Ba wang bie ji (1993)

Director:

Kaige Chen

Writers:

Lillian Lee (novel)
Lillian Lee (screenplay)
(more)

Release Date:

15 October 1993 (USA)

Genre:

Drama | Music | Romance | War

Tagline:

The passionate story of two lifelong friends and the woman who comes between them.

Plot:

The story of two men, who met as apprentices in the Peking Opera, and stayed friends for over 50 years.

Plot Keywords:

Opera | Friend | Peking Opera | China | Male Nudity

Awards:

Nominated for 2 Oscars. Another 13 wins & 2 nominations

Cast

Leslie Cheung	...	Cheng Dieyi (segment "Douzi")
Fengyi Zhang	...	Duan Xiaolou (segment "Shitou")
Li Gong	...	Juxian
Qi Lü	...	Master Guan
Da Ying	...	Manager
You Ge	...	Master Yuan
Chun Li	...	Xiao Si (in his teens)
Han Lei	...	Xiao Si (adult)
Di Tong	...	Zhang the Eunuch
Mingwei Ma	...	Douzi as a Child
Yang Fei	...	Shitou as a Child
Zhi Yin	...	Douzi as a Teenager
Hailong Zhao	...	Shitou as a Teenager
Dan Li	...	Laizi / Peking Opera schoolboy
Wenli Jiang	...	Douzi's Mother
Yitong Zhi	...	Aoki Saburo
David Wu	...	Red Guard
Qing Xu

Directed by
Kaige Chen

Writing credits (in alphabetical order)
Lillian Lee		novel
Lillian Lee		screenplay
Bik-Wa Lei		writer
Wei Lu		writer

Produced by
Bin Hsu	....	executive producer
Feng Hsu	....	producer
Jade Hsu	....	executive producer
Zhenduo Li	....	line producer
Donald Ranvaud	....	associate producer
Sun Ying	....	line producer
Xia Zhang	....	line producer

Original Music by
Jiping Zhao

Cinematography by
Changwei Gu

Film Editing by
Xiaonan Pei

Production Design by
Yuhe Yang
Zhanjia Yang

Art Direction by
Huaikai Chen

Costume Design by
Chen Changmin

Makeup Department
Fan Qingshan	....	makeup artist
Guan Rui Xu	....	makeup artist

Production Management
Bai Yu	....	unit production manager

Second Unit Director or Assistant Director
Jin Ping	....	assistant director
Bai Yu	....	assistant director
Jinting Zhang	....	assistant director
Jinzhan Zhang	....	assistant director

Sound Department
Jing Tao	....	sound

Camera and Electrical Department
Zhao Faquan	....	camera operator
Dong Gang	....	Steadicam operator
Baoquan Li	....	Steadicam operator

Editorial Department
Rob Sciarratta	....	video color timer

Other crew
Ying Feng	....	script supervisor
Linda Jaivin	....	subtitler: English

Production Companies

• Beijing Film Studio
• China Film Co-Production Corporation
• Maverick Picture Company
• Tomson Films

Distributors

• Miramax Films (1993) (USA) (theatrical) (subtitled)
• Svensk Filmindustri (SF) (1994) (Sweden) (theatrical)
• Svenska Filminstitutet (SFI) (1994) (Sweden) (theatrical)
• Alliance Atlantis Video (1999) (Canada) (DVD)
• Artificial Eye
• Buena Vista Home Video
• Cinépix Film Properties (CFP) (1993) (Canada) (video)
• Editora Europa (Brazil) (DVD)
• Film Arte (Argentina)
• Iberoamericana Films Producción (Spain)
• Living Colour Entertainment (2007) (Netherlands) (DVD)
• Look Filmes (Brazil) (VHS)
• Transeuropa Video Entertainment (TVE) (Argentina) (video)
• XYZ Desarrollos S.A. (Spain)

Other Companies

• Arrow Cinematic Group  equipment provided by
• Fine Art Film Production Company  subtitles: Hong Kong version
• Nikkatsu Studio  sound post-production
• Tokyo Laboratory Co. Ltd.  film processing
• Varèse Sarabande  soundtrack

Also Known As:

Farewell My Concubine (International: English title) (UK) (USA)
Ba wong bit gei (Hong Kong: Cantonese title)

MPAA:

Rated R for language and strong depiction of thematic material.

Runtime:

171 min

Country:

China | Hong Kong

Language:

Mandarin

Color:

Black and White (some scenes) | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Brazil:14 | Iceland:12 | South Korea:15 | Argentina:16 | Australia:M | Chile:18 | Finland:K-14 | Germany:12 | Peru:18 | Spain:18 | Sweden:15 | UK:15 | USA:R | Singapore:PG

Company:

Beijing Film Studio

Trivia:

Jackie Chan was originally offered the role of Duan Xiaolou due to his own childhood experience of training in the Peking Opera. But he turned it down, fearing that the film, which deals with themes of homosexuality, might tarnish his image.

Goofs:

Continuity: When Douzi is first examined by the owner of the opera troupe, his extra finger is on his right hand below the thumb. When he withdraws the hand from the opera troupe owner, he pulls back his left arm. When his mother cuts the extra finger off a few moments later, it is now on his left hand, next to his pinkie.

Movie Connections:

Referenced in "American Dad!: Failure Is Not a Factory-installed Option (#2.3)" (2006)

A fine movie, truly an epic.

I finally got a chance to see "Farewell my Concubine." I'd been anxious to see it since its initial release in 1993. It surprised me in its depth and technical skill.

Three points make this film outstanding. The first is the technical skill of the director and the luscious taste of the director of photography. The entire film is a feast for the eyes, taking full advantage of elaborate costumes and exotic locations. The second strength is in the actual storytelling. The plot is a fascinating tragedy, it feels almost Shakespearean. The acting is nothing short of incredible. Some of China's finest actors demonstrate their ability to carry a story that covers 52 years. Normally, these two strengths alone would be reason enough to see a film, but "Farewell my Concubine" succeeds in satisfying one more category (the bain of any epic): historical accuracy.

"Farewell my Concubine" is exceptionally accurate in portraying the monumental changes that were sweeping China at the time. The film doesn't just treat these events as background events, but drags them right into the plot and pins the characters into their surroundings. This is interesting when you consider that the story takes place in the Peking Opera, not the most likely place for these events to have effect. Instead, as we see the new China emerge, we watch these vestiges of old society fall, and the work of all involved make this transition an achievement to behold. The power of this film was not missed by Chinese censors who banned, removed, and then banned the film again several times over -debating whether or not its artistic brilliance was worth subversive portrayals of suicide and homosexuality. Unlike "The Last Emperor," this film was made by Chinese film makers and is in tune with its subject. I recommend this film highly!

As one last note, the version I saw was a DVD containing the original 170 minute version of the film, in its wide-screen splendor. From what I understand, the shorter versions released internationally deleted and shortened some opera scenes for fear that they would be lost on Western audiences. Having no prior experience with any Peking Opera, I found the scenes fascinating and integral to appreciating the entire story. Spend the extra time if you can.