| Photos (see all 13 | slideshow) |
| Kent McCord | ... | Col. John Reynolds | |
| James T. Callahan | ... | Col. Peck | |
| Sarah Douglas | ... | Lt. Col. Sinclair | |
| Melinda Clarke | ... | Julie Walker (as Mindy Clarke) | |
| Abigail Lenz | ... | Mindy | |
| J. Trevor Edmond | ... | Curt Reynolds | |
| Jill Andre | ... | Dr. Beers (Chief Scientist) | |
| Michael Decker | ... | Science technician | |
| Billy Kane | ... | Waters (Sentry) | |
| Mike Moroff | ... | Santos | |
| Julian Scott Urena | ... | Mogo (as Fabio Urena) | |
| Pía Reyes | ... | Alicia | |
| Sal Lopez | ... | Felipe | |
| Dana Lee | ... | Store owner | |
| Michael Deak | ... | Cop #1 | |
| Michael Northern | ... | Squad soldier | |
| Basil Wallace | ... | Riverman | |
| Joe Sikorra | ... | Squad leader | |
| David Wells | ... | Laboratory technician | |
| Clarence Epperson | ... | Cadaver | |
| Anthony Hickox | ... | Dr. Hickox (as Tony Hickox) | |
| Brian Peck | ... | Ballistics technician | |
| rest of cast listed alphabetically: | |||
| Rob Hampton | ... | Barrel Corpse (uncredited) | |
| Christopher Landry | ... | Military Policeman (uncredited) | |
| Gary Schmoeller | ... | Base Captain (uncredited) | |
Directed by | |||
| Brian Yuzna | |||
Writing credits(WGA) | ||
| John Penney | (written by) | |
Produced by | |||
| Lawrence Steven Meyers | .... | executive producer | |
| John Penney | .... | associate producer | |
| Gary Schmoeller | .... | producer | |
| Brian Yuzna | .... | producer | |
Original Music by | |||
| Barry Goldberg | |||
Cinematography by | |||
| Gerry Lively | |||
Film Editing by | |||
| Christopher Roth | |||
Production Design by | |||
| Anthony Tremblay | |||
Art Direction by | |||
| Aram Allan | |||
Set Decoration by | |||
| Greg Bartkus | |||
Costume Design by | |||
| Jananicole Mincer | |||
Makeup Department | |||
| Kevin Brennan | .... | special makeup effects artist | |
| Lisa Buono | .... | key hair stylist | |
| Lisa Buono | .... | makeup department head | |
| Steve Johnson | .... | special makeup effects | |
| Silvina Knight | .... | hair stylist (as Silvi Labrador) | |
| Silvina Knight | .... | makeup artist (as Silvi Labrador) | |
| Christopher Allen Nelson | .... | special makeup effects artist (as Christopher Nelson) | |
| Rodney Petreikis | .... | prosthetic effects crew: Max Effects | |
| Timothy Ralston | .... | special makeup effects artist | |
| Wayne Toth | .... | special makeup effects artist | |
Production Management | |||
| Russell D. Markowitz | .... | production manager | |
| David Tripet | .... | executive in charge of production | |
| Cami Winikoff | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Steve Buhai | .... | additional second assistant director (as Steven Buhai) | |
| Steve Cowie | .... | additional second assistant director | |
| Christopher Landry | .... | second assistant director | |
| Tom Milo | .... | first assistant director | |
| Thomas C. Rainone | .... | second unit director | |
Art Department | |||
| Guy Belegaud | .... | carpenter | |
| John Harrington | .... | property master | |
| Matthew Haynes | .... | carpenter | |
| Ross H. Martin | .... | art department intern (as Ross Martin) | |
| Will Meugniot | .... | storyboard artist | |
| Jason Nunes | .... | props | |
| Danny Ronay | .... | set painter | |
| M. Christopher Roy | .... | carpenter | |
| Mark Schouten | .... | carpenter | |
| Pete von Sholly | .... | storyboard artist (as Peter Von Shelly) | |
Sound Department | |||
| Frank Fleming | .... | sound recordist | |
| Stacey A. Foiles | .... | sound effects editor | |
| Geoffrey Patterson | .... | sound mixer (as Geoffrey Lucius Patterson) | |
| Steve Rice | .... | dialogue editor | |
| Craig Woods | .... | boom operator | |
| David Lewis Yewdall | .... | supervising sound editor | |
| Lisa Howes Yewdall | .... | sound coordinator | |
Special Effects by | |||
| Elaine Alexander | .... | prosthetic effects crew: Max Effects | |
| Trevor Alyn | .... | sculpture and design: Wayne Toth Productions | |
| John Axford | .... | prosthetic effects crew: Max Effects | |
| Norman Cabrera | .... | sculpture and design: Wayne Toth Productions | |
| Jackie Caydam | .... | prosthetic effects crew: XFX Inc. | |
| Bill Corso | .... | prosthetic effects crew: XFX Inc. | |
| Matt Croteau | .... | sculpture and design: Wayne Toth Productions | |
| Diane Duncan | .... | prosthetic effects crew: XFX Inc. | |
| David Dupuis | .... | prosthetic effects crew: XFX Inc. | |
| Earl Ellis | .... | prosthetic effects crew: Nelson EFX | |
| Jake Garber | .... | lab technician: Corn Ltd. | |
| David Greathouse | .... | prosthetic effects crew: Max Effects | |
| Greg Hanigan | .... | special effects set decorator | |
| Glen Hanz | .... | sculptor: Corn Ltd. | |
| Nori Honda | .... | prosthetic effects crew: XFX Inc. | |
| Leon Laderach | .... | prosthetic effects crew: XFX Inc. | |
| Bart Mixon | .... | animation effects assistant to Bret Mixon | |
| Brian Rae | .... | lead lab technician: Wayne Toth Productions | |
| Thomas C. Rainone | .... | special effects production supervisor | |
| Dan Rebert | .... | prosthetic effects crew: Max Effects | |
| Charles Rivera | .... | prosthetic effects crew: Nelson EFX | |
| Chris Robbins | .... | sculpture and design: Wayne Toth Productions (as Christopher Robbins) | |
| Shaun Smith | .... | prosthetic effects crew: XFX Inc. | |
| Joseph Young | .... | prosthetic effects crew: Max Effects | |
Visual Effects by | |||
| Larry Arpin | .... | optical effects | |
| Susan Cavent | .... | model maker | |
| Phillip Hartmann | .... | model maker (as Phillip C. Hartman) | |
| Bret Mixon | .... | special effects animation | |
| Ted Van Dorn | .... | model maker | |
| Thomas Zell | .... | model maker | |
Stunts | |||
| Monty L. Simons | .... | stunts | |
Camera and Electrical Department | |||
| Russ Brandt | .... | camera operator | |
| John Dorsett | .... | grip | |
| Michael Graff | .... | grip | |
| Robert Knouse | .... | director of photography: second unit | |
| Eric H. Lasher | .... | still photographer | |
| Adam Santelli | .... | gaffer | |
| Taylor Evan Sparks | .... | electrician | |
| Jerry Watson | .... | director of photography: second unit | |
| Ignacio Woolfolk | .... | electrician (as Nacho Woolfolk) | |
Casting Department | |||
| Mindy Johnson | .... | casting associate | |
Editorial Department | |||
| Douglas Crise | .... | assistant film editor | |
| Keith H. Sauter | .... | first assistant editor | |
| Jordan Thau | .... | assistant editor | |
Other crew | |||
| Kevin Brennan | .... | creator: prosthetic effects for "Gang Band" | |
| John Douglas | .... | production assistant | |
| Jeff Himmel | .... | puppeteer | |
| Steve Johnson | .... | creator: prosthetic effects for "Julie" | |
| Mike Jolly | .... | puppeteer | |
| Luke Khanlian | .... | laboratory technician | |
| Jake McKinnon | .... | laboratory technician | |
| Christopher Allen Nelson | .... | creator: prosthetic effects (as Christopher Nelson) | |
| Timothy Ralston | .... | creator: prosthetic effects for "Riverman Endoskeleton" | |
| Jeff Rubenstein | .... | location manager | |
| Edwin Stalter | .... | production assistant | |
| Wayne Toth | .... | creator: prosthetic effects for "Zombies in the Barrels" | |
| Robert E. Watson | .... | laboratory technician | |
| Nicholas Worth | .... | laboratory technician | |
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| Dawn of the Dead | Day of the Dead | Bride of Re-Animator | Braindead | Alien: Resurrection |
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Teen army brat Curt (J. Trevor Edmond) is so in love with wild, sexy punkette Julie (Mindy Clarke) that he decides not to let her untimely death in a motorcylce accident keep them apart. Thankfully his father (Kent McCord) works at a top-secret military lab experimenting on bringing the dead back to life. Curt sneaks in and uses the "Trioxin" gas to revive Julie, then spends the rest of the movie watching helplessly in horror at her mental and physical deterioration and increasing hunger for human flesh!
Having very little to do with the two previous comic RETURN titles helps Part III overcome familiarity, while director Brian Yuzna delivers loads of brain-munching horror without losing sight of the compelling, tragic central romance. Excellent FX work by Steve Johnson and many others, including Julie's amazing transformation from whimpering ghoul to multi-pierced, S&M femme fatale zombie queen.
This film was released in R and unrated versions. Shoot for the latter.
Score: 7 out of 10