True Romance (1993)

User Rating:

7.9/10   

Director:

Tony Scott

Writer:

Quentin Tarantino (written by)

Release Date:

10 September 1993 (USA)

Genre:

Crime | Romance | Thriller

Tagline:

Stealing, Cheating, Killing. Who said romance is dead?

Plot:

Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.

Plot Keywords:

Pimp | Coke | Cocaine | Hollywood | Gangster

Awards:

6 nominations

Cast

Christian Slater	...	Clarence Worley
Patricia Arquette	...	Alabama Whitman
Dennis Hopper	...	Clifford Worley
Val Kilmer	...	Mentor
Gary Oldman	...	Drexl Spivey
Brad Pitt	...	Floyd - Dick's Roommate
Christopher Walken	...	Vincenzo Coccotti
Bronson Pinchot	...	Elliot Blitzer
Samuel L. Jackson	...	Big Don
Michael Rapaport	...	Dick Ritchie
Saul Rubinek	...	Lee Donowitz
Conchata Ferrell	...	Mary Louise Ravencroft
James Gandolfini	...	Virgil
Anna Levine	...	Lucy (as Anna Thomson)
Frank Adonis	...	Frankie

Also Known As:

Breakaway (Philippines: English title)
True Romance (France)

MPAA:

Rated R for strong violence and language, and for sexuality and drug use.

Runtime:

120 min | USA:121 min (unrated director's cut)

Country:

USA | France

Language:

English | Italian

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby

Certification:

Netherlands:16 (DVD rating) | Finland:(Banned) (original rating) | Iceland:16 | Philippines:R-18 | Canada:18A (British Columbia) (1999) | Canada:R (Manitoba/Nova Scotia/Ontario) | Argentina:16 | Australia:R | Denmark:15 | Finland:K-18 | France:-16 | Germany:18 | Hong Kong:III | New Zealand:R18 | Norway:18 | Peru:18 | Singapore:M18 (re-rating) | Singapore:NC-16 (edited for re-rating) | Singapore:R(A) (original rating) | South Korea:18 | Spain:18 | Sweden:15 | UK:18 (director's cut) | USA:R | USA:Unrated (director's cut)

Filming Locations:

Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, California, USA

Company:

Morgan Creek Productions

Trivia:

In the DVD commentary, Quentin Tarantino admits that this is the most autobiographical movie he has ever made.

Goofs:

Revealing mistakes: When Clarence's father, Clifford is shot in the head, in a brief close-up front view, a red splatter appears on his forehead but with no kind of wound visible.

Quotes:

[first lines]
Clarence Worley: In Jailhouse Rock he was everything rockabilly's about. I mean, he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothing except rockin' and rollin', living fast, dying young and leaving a good-looking corpse.

Movie Connections:

References Taxi Driver (1976)

Soundtrack:

All The Way

Enough memorable scenes and talented stars to fuel a half a dozen blockbusters.

With at least 12 `starring actors' in character and supporting rolls, half of them legends or mega stars; this Tarantino tale defies a short review. The different levels on which this movie works are impressive. As a love story we begin to believe that the quirky `loser' couple is unconditionally bound together. As a pseudo `film noir' we begin to care about the fate of the central characters. In the suspense/thriller/crime drama mode there are plenty twists and turns to push us to the edge and pull us back just in time. The action scenes are deliciously violent and unlike most other films, this one gives us pinches of humor sprinkled in amidst the mayhem. Even `the King' alter ego is woven in credibly enough to improve our understanding of the Clarence Worley character.

The plot, albeit original, fresh and mesmerizing, seems somehow secondary to the characters and the characterizations. Any of several rolls could have been performed over the top by what seemed to be an ensemble cast. But director Scott lets the talent go just far enough. Even the remainder of the supporting cast is wonderful; Saul Rubinek in particular does a terrific job as the puffed-up/ego-feeding movie producer. Hollywood missed giving this movie and its cast proper recognition.

With enough memorable scenes and talented stars to fuel a half a dozen blockbusters, True Romance gives us the `best bang for our buck' in years. The Walken/Hopper scene alone is worth the `price of admission' not to mention the Gandolfini/Arquette and Slater/Oldman match ups. This can only be described as a `wonderfully wicked movie' for its tantalizing content, smart dialog and toothsome violence.

Put the kiddies to bed, be prepared for rough language, adult themes and graphic violence and enjoy a `not for the faint of heart' masterpiece.