at Crackle

| Photos (see all 47 | slideshow) | Videos (see all 4) |
| Sylvester Stallone | ... | Gabe Walker | |
| John Lithgow | ... | Qualen | |
| Michael Rooker | ... | Hal Tucker | |
| Janine Turner | ... | Jessie Deighan | |
| Rex Linn | ... | Travers | |
| Caroline Goodall | ... | Kristel | |
| Leon | ... | Kynette | |
| Craig Fairbrass | ... | Delmar | |
| Gregory Scott Cummins | ... | Ryan | |
| Denis Forest | ... | Heldon | |
| Michelle Joyner | ... | Sarah | |
| Max Perlich | ... | Evan | |
| Paul Winfield | ... | Walter Wright | |
| Ralph Waite | ... | Frank | |
| Trey Brownell | ... | Brett | |
| Zach Grenier | ... | Davis | |
| Vyto Ruginis | ... | Matheson | |
| Don S. Davis | ... | Stuart (as Don Davis) | |
| Derek Hoxby | ... | Agent Hayes (as Scott Hoxby) | |
| John Finn | ... | Agent Michaels | |
| Bruce McGill | ... | Treasury Agent | |
| Rosemary Dunsmore | ... | Treasury Secretary | |
| Kim Robillard | ... | Treasury Jet Pilot | |
| Jeff McCarthy | ... | Pilot | |
| Mike Weis | ... | Co-Pilot | |
| Duncan Prentice | ... | Treasury Helicopter Pilot | |
| Kevin Donald | ... | Ray | |
| Jeff Blynn | ... | Marvin | |
| Thor | ... | Thor |
Directed by | |||
| Renny Harlin | |||
Writing credits(WGA) | ||
| John Long | (premise) | |
| Michael France | (screen story) | |
| Michael France | (screenplay) and | |
| Sylvester Stallone | (screenplay) | |
Produced by | |||
| Jim Davidson | .... | associate producer | |
| Renny Harlin | .... | producer | |
| Gene Patrick Hines | .... | co-producer | |
| Mario Kassar | .... | executive producer | |
| Alan Marshall | .... | producer | |
| Tony Munafo | .... | associate producer | |
| David Rotman | .... | co-producer | |
| Lynwood Spinks | .... | co-executive producer | |
| James R. Zatolokin | .... | co-producer | |
Original Music by | |||
| Trevor Jones | |||
Cinematography by | |||
| Alex Thomson | (director of photography) | ||
Film Editing by | |||
| Frank J. Urioste | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| John Vallone | |||
Art Direction by | |||
| Maria-Teresa Barbasso | |||
| Aurelio Crugnola | |||
| Christiaan Wagener | |||
Set Decoration by | |||
| Robert Gould | (as Bob Gould) | ||
| Cynthia Sleiter | |||
Costume Design by | |||
| Ellen Mirojnick | |||
Makeup Department | |||
| Jeff Dawn | .... | makeup department head | |
| Jake Garber | .... | special makeup effects artist | |
| Eileen Kastner-Delago | .... | assistant makeup artist | |
| Gary Liddiard | .... | makeup artist: Mr. Stallone | |
| Tania McComas | .... | makeup department head: second unit | |
| Aldo Signoretti | .... | hair stylist: Mr. Stallone | |
| Peter Tothpal | .... | key hair stylist | |
| Reka Wessely Tihanyi | .... | hair stylist | |
| Dan Platt | .... | sculptor (uncredited) | |
Production Management | |||
| Doug Burdinski | .... | unit production manager | |
| Laura Fattori | .... | production manager | |
| Roberto Malerba | .... | unit manager | |
| Joel Marx | .... | production supervisor | |
| Michael Sweeney | .... | post-production manager | |
Art Department | |||
| Giovanni Bianchini | .... | assistant props | |
| Robert Bleckman | .... | assistant property master | |
| Giulia Chiara Crugnola | .... | set designer | |
| Audrey A. Johnson | .... | assistant property master | |
| Kent H. Johnson | .... | property master (as Kent Johnson) | |
| Jeffrey Kalmus | .... | model maker | |
| John Mann | .... | storyboard artist | |
| Massimiliano Paonessa | .... | assistant props | |
| Peter Mitchell Rubin | .... | storyboard artist | |
| Marco Trentini | .... | assistant art director | |
| Maurizio Bizzarri | .... | assistant production designer (uncredited) | |
Visual Effects by | |||
| Joe Alter | .... | digital effects artist | |
| James G. Anka | .... | model maker | |
| Wayne Baker | .... | camera technician: Italy Plate Crew | |
| Suzanne Berger | .... | additional visual effects | |
| Brent Boates | .... | visual effects art director | |
| John Bruno | .... | visual effects supervisor | |
| Richard J. Cook | .... | tape operator: VisonArt | |
| Michael Cooper | .... | optical supervisor | |
| Philip Crescenzo | .... | visual effects: technical supervisor | |
| Crystal Dowd | .... | visual effects coordinator | |
| Miller Drake | .... | visual effects editor | |
| Pamela Easley | .... | visual effects producer | |
| David Emerson | .... | optical supervisor | |
| Lisa Foster | .... | digital artist | |
| Paul Gentry | .... | director of photography: miniatures | |
| Rocco Gioffre | .... | matte artist | |
| Michael Joyce | .... | model shop supervisor | |
| Rachel Kelley | .... | model painter | |
| Steven Kosakura | .... | location motion control camera operator | |
| Neil Krepela | .... | visual effects supervisor | |
| Peter Kuran | .... | additional visual and digital effects | |
| Donna Langston | .... | visual effects line producer | |
| Kenneth Littleton | .... | digital effects | |
| Lawrence Littleton | .... | digital effects | |
| Tom Martinek | .... | digital I/O supervisor: PDI | |
| Pat McClung | .... | helicopter models | |
| Barb Meier | .... | visual effects animator | |
| Douglas Miller | .... | model maker | |
| Michele Moen | .... | matte department supervisor (as Michelle Moen) | |
| Raj Naiksatam | .... | digital artist | |
| Jeff Platt | .... | electronics | |
| Derek N. Prusak | .... | visual effects assistant cameraman | |
| Jay Riddle | .... | visual effects supervisor | |
| David Rosenthal | .... | digital camera operator | |
| Jim Rygiel | .... | digital effects supervisor | |
| Clark Schaffer | .... | model maker | |
| Ellen Somers | .... | visual effects production supervisor | |
| Stephen Stanton | .... | computer graphics coordinator | |
| Annick Thierrien | .... | rotoscoping | |
| Michele C. Vallillo | .... | visual effects coordinator: Cinesite | |
| Jon Warren | .... | model maker | |
| Earl Wiggins | .... | aerial rigging coordinator | |
| Adam Howard | .... | digital effects compositor (uncredited) | |
| Kevin Rafferty | .... | animator: PDI (uncredited) | |
| Doyle Smith | .... | wire removal (uncredited) | |
| Pam Vick | .... | digital artist (uncredited) | |
Stunts | |||
| Dickey Beer | .... | stunt rigger: aerial unit (as Dickie Beer) | |
| Simon Crane | .... | aerial stunt coordinator | |
| Simon Crane | .... | stunt performer: air-to-air transfer | |
| Mark De Alessandro | .... | stunt coordinator: splinter unit | |
| Mark De Alessandro | .... | stunt double: Mr. Stallone | |
| Debbie Evans | .... | stunt player | |
| Joel Kramer | .... | stunt coordinator | |
| Lane Leavitt | .... | stunt player | |
| Lane Leavitt | .... | stunt rigging coordinator | |
| Billy D. Lucas | .... | stunt player (as Billy Lucas) | |
| Lisa McCullough | .... | stunt player | |
| Jeff O'Haco | .... | stunt double: Mr. Stallone | |
| Georgia Phipps | .... | stunt player | |
| J. Suzanne Rampe | .... | stunt player (as J. Susan Rampe) | |
| Scott Rogers | .... | stunt player | |
| Kevin Swigert | .... | stunt coordinator: second unit | |
| Kevin Swigert | .... | stunt player | |
| David Walling | .... | stunt player | |
| William Washington | .... | stunt player (as Billy Washington) | |
| David Breashears | .... | stunts (uncredited) | |
| Wolfgang Güllich | .... | stunts (uncredited) | |
Animation Department | |||
| Ira Shain | .... | computer animator | |
Costume and Wardrobe Department | |||
| Augusto Grassi | .... | costumer | |
| Giampaolo Grassi | .... | costumer | |
Editorial Department | |||
| Noori Dehnahi | .... | post-production coordinator | |
| Giorgio De Vincenzo | .... | assistant editor | |
| Mark Eggenweiler | .... | assistant editor | |
| Douglas Kunin | .... | apprentice editor | |
| Edward Malone | .... | assistant editor | |
| Bob Putynkowski | .... | color timer | |
| Sati Tooray | .... | colorist | |
Music Department | |||
| Geoff Alexander | .... | orchestrator | |
| Lawrence Ashmore | .... | orchestrator | |
| Jeff Atmajian | .... | orchestrator | |
| Guy Dagul | .... | orchestrator | |
| Brad Dechter | .... | orchestrator | |
| Trevor Jones | .... | orchestrator | |
| Roger King | .... | music mixer | |
| Roger King | .... | score programmer | |
| John Richards | .... | music engineer: orchestra | |
| David Snell | .... | conductor | |
| Kirsty Whalley | .... | score programmer | |
Transportation Department | |||
| Enrico Pini | .... | transportation manager | |
| Franco Siorpaes | .... | driver: snowcat | |
Other crew | |||
| Robin Allen-Paris | .... | assistant to aerial coordinator | |
| Sandro Alverá | .... | climber | |
| Damian Anderson | .... | production assistant | |
| Enrico Ballarin | .... | location manager | |
| Michael Barnes | .... | legal attorney | |
| Paolo Bellodis | .... | climber | |
| Allen Blaisdell | .... | front projection supervisor | |
| Peter Boor | .... | pilot | |
| Curtis Briggs | .... | technical consultant | |
| Robert Bucker | .... | pilot | |
| Marcello Caminetti | .... | climber | |
| John Carpnter | .... | safety engineer | |
| Claudio Carrer | .... | location manager: second unit | |
| Dominico Castone | .... | pilot | |
| Tom Clode | .... | safety engineer | |
| Gary Compton | .... | security coordinator: Mr. Stallone | |
| Tom Danaher | .... | assistant aerial coordinator: aerial unit | |
| Tom Danaher | .... | pilot | |
| Luca Dapoz | .... | climber | |
| Robert Dawson | .... | title designer | |
| Cristiano DeLisi | .... | climber | |
| Fabiomassimo Dell'Orco | .... | location manager | |
| Kate Dennis | .... | script supervisor: second unit | |
| Mario Di Bona | .... | climber | |
| Hanspeter Eisendle | .... | climber | |
| Kevin Eldridge | .... | pilot | |
| Maria Fiorito | .... | accountant | |
| Bob Foster | .... | pilot | |
| Bob Gains | .... | safety officer: mountain climbing unit (as Bob Gaines) | |
| Maurizio Gallo | .... | climber | |
| Judith Goodman | .... | production coordinator | |
| Wolfgang Güllich | .... | climbing double: Mr. Stallone | |
| Annette Haywood-Carter | .... | script supervisor | |
| Mark Hewitt | .... | sky diver | |
| Mario Kassar | .... | presenter | |
| Armine Katchikan | .... | wolf trainer (as Armen Kachikian) | |
| Ron Kauk | .... | climbing double | |
| Robert Kellie | .... | pilot | |
| Norman Kent | .... | sky diver | |
| Steven Kosakura | .... | equipment engineer | |
| Ron Kunecke | .... | night lights operator | |
| Clay Lacy | .... | pilot | |
| Emanuele Lomiry | .... | location manager | |
| Giovanni Lovatelli | .... | location manager | |
| Enrico Majoni | .... | climber | |
| Luca Majoni | .... | climber | |
| Guy Manos | .... | sky diver | |
| Joel Marx | .... | location manager | |
| John Marzano | .... | pilot | |
| Ferruccio Svaluto Moreolo | .... | climber | |
| Stephen North | .... | chief safety engineer: aerial unit | |
| David Paris | .... | aerial coordinator: aerial unit | |
| David Paris | .... | pilot | |
| Scott Patterson | .... | pilot | |
| Walt Pine | .... | pilot | |
| Duncan Prentice | .... | pilot | |
| Luigi Riitano | .... | production accountant | |
| Jimmy Rogers | .... | pilot | |
| Bernie Schweider | .... | pilot | |
| Enzo Sisti | .... | production accountant | |
| David Spencer | .... | safety parachutist | |
| Julian Spencer | .... | safety parachutist | |
| Art Stifel | .... | pilot | |
| Sue Walker | .... | operations manager: Flying Pictures Ltd. | |
| Michael Weis | .... | climbing coordinator | |
| Mike Weis | .... | climbing coordinator | |
| Kevin Whalin | .... | pilot | |
| Marc Wolff | .... | aerial unit coordinator | |
| Marc Wolff | .... | pilot | |
| Carla Zacchia | .... | production accountant assistant | |
| Cecilia Alvarenga | .... | production coordinator (uncredited) | |
| Vito Colazzo | .... | location manager (uncredited) | |
| Joan Cunningham | .... | production liaison: Los Angeles (uncredited) | |
| Enzo Sisti | .... | fiscal representative: Italy (uncredited) | |
| Marc Wolff | .... | helicopter pilot (uncredited) | |
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Hold on for dear life as Sylvester Stallone takes you on the ride of a lifetime. With extreme non-stop action, gripping and suspense-filled scenes; Stallone has proven why he is a SUPERSTAR with his role in "Cliffhanger." I knew I would be in for an action packed treat as soon as I realized Stallone was starring in this film; however, I failed to realized how great the other actors were in this film.
Stallone is joined by Michael Rooker, Janine Turner and John Lithgow as they produce quite possibly the best action film of 1993. The cast is perfectly selected and chosen to play their parts. It was a joy to see a reversal of roles. I'm not accustomed to seeing Rooker as a hero or Lithgow as a villain; it is a refreshing change.
I couldn't have asked for a better villain than Lithgow. He is one of the most ruthless and cunning villains I've seen. I enjoyed how he never let anything get in his way and spared no expense to get what he wanted. I'm glad I got the chance to see him play the villain and hope I see it again.
Turner gives tremendous support to this film and creates an atmosphere where it is enjoyable to watch. She is the heat that warms a cold room because everytime she comes on screen it seems as though it is hot. It is a delight to see an incredible actress to have that much power. Rooker makes up the other the third of talented actors that makes "Cliffhanger" a delight to watch. Rooker brings a fresh view to the film as well as credibility; all I have to say is awesome work, Michael.
There is an avalanche of talent in "Cliffhanger." Stallone is an unstoppable force and incredible action hero. After watching "Cliffhanger," I'm convinced that Stallone was the only man for this job. Stallone had the fire in his eyes for this part that told me he means business. Only true action stars have the fire I saw; furthermore, I was fascinated with the strength, power and conviction with which he took on the role.
Another reason I enjoyed "Cliffhanger" was the writing because it contained unbelievable action sequences, a man dealing with redemption and dialogue is awesome. I was impressed to see that Stallone also co-wrote the script because he really has a knack for what action fans want.
"Cliffhanger" is a super-charged, heart-racing, suspense-filled action thrill ride that you should take because at the end it will leave you asking for more.