| Photos (see all 9 | slideshow) | Videos |
| Elias Koteas | ... | Casey Jones / Whit | |
| Paige Turco | ... | April O'Neil | |
| Stuart Wilson | ... | Walker | |
| Sab Shimono | ... | Lord Norinaga | |
| Vivian Wu | ... | Mitsu | |
| Mark Caso | ... | Leonardo | |
| Matt Hill | ... | Raphael | |
| Jim Raposa | ... | Donatello | |
| David Fraser | ... | Michaelangelo | |
| Henry Hayashi | ... | Kenshin | |
| John Aylward | ... | Niles | |
| Mak Takano | ... | Benkei (Honor Guard #1) | |
| Steve Akahoshi | ... | Honor Guard #2 (as Steven Getson Akahoshi) | |
| Kent Kim | ... | Honor Guard #3 | |
| Ken Kensei | ... | Honor Guard #4 | |
| Travis A. Moon | ... | Yoshi | |
| Tad Horino | ... | Grandfather | |
| Glen Chin | ... | Jailer | |
| Koichi Sakamoto | ... | Young Priest | |
| Tracy Patrick Conklin | ... | Sam | |
| Edmund Stone | ... | Dave | |
| Jeff Kawasugi | ... | Murata | |
| Phil Chong | ... | Rider | |
| Yeon Kim | ... | Blacksmith | |
| Robbie Rist | ... | Michaelangelo (voice) | |
| Brian Tochi | ... | Leonardo (voice) | |
| Tim Kelleher | ... | Raphael (voice) | |
| James Murray | ... | Splinter (voice) | |
| Corey Feldman | ... | Donatello (voice) |
Directed by | |||
| Stuart Gillard | |||
Writing credits(WGA) | ||
| Kevin Eastman | (characters) & | |
| Peter Laird | (characters) | |
| Stuart Gillard | (written by) | |
Produced by | |||
| David Chan | .... | producer | |
| Raymond Chow | .... | executive producer | |
| Roberta Chow | .... | associate producer | |
| Kim Dawson | .... | producer | |
| Thomas K. Gray | .... | producer | |
| Terry Morse Jr. | .... | co-producer | |
Original Music by | |||
| John Du Prez | |||
Cinematography by | |||
| David Gurfinkel | |||
Film Editing by | |||
| William D. Gordean | |||
| James R. Symons | |||
Production Design by | |||
| Roy Forge Smith | |||
Art Direction by | |||
| Mayne Berke | |||
Set Decoration by | |||
| Ronald R. Reiss | |||
Costume Design by | |||
| Dodie Shepard | |||
Makeup Department | |||
| Steven Mack | .... | hair department head | |
| Martha Preciado | .... | makeup artist | |
Production Management | |||
| Art Levinson | .... | unit production manager | |
| Terry Morse Jr. | .... | production manager | |
Art Department | |||
| Heath Berke | .... | set dresser | |
| Jo Brown | .... | head scenic | |
| Bruce Robert Hill | .... | set designer | |
| Joel Jaspan | .... | carpenter | |
| Terry Kempf | .... | construction general foreman | |
| Allen Lafferty | .... | plaster foreman | |
| Allen Lafferty | .... | sculptor | |
| Charles R. Lipscomb | .... | lead man | |
| Michael McCombe | .... | head greensman | |
| Michael Sexton | .... | property master: second unit | |
| Mike Smithson | .... | character sculptor | |
| Bob Warner | .... | painter | |
| Toni J. Wolf | .... | scenic artist | |
Sound Department | |||
| Kevin Bartnof | .... | foley artist | |
| Michael C. Casper | .... | sound re-recording mixer | |
| Dino Dimuro | .... | sound effects editor | |
| Giovanni Di Simone | .... | sound mixer: second unit | |
| Richard Dwan Jr. | .... | adr editor | |
| Richard Dwan Jr. | .... | dialogue editor | |
| Tom Gerard | .... | sound re-recording mixer | |
| Scott Martin Gershin | .... | sound designer | |
| Ellen Heuer | .... | foley artist | |
| Robert Janiger | .... | sound mixer | |
| Larry Kemp | .... | supervising sound editor | |
| Kraig Kishi | .... | boom operator: second unit | |
| Mark Lanza | .... | sound effects editor | |
| George W. Scott | .... | boom operator | |
| Marshall Winn | .... | sound editor | |
Special Effects by | |||
| Eric Allard | .... | creature effects supervisor | |
| Tony Allard | .... | special effects technician | |
| Gary D. Bierend | .... | animatronics technician | |
| Joseph P. Mercurio | .... | special effects | |
| Vincent Montefusco | .... | special effects: 2nd unit-pyro/mech | |
| Dawn M. Severdia | .... | special effects makeup coordinator | |
| Beecher Tomlinson | .... | special effects | |
Visual Effects by | |||
| Jesse Silver | .... | matte artist | |
Stunts | |||
| Barbara Bernhardt | .... | stunts | |
| Will Cascio | .... | stunts | |
| Phil Chong | .... | stunts | |
| Dale Frye | .... | stunts | |
| Danny E. Glover | .... | stunts | |
| Steven Ho | .... | turtle fight double: Donatello | |
| Shishir Inocalla | .... | turtle fight double: Michaelangelo (as Allan Shishir Inocalla) | |
| Pat E. Johnson | .... | stunt coordinator | |
| Larry Lam | .... | turtle fight double: Leonardo (as Harry Lam) | |
| Gary Lauder | .... | stunts | |
| Bruce Le | .... | stunt coordinator | |
| Alan Liu | .... | stunts | |
| Bobby Lovgren | .... | stunts | |
| Anthony Marquez | .... | stunts | |
| David McKeown | .... | stunts | |
| Billy Morts | .... | stunts (as William Morts) | |
| Ho Sung Pak | .... | turtle fight double: Raphael | |
| Ho Young Pak | .... | stunts | |
| Nick Palma | .... | stunts | |
| James Pratt | .... | stunts (as Jim Pratt) | |
| Danny Virtue | .... | horse stunts staging | |
| Danny Virtue | .... | stunts | |
| Mark Warrick | .... | stunts (as Mark Warrack) | |
| Bill Shaw | .... | stunt fighter (uncredited) | |
Camera and Electrical Department | |||
| Robert Isenberg | .... | still photographer | |
| Brett Mabry | .... | electrician | |
| Rexford L. Metz | .... | director of photography: second unit | |
| Jason Newton | .... | company grip | |
| Louis Niemeyer | .... | first assistant camera: second unit | |
| Daniel Pershing | .... | dolly grip | |
| Reinhart 'Rayteam' Peschke | .... | gaffer | |
| Frank Scheidbach | .... | best boy | |
| Joseph D. Steuben | .... | camera operator | |
| Rick Whitfield | .... | video assist coordinator | |
Costume and Wardrobe Department | |||
| Marienne O'Brien | .... | set costumer | |
| Peter Greenwood | .... | effects costume technician (uncredited) | |
Editorial Department | |||
| Joe Fineman | .... | post-production consultant | |
| John Hendrickson | .... | assistant apprentice editor | |
| Margaret Liu | .... | apprentice editor | |
Music Department | |||
| Baltimora | .... | composer: song "Tarzan Boy" | |
| Brad Dechter | .... | orchestrator | |
| Larry Mah | .... | score mixer | |
Transportation Department | |||
| Scott Doyle | .... | transportation | |
Other crew | |||
| Mark Bakunas | .... | production accountant | |
| Barbara Bernhardt | .... | assistant martial arts choreographer (as Barbara Goldstone) | |
| Daniel S. Frisch | .... | production accountant | |
| Pat E. Johnson | .... | martial arts choreographer | |
| David Lai | .... | technical advisor | |
| Chia-Liang Liu | .... | technical advisor | |
| Joe Lotito | .... | production assistant: second unit | |
| Rick Lyon | .... | animatronic puppeteer: "Donatello" | |
| Karon May | .... | script supervisor | |
| Peter D. Steinbroner | .... | production associate | |
| Chris Tsongas | .... | production assistant | |
| Danny Virtue | .... | horse wrangler (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Oh dear, if you're diabetic then I would seriously advise against watching this film. It' so sugary it'll rot the brain right out of your head.
Why on earth Eastman and Laird allowed this to be made is beyond me. It's soooooooo far removed from their black and white comic book. Okay, I know the cartoon series was too but the first movie did have a hard edge to it. I mean, take a look at the cover-the Turtles are smiling and happy. Then look a cover of one of the original comic books. They're almost always gritting their teeth and frowning. THAT'S how it should be. Not like this.
Even the animatronics look fake. The first 2 had a rather believable Splinter but now he's juddering and stiff and obviously operated by a couple of technicians loitering a few feet off camera. His voice is also totally different and he seems a touch more upbeat and lively. HARDLY the way Splinter is supposed to be.
The plot itself defies logic and there are massive holes all over the place. With such a dramatic change in locale from New York to Fuedal Japan you'd think the movie would take advantage of that and go nuts with imagination.
But sadly not. It just...goes nowhere. I mean, what is the deal with the character of Whit. Why does he look like the great, great, great grandfather of Casey Jones.
In fact, the return of Casey is the only reason I am not giving this a 1-star rating. It's a pretty wretched movie but Elias Koteas can make it a tiny bit less unbearable.
Hopefully the new cartoon show and the possibility of another (harder) movie will cancel this one out. It's nothing but dated, mindless fodder for under-fives. At the risk of repeating myself; this is NOT how the Turtles should be.
Extras are almost non-existent but the animated menus are cool. The 1.85:1 anamorphic picture is in pretty good shape but the Dolby 5.1 track isn't up to much I'm afraid. The film was originally recorded in Dolby SR so this is obviously a remastering job. It's just adequate is all I'm saying.