| Photos (see all 20 | slideshow) | Videos |
| Brad Pitt | ... | Early Grayce | |
| Kathy Larson | ... | Teenage Girl (as Catherine Larson) | |
| David Milford | ... | Driver | |
| David Duchovny | ... | Brian Kessler | |
| John Zarchen | ... | Peter | |
| David Rose | ... | Eric | |
| Michelle Forbes | ... | Carrie Laughlin | |
| Tommy Chappelle | ... | Old Man | |
| Juliette Lewis | ... | Adele Corners | |
| Judson Vaughn | ... | Parole Officer | |
| James Michael McDougal | ... | John Diebold (as J. Michael McDougal) | |
| Patricia Sill | ... | Carol | |
| Brett Rice | ... | Police Officer | |
| Marisa Raper | ... | Little Girl | |
| Bill Crabb | ... | Middle Aged Farmer (as Bill Crabbe) | |
| Mary Ann Hagan | ... | Waitress | |
| Jerry G. White | ... | Gas Station Attendant | |
| Sarah Sullivan | ... | Bar Waitress | |
| Eric Stenson | ... | Young Cracker | |
| Mars Callahan | ... | Walter Livesy (as Gregory Mars Martin) | |
| Patricia Hunte | ... | Newscaster | |
| Loanne Bishop | ... | Female Officer | |
| Ron Kuhlman | ... | Male Officer | |
| Sierra Pecheur | ... | Mrs. Musgrave | |
| John Dullaghan | ... | Mr. Musgrave | |
| rest of cast listed alphabetically: | |||
| David Feigenbaum | ... | Young Biker (uncredited) | |
| Tom Hand | ... | College Student (uncredited) | |
| Shelby Hofer | ... | Waitress (uncredited) | |
| Patricia Tallman | ... | (uncredited) | |
Directed by | |||
| Dominic Sena | |||
Writing credits(WGA) | ||
| Stephen Levy | (story) & | |
| Tim Metcalfe | (story) | |
| Tim Metcalfe | (screenplay) | |
Produced by | |||
| Lynn Bigelow | .... | executive producer | |
| Steve Golin | .... | producer | |
| Gregory Goodman | .... | line producer | |
| Jim Kouf | .... | executive producer | |
| Aristides McGarry | .... | producer | |
| Mitch Sacharoff | .... | co-producer | |
| Kristine J. Schwarz | .... | co-producer | |
| Sigurjon Sighvatsson | .... | producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Bojan Bazelli | |||
Film Editing by | |||
| Martin Hunter | |||
Casting by | |||
| Carol Lewis | |||
Production Design by | |||
| Michael White | |||
Art Direction by | |||
| Jeff Mann | |||
Set Decoration by | |||
| Kate J. Sullivan | |||
Costume Design by | |||
| Kelle Kutsugeras | |||
Makeup Department | |||
| Michelle Bühler | .... | makeup artist | |
| Sandra Collins | .... | makeup assistant: Atlanta | |
| Beatrice De Alba | .... | hair stylist: Atlanta | |
| Denise Dellavalle | .... | assistant hair stylist | |
| Denise Dellavalle | .... | assistant makeup artist | |
| Bill Fletcher | .... | wig stylist: Atlanta | |
| André Freitas | .... | special makeup effects artist: Atlanta | |
| Carlos P. Freitas | .... | special makeup effects assistant | |
| Brent Lavett | .... | hair stylist | |
| Vonda K. Morris | .... | assistant hair stylist | |
| Barbara Olvera | .... | hair stylist | |
| Thomas E. Surprenant | .... | special makeup effects artist | |
| Cass McClure | .... | lab assistant (uncredited) | |
Production Management | |||
| Tim Clawson | .... | executive in charge of production | |
| Buddy Enright | .... | production supervisor | |
| Dan Radford | .... | post-production supervisor | |
Art Department | |||
| Peter Andrus | .... | art department swing | |
| Joe Connolly | .... | assistant property master | |
| Timothy Correa | .... | swing gang | |
| Tom Cortese | .... | property master | |
| Gerald D'Alesio | .... | lead man | |
| James A. Fleming | .... | swing gang (as James Fleming) | |
| Daniel B. Foster | .... | swing gang | |
| Gregory Gayheart | .... | set constructor | |
| Steve Guermo | .... | lead man | |
| Robert W. Harbour | .... | set designer | |
| Jason Dock Harrell | .... | carpenter: Atlanta | |
| Margaret Hungerford | .... | buyer | |
| Margaret Hungerford | .... | set dresser | |
| Riley 'Sean' Jones | .... | on-set dresser | |
| Riley 'Sean' Jones | .... | props | |
| Stacey R. Litoff | .... | art department coordinator | |
| Robert Tate Nichols | .... | swing gang: Atlanta | |
| Katie Pinholster | .... | art department buyer: Atlanta | |
| Don G. Smith | .... | set dresser | |
| Tom Spence | .... | art department swing | |
| Ann Stacy | .... | lead scenic artist: Atlanta | |
| Mary Stacy | .... | art department buyer: Atlanta | |
| Mike Swift | .... | storyboard artist | |
| Guy Tuttle | .... | set constructor: Atlanta | |
| Stephen Wallach | .... | swing gang | |
Special Effects by | |||
| James Burkart | .... | special effects assistant: Atlanta | |
| David Fletcher | .... | special effects driver: Atlanta | |
| Jeffrey Knott | .... | special effects | |
| Michael Schorr | .... | special effects | |
Stunts | |||
| Richard L. Blackwell | .... | stunt car technician: Atlanta Crew (as Rich Blackwell) | |
| Richard L. Blackwell | .... | stunts (as Richard Blackwell) | |
| Dan Bradley | .... | stunt coordinator | |
| Scott Alan Cook | .... | stunts (as Scott Cook) | |
| Edward Ellis | .... | stunts | |
| Dale Gibson | .... | stunts (as Robert 'Dale' Gibson) | |
| Maria R. Kelly | .... | stunts (as Maria Kelly) | |
| Randi Layne | .... | stunts | |
| J. Suzanne Rampe | .... | stunts (as Suzanne Rampe) | |
| Michael Schorr | .... | stunts (as Mike Schorr) | |
| Jim Stephan | .... | stunt car technician: Atlanta Crew (as Jim A. Stephan) | |
| Jim Stephan | .... | stunts | |
| Patricia Tallman | .... | stunts | |
Casting Department | |||
| Pat Golden | .... | casting: New York | |
| Shay Griffin | .... | casting: Atlanta | |
| Douglas Lambert | .... | casting associate | |
| Dee Voigt | .... | extras casting: Atlanta | |
| Diane Alexander | .... | extras casting assistant (uncredited) | |
| Chris Hanaford | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Kimberly Buckley | .... | wardrobe shopper: Atlanta | |
| Suzanne Costas | .... | wardrobe assistant | |
| Dina Laquaglia | .... | wardrobe supervisor | |
| Michelle Moder | .... | wardrobe assistant | |
| Bess Stansell | .... | on-set costumer | |
Editorial Department | |||
| Ulrika Akander | .... | additional assistant editor | |
| Laura M. Grody | .... | second assistant editor | |
| Dawn Michelle King | .... | second assistant editor | |
| Tracy Myers | .... | apprentice editor | |
| Keith Parrish | .... | color timer | |
| John Portnoy | .... | lightworks assistant | |
| Irene Schonwit | .... | first assistant editor | |
| Thor Sigurjonsson | .... | post-production assistant | |
| Boyd Steer | .... | negative cutter | |
| Lewis Schoenbrun | .... | assistant editor (uncredited) | |
Music Department | |||
| Scott Ansell | .... | scoring engineer | |
| Sharon Boyle | .... | music consultant: Polygram | |
| Carter Burwell | .... | musician: keyboards | |
| Edmund Choi | .... | assistant to composer | |
| Hearn Gadbois | .... | musician: percussion | |
| Geoffrey Gordon | .... | musician: percussion | |
| Barklie K. Griggs | .... | music coordinator | |
| Adam Maffei | .... | music coordinator | |
| Erik Horse Sanko | .... | musician: bass | |
| Dana Sano | .... | music coordinator | |
| Adam Milo Smalley | .... | music coordinator | |
| David Torn | .... | musician: guitar | |
Thanks | |||
| David Daugherty | .... | special thanks | |
| Deana Elwell | .... | special thanks | |
| Peter D. Graves | .... | special thanks (as Peter Graves) | |
| Rand Hoffman | .... | special thanks | |
| Ted MacKinney | .... | special thanks | |
| Miles Mogulescu | .... | special thanks | |
| Cheryl Nelson | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Jim Tauber | .... | special thanks | |
| Mark Wolfe | .... | special thanks | |
| Kurt Woolner | .... | special thanks | |
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| Wild at Heart | Natural Born Killers | The Departed | Lo strano vizio della Signora Wardh | Basic Instinct |
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I just got done watching "Kalifornia" on Showtime for the fourth time since I first saw it back in July of 2001. You would think that with the recent wave of serial killer films, that "Kalifornia" would be amongst some of the earlier films worthy of mention but hasn't. Perhaps if this film had been released sometime between like 1996-1999, maybe it might have been more successful. In my opinion, "Kalifornia" is much different from most serial killer films released during the late 1990s. It has an almost completely different atmosphere from most of today's serial killer films like "Seven" or "The Bone Collector". Many serial killer films have shown a killer but that person is always behind a mask or we never see enough of them to actually learn anything about them. "Kalifornia" is a film that actually tries to break through that barrier and actually understand the criminal mind. It tries to answer questions like "why do they do the things they do? Is it because of something that happened in their past? Does it make them feel superior or powerful? Or do they do it because they like the thrill of the kill?" These are some of the things that "Kalifornia" tries to answer but also leaves room for us to try and figure things out for ourselves. Brad Pitt makes an everlasting impression as Early Grayce. When we first meet Early in the beginning of the film, we see that he is obviously one disturbed individual. When we first see him, it's late at night. Early is possibly drunk. We then see him pick up a rock, throw it off a bridge, and it later lands on the windshield of a passing car. Pitt is fierce in this film. It is always good to see him when he plays psychos or really bad people. It's funny that this would later lead him play a true loon like in "12 Monkeys" and that he would be on the other end of the spectrum in David Fincher's "Seven".