| Photos (see all 33 | slideshow) | Videos (see all 2 NEW) |
Directed by | |||
| David M. Evans | (as David Mickey Evans) | ||
Writing credits(WGA) | ||
| David M. Evans | (written by) (as David Mickey Evans) & | |
| Robert Gunter | (written by) | |
Produced by | |||
| Mark Burg | .... | executive producer | |
| Dale De La Torre | .... | producer (as Dale de la Torre) | |
| William S. Gilmore | .... | producer | |
| Robert Gunter | .... | associate producer | |
| Cathleen Summers | .... | executive producer | |
| Chris Zarpas | .... | executive producer | |
Original Music by | |||
| David Newman | |||
Cinematography by | |||
| Anthony B. Richmond | |||
Film Editing by | |||
| Michael A. Stevenson | |||
Casting by | |||
| Shari Rhodes | |||
Production Design by | |||
| Chester Kaczenski | |||
Art Direction by | |||
| Marc Dabe | |||
Set Decoration by | |||
| Judi Sandin | |||
Costume Design by | |||
| Grania Preston | |||
Makeup Department | |||
| Leslie Ann Anderson | .... | hair stylist | |
| Jillian Glass | .... | assistant hair stylist | |
| Joel Harlow | .... | special makeup effects artist | |
| James MacKinnon | .... | lab makeup effects | |
| Karl Wessen | .... | makeup artist | |
Production Management | |||
| Frederic W. Brost | .... | unit production manager | |
| Dan Genetti | .... | post-production supervisor | |
Art Department | |||
| Lisa Eager | .... | set dresser | |
| Star Fields | .... | construction coordinator | |
| Darrin Fletcher | .... | storyboard artist | |
| Mark 'Digger' Green | .... | first assistant props (as 'Digger' Mark Green) | |
| Terry Haskell | .... | prop master | |
| James Higginson | .... | lead man | |
| Arlan Jewell | .... | sketch artist (as Arlen Jewell) | |
| Erin E. Mattes | .... | art department coordinator | |
| James Passanante | .... | paint supervisor | |
| Tom Southwell | .... | conceptual artist | |
Sound Department | |||
| Brent Brewington | .... | boom operator | |
| Paul B. Clay | .... | supervising sound editor | |
| Gary Cunningham | .... | production sound mixer | |
| Victoria S. Cunningham | .... | boom operator (as Victoria Cunningham) | |
| Cameron Frankley | .... | sound effects editor | |
| Marilyn Graf | .... | foley mixer | |
| Susan Kurtz | .... | sound effects editor | |
| Jonathon 'Earl' Stein | .... | sound mixer | |
| Dean St. John | .... | adr recordist | |
| Mike Szakmeister | .... | dialogue editor | |
Special Effects by | |||
| Federico Cervantes | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| James Clark | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Robert Clark | .... | mechanical dog effects | |
| Matt Croteau | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| John J. Downey | .... | special effects foreman | |
| David Fedele | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Jeff Himmel | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Lynette Johnson | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Rick Lazzarini | .... | animatronic monster dog effects | |
| Rick Lazzarini | .... | special effects supervisor | |
| John Lundberg | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Douglas Noe | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Mich'l Rios | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Jonathan Spence | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Mark Tavares | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Cliff Wenger | .... | special effects | |
| Stephanie Wise | .... | beast creature effects: Rick Lazzarini's Character Shop | |
| Dan Frye | .... | special effects crew: The Character Shop (uncredited) | |
Visual Effects by | |||
| Pete Hanson | .... | studio manager: CFC | |
| Adam Howard | .... | visual effects animator | |
| Adam Howard | .... | visual effects compositor | |
| Mark Nelmes | .... | digital compositor | |
Stunts | |||
| Daniel W. Barringer | .... | stunts (as Dan Barringer) | |
| Keith Campbell | .... | stunts | |
| Charles Croughwell | .... | utility stunts (as Charlie Croughwell) | |
| Phil Culotta | .... | stunts | |
| Randy Fife | .... | stunts | |
| George Fisher | .... | stunts | |
| Bill Hart | .... | stunts | |
| Orwin C. Harvey | .... | stunts (as Orwin Harvey) | |
| Lane Leavitt | .... | stunts | |
| Gene LeBell | .... | stunts | |
| Eddie Matthews | .... | stunt player | |
| Phil Minsky | .... | stunts | |
| John Moio | .... | stunt coordinator | |
| Glade Quinn | .... | stunts | |
| Walter Robles | .... | stunts (as Walt Robles) | |
| John Robotham | .... | stunts | |
| George Marshall Ruge | .... | stunts | |
| Brian Smrz | .... | stunts | |
| Jack West | .... | utility stunts | |
| Brian J. Williams | .... | stunts | |
| Bob Yerkes | .... | stunts | |
Camera and Electrical Department | |||
| John Bramley | .... | still photographer | |
| Matt Broten | .... | grip | |
| Art Brown | .... | first assistant camera | |
| Bill L. Burwell | .... | electrician | |
| Chris Godfrey | .... | best boy grip | |
| Ellis M. James | .... | grip (as Ellis James) | |
| Buzz Jochheim | .... | key grip | |
| Rory Robert Knepp | .... | camera operator (as Rory R. Knepp) | |
| Rory Robert Knepp | .... | camera operator: "a" camera | |
| Timberlake Lewis | .... | second assistant camera | |
| Russ Lyster | .... | gaffer | |
| Ron Nix Jr. | .... | dolly grip | |
| Michael G. Riba | .... | first assistant camera (as Mike Riba) | |
| George Richmond | .... | second assistant camera | |
| Jonathan 'Chunky' Richmond | .... | camera loader (as Jonathan Richmond) | |
| Dave Sapp | .... | video assistant (as David G. Sapp) | |
| Ed Saxon | .... | dolly grip | |
| Rick Tiedeman | .... | Steadicam operator (as Rick Tiedemann) | |
| Rick Tiedeman | .... | camera operator: "b" camera | |
| Jon Tilton | .... | best boy electric | |
| David J. White II | .... | first assistant camera | |
Casting Department | |||
| Joseph Middleton | .... | casting associate | |
| Franklyn Warren | .... | extras casting | |
Costume and Wardrobe Department | |||
| Hala Bahmet | .... | costumer | |
| Lynda Foote | .... | costume supervisor | |
Editorial Department | |||
| Ron L. Brinkerhoff | .... | apprentice editor (as Ron Brinkerhoff) | |
| Laure Brost | .... | second assistant editor | |
| Carl Graham | .... | first assistant editor | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Bonnie Greenberg | .... | music consultant | |
| Bonnie Greenberg | .... | music coordinator | |
| Jill Meyers | .... | music consultant | |
| Randy Miller | .... | orchestrator | |
| William Ross | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
Transportation Department | |||
| Shane Greedy | .... | transportation captain | |
| Jerry Sidwell | .... | driver | |
Other crew | |||
| Ben Chamberlin | .... | toasted cheeser | |
| Bundy Chanock | .... | set medic | |
| Deborah A. Cornett | .... | production accountant | |
| Jennifer French | .... | production assistant/ construction | |
| Vincent G. Gonzales | .... | key set production assistant | |
| Nancy Govednik | .... | first assistant accountant | |
| Cleve Hall | .... | puppeteer | |
| Rob Harris | .... | unit publicist | |
| Rebecca Poulos | .... | script supervisor (as Becca Poulos) | |
| Brian Simpson | .... | puppeteer | |
| David B. Smith | .... | location manager | |
| Steven C. Ward | .... | assistant production coordinator | |
| Mark Weatherbe | .... | puppeteer (as Mark N. Weatherbe) | |
| Dennis Williams | .... | location manager | |
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| Slaughterhouse-Five | Mystic River | Calendar Girl | Stand by Me | Die Blechtrommel |
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This is a truly amazing film. It's a very good family film that can be enjoyed by BOTH your kids and yourself! That's rare, as often "family films" have too much smutty language or sexual situations for kids OR are so saccharine sweet that sane adults would prefer suicide over watching the films (think Disney in the 1960s).
The film isn't quite a comedy, though there are really funny moments in it (such as the evil dog that eats baseballs). And, it's not exactly a drama. It's more like an occasionally surreal slice of life film about the good old days of the late 50s-early 60s. It's about a group of kids that live to play baseball--and that's all they ever seem to want to do! Despite this very simple plot, somehow the excellent acting, direction and writing make you really care about the kids and it engages you from start to finish.