| Nelson Mah | .... | video transfers: Sunset Post | |
| Richard Matthews | .... | consultant | |
| George Mavroudis | .... | consultant | |
| John Scott | .... | consultant (as Jonathan Scott) | |
| A.R.E. Sinclair | .... | consultant (as Dr. A.R.E. Sinclair) | |
| Simon Trevor | .... | consultant | |
| Hugo Van Lawick | .... | consultant | |
| Adrian Warren | .... | consultant | |
| Jack West | .... | prints: CFI, Hollywood | |
| Joe Yates | .... | video transfers: Sunset Post | |
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| Whales: An Unforgettable Journey | Alaska: Spirit of the Wild | Africa's Elephant Kingdom | Ring of Fire | The Greatest Places |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
Like any nature-log you might see on Animal Planet. But bigger.
The photography is stunning, but somehow I left the theater thinking that they could have made a much more exciting film. Despite the killing scenes, it overall had a serene feel.
And what was up with the balloon people and the tribesmen? Quite tangential and not really belonging with the animal stuff. There wasn't even really much of a connection. At not least one that we saw depicted.
I think films like this are a waste of the IMAX medium. I would never knock natural beauty, but why do you need IMAX for that? For REALLY BIG natural beauty? No, the wonderful thing about IMAX is the ability to make you feel like you're there. So SCARE me! Put my heart in my mouth! To see the medium utilized to the fullest, see "NASCAR 3-D."