| Photos (see all 16 | slideshow) | Videos |
| Catherine Deneuve | ... | Emilie | |
| Daniel Auteuil | ... | Antoine | |
| Marthe Villalonga | ... | Berthe | |
| Jean-Pierre Bouvier | ... | Bruno | |
| Chiara Mastroianni | ... | Anne | |
| Carmen Chaplin | ... | Khadija | |
| Anthony Prada | ... | Lucien | |
| Michèle Moretti | ... | La directrice | |
| Jacques Nolot | ... | L'homme du cimetière | |
| Bruno Todeschini | ... | L'homme de l'hôpital | |
| Jean Bousquet | ... | Le père d'Emilie | |
| Roschdy Zem | ... | Medhi | |
| Ingrid Caven | ... | La femme du bar |
Directed by | |||
| André Téchiné | |||
Writing credits(in alphabetical order) | ||
| Pascal Bonitzer | writer | |
| André Téchiné | writer | |
Produced by | |||
| Alain Sarde | .... | producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Thierry Arbogast | |||
Film Editing by | |||
| Martine Giordano | |||
Casting by | |||
| Philippe Landowski | |||
Production Design by | |||
| Carlos Conti | |||
Costume Design by | |||
| Claire Fraisse | |||
Makeup Department | |||
| Loli Avellanas | .... | hair stylist (as Lolita Avellanas) | |
| Michel Deruelle | .... | makeup consultant | |
| Cédric Gérard | .... | makeup artist | |
| Agathe Moro | .... | key hair stylist | |
Production Management | |||
| Jean-Jacques Albert | .... | production manager | |
| Eric Duchêne | .... | assistant unit manager | |
| Arnaud Dupont | .... | unit manager | |
| Erwan Le Luron | .... | assistant unit manager | |
| Bruno Vignier | .... | assistant unit manager | |
Art Department | |||
| Jean-Philippe Boghossian | .... | props | |
| Renaud Colas | .... | property master | |
| Leonardo Haertling | .... | assistant property master | |
| Philippe Lacomblez | .... | assistant art director | |
| Daniel Mauvignier | .... | head painter | |
| David Morel De Saint Jean | .... | assistant art director | |
| Alain Pitrel | .... | set dresser | |
| Bérenice Rubel | .... | assistant property master | |
| Patrick Widdrington | .... | head carpenter | |
Sound Department | |||
| Yunus Acar | .... | sound assistant | |
| Rémy Attal | .... | sound | |
| Eric Ferret | .... | sound recordist | |
| Philippe Garnier | .... | sound assistant | |
| François Groult | .... | sound | |
| Michel Klochendler | .... | sound | |
| Jérôme Lévy | .... | sound effects | |
| Gérard Mailleau | .... | sound assistant | |
| Jean-Luc Marino | .... | assistant sound editor | |
| Pascal Mazière | .... | assistant foley artist | |
| Pascal Metge | .... | sound assistant | |
| Jean-Paul Mugel | .... | sound | |
| Bruno Tarrière | .... | sound mixer | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
| Bruno Vaillant | .... | special effects assistant | |
Stunts | |||
| Jean-Louis Airola | .... | stunts | |
Camera and Electrical Department | |||
| Paul-Claude Bessière | .... | key grip | |
| Pascale Ferradini | .... | second assistant camera | |
| Pierric Gantelmi d'Ille | .... | second assistant camera | |
| Claude Hirsch | .... | gaffer | |
| Jeanne Lapoirie | .... | camera operator | |
| Tariel Meliava | .... | first assistant camera | |
| Renaud Monziers | .... | grip (as Renaud Monzies) | |
| Alain Payet | .... | electrician: Toulouse | |
| Pascal Payet | .... | electrician: Toulouse | |
| Luis Peralta | .... | electrician | |
| Jacques Philipponeau | .... | electrician (as Jacques Philipponneau) | |
| Joël Toupense | .... | key grip | |
| Isabelle Weingarten | .... | still photographer | |
Costume and Wardrobe Department | |||
| Christiane Fageol | .... | head wardrobe | |
| Marie-Dominique Gerbet | .... | wardrobe | |
| Tess Hammami | .... | wardrobe assistant | |
| Tess | .... | costumer | |
Editorial Department | |||
| Yvan Lucas | .... | color timer | |
| Pierre Réali | .... | color timer | |
| Catherine Schwartz | .... | assistant editor | |
| Carole Verner | .... | trainee assistant editor | |
Other crew | |||
| Marylène Dastugue | .... | production secretary | |
| Christian Inizan | .... | groupman | |
| Nicole Lenfant | .... | production administrator | |
| Kim Nguyen | .... | script supervisor trainee | |
| Nausicaa Palau | .... | production secretary | |
| Dominique Segall | .... | press attache | |
| Claudine Taulère | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| Amazing film! | mooning_out_the_window |
| The end song. | scissorkick |
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| Le château de ma mère | Les roseaux sauvages | Les voleurs | Sunshine | Ceux qui m'aiment prendront le train |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
Once again I was watching a Téchiné film and found myself gaping with amazement at how terribly well the dialogues are written, and how incredibly well it is all acted (by Catherine Deneuve and Daniel Auteuil, which, I suppose, doesn't need any further explanation, but the others are also all excellent in their roles). Every single sentence is like a strike of the hammer on the consciousness of anyone who has experienced dysfunctional family life - and I think I'm not the only one.
What is more, after I went to bed, the thoughts just kept coming, unfolding from one another, leading to interrelations between the people, the situations, the conversations and also to conclusions, some of which might not even have been intended, but still fit perfectly into the mosaic of the film, because the director had a perfect vision and created a world that functions on its own.
It is a very atmospheric movie. It is artistic, but not in the abstract way - it's as down to earth as possible, as grounded in reality as it can be - and anyone who has been part of such a family will realise this instantly. It does suggest things, but then it also claims them, but in a language that puts into words the unsayable. Things get said out loud; still, it never sounds didactic or threadbare. It just portrays what IS; it never judges - as it is showing exactly how impossible it is to judge any human behaviour, when there are so many unseen forces in play behind it. And the real mystery is how on earth the film avoids being depressing... But it's Téchiné's secret, and I'm glad he has it.
I have never seen the complexity of human feelings and family relationships told so realistically, yet so sublimely before. If you only like action-packed blockbuster movies, this is definitely not for you. Otherwise, I can only recommend it, and it's a perfectly round 10.