| Videos (see all 2 NEW) |
| Keiko | ... | Willy | |
| Jason James Richter | ... | Jesse | |
| Lori Petty | ... | Rae Lindley | |
| Jayne Atkinson | ... | Annie Greenwood | |
| August Schellenberg | ... | Randolph Johnson | |
| Michael Madsen | ... | Glen Greenwood | |
| Michael Ironside | ... | Dial | |
| Richard Riehle | ... | Wade | |
| Mykelti Williamson | ... | Dwight Mercer | |
| Michael Bacall | ... | Perry | |
| Danielle Harris | ... | Gwenie | |
| Isaiah Malone | ... | Vector | |
| Betsy Toll | ... | Passerby #1 | |
| Rob Sample | ... | Passerby #2 | |
| Merrilyn Jones | ... | Passerby #3 | |
| Mickey Gaines | ... | Waiter | |
| Justin R. Hall | ... | Fish Thrower | |
| Robert M. Duque | ... | Fish Thrower | |
| Sam Samson | ... | Fish Thrower | |
| Willis Van Dusen | ... | Willis Van Dusen | |
| Tom Lasswell | ... | Brody | |
| Moultrie Patten | ... | Homeless Man | |
| Ed Murphy | ... | Homeless Man | |
| Jim Michaels | ... | Announcer | |
| rest of cast listed alphabetically: | |||
| Erik L. Nelson | ... | (uncredited) | |
Directed by | |||
| Simon Wincer | |||
Writing credits(WGA) | ||
| Keith Walker | (story) (as Keith A. Walker) | |
| Keith Walker | (screenplay) (as Keith A. Walker) and | |
| Corey Blechman | (screenplay) | |
Produced by | |||
| Richard Donner | .... | executive producer | |
| Penelope L. Foster | .... | co-producer | |
| Jennie Lew Tugend | .... | producer | |
| Mark Marshall | .... | associate producer | |
| Douglas C. Merrifield | .... | associate producer | |
| Arnon Milchan | .... | executive producer | |
| Lauren Shuler Donner | .... | producer (as Lauren Shuler-Donner) | |
| Richard Solomon | .... | co-producer | |
| Jim Van Wyck | .... | co-producer | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Robbie Greenberg | (director of photography) | ||
Film Editing by | |||
| O. Nicholas Brown | |||
Production Design by | |||
| Charles Rosen | |||
Art Direction by | |||
| Diane Yates | |||
Costume Design by | |||
| April Ferry | |||
Makeup Department | |||
| Whitney James | .... | key makeup artist | |
| Cheri Ruff | .... | hair stylist | |
| Pamela S. Westmore | .... | makeup artist | |
Production Management | |||
| Héctor López | .... | unit production manager | |
| Charles Skouras III | .... | unit production manager | |
Art Department | |||
| Christopher Amy | .... | first assistant property master | |
| Charles A. Carlsen | .... | propmaker | |
| Hugh Conlon | .... | construction general foreman | |
| Bruce J. Gfeller | .... | construction coordinator | |
| Sherman Labby | .... | production illustrator | |
| René Marquéz | .... | assistant property master | |
| Erik L. Nelson | .... | property master | |
| Michael Ruby | .... | painter | |
| Michael Ruby | .... | signwriter | |
| David Russell | .... | storyboard artist | |
| Sean Skelding | .... | set dressing | |
| Daniel Turk | .... | foreman | |
| Ken Erck | .... | paint foreman (uncredited) | |
| Benjamin Hayden | .... | set dresser (uncredited) | |
Sound Department | |||
| Tim Chau | .... | sound designer | |
| Tim Chau | .... | supervising sound editor | |
| Jim Hilton | .... | sound mixer | |
| William Jacobs | .... | sound editor | |
| Mary Jo Lang | .... | foley mixer | |
| John Roesch | .... | foley artist | |
| Greg P. Russell | .... | sound re-recording mixer | |
| Charles Ewing Smith | .... | sound editor | |
| Alicia Stevenson | .... | foley artist | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Bernard Weiser | .... | sound effects editor | |
| David Behle | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Ty Boyce | .... | animatronic whales | |
| Ty Boyce | .... | electrical/hydraulic designer | |
| Walt Conti | .... | effects supervisor: Whale | |
| Pieter Folkens | .... | killer whale designer/sculptor | |
| Thomas R. Ward | .... | special effects (as Tom Ward) | |
Visual Effects by | |||
| Tim Donahue | .... | matte painter | |
| Rick Rische | .... | matte painter | |
| David Stump | .... | effects director of photography | |
| John C. Wash | .... | visual effects supervisor | |
Stunts | |||
| Jake Lombard | .... | stunt performer | |
| Dennis Scott | .... | stunt coordinator | |
| Eric Sugden | .... | stunt performer | |
Camera and Electrical Department | |||
| Matthew E. Alper | .... | first assistant camera (as Matthew Alper) | |
| Ron Batzdorff | .... | still photographer | |
| Scott Fieldsteel | .... | best boy | |
| Daniel C. Gold | .... | first assistant camera | |
| Lisa Guerriero | .... | second assistant camera: "b" camera | |
| Conrad W. Hall | .... | camera operator | |
| Wes Houle | .... | set electrician | |
| Sunny Johnson | .... | grip | |
| Robin P. Knight | .... | key grip (as Robin Knight) | |
| Kyle T. MacDowell | .... | electrician | |
| Larry McConkey | .... | Steadicam operator | |
| Cynthia Pusheck | .... | assistant camera | |
| Dennis Smith | .... | Steadicam operator | |
| Daryl Steinkopf | .... | grip | |
| Bob Talbot | .... | cinematographer: wildlife | |
| Neil Toussaint | .... | second assistant camera | |
| Karl Linde | .... | assistant camera (uncredited) | |
Casting Department | |||
| Lynda Gordon | .... | casting | |
| Judy Taylor | .... | casting | |
| Megann Ratzow | .... | casting: Portland (uncredited) | |
Editorial Department | |||
| Brett Carroll | .... | assistant editor | |
| Bryan H. Carroll | .... | assistant editor | |
| Robert W. Hedland | .... | first assistant editor | |
| David Orr | .... | color timer | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Greig McRitchie | .... | orchestrator | |
| Thomas Milano | .... | music editor | |
| Basil Poledouris | .... | conductor | |
| Paul Wertheimer | .... | score recordist | |
| Greig McRitchie | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Arturo Curiel | .... | transportation captain | |
| Enrique Díaz | .... | driver | |
| Ricardo Díaz | .... | driver | |
| Alfonso Paredes | .... | driver (uncredited) | |
Other crew | |||
| Nina Axelrod | .... | talent searcher | |
| Matthew J. Birch | .... | assistant: Ms. Shuler-Donner | |
| Tawny Duel | .... | assistant production office coordinator | |
| Mike Fantasia | .... | location manager | |
| Laura Gary | .... | studio teacher | |
| Gary Gillingham | .... | production accountant | |
| Stacy Layne Kramer | .... | assistant accountant | |
| Jonas C. Matz | .... | set medic | |
| Kevin McDermott | .... | acting coach | |
| Jason Roberts | .... | assistant: Richard Donner | |
| Michael Singer | .... | unit publicist | |
| P.R. Tooke | .... | script supervisor | |
| Christa Vausbinder | .... | production associate | |
| Netta Bank | .... | representative: American Humane Association (uncredited) | |
| Bill Daly | .... | post-production accountant manager (uncredited) | |
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| Free Willy 2: The Adventure Home | Finding Nemo | Orca | Little Miss Sunshine | The Notebook |
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It might not be the Shawshank Redemption or an equally provocative and important movie. But it's touching. As a child it was my favorite movie and I'd watch it every day for a period of about 3 months. It made me cry, but it meant a lot to me. It might have it's corny moments, but kids like it, and my parents liked it too. Compared to a lot of the movies kids force their parents to watch, this one isn't so bad.
It's really sweet, and it puts out a good message. It allows you to feel and care about things that go on it the world. I dug this out today and watched it again and it was still pretty magical to me, although I'm much older now. I don't see why this is rated a 5.2. I guess I wouldn't tell every adult to go out and watch it, but if you have kids, or just love animals, then give this a shot. It's a good film.