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"SeaQuest DSV" (1993)
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Overview
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Release Date:
12 September 1993 (USA)
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Tagline:
Beneath the surface lies the future.
Plot:
By the mid-21st Century, humankind has colonized the oceans and formed the UEO--the United Earth Oceans--as a military organization to police it...
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Awards:
Won 2 Primetime Emmys.
Another 1 win
&
5 nominations
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NewsDesk:
(4 articles)
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(From CinemaSpy. 16 May 2009, 9:30 AM, PDT)
David McCallum and Marg Helgenberger Discussing 'Wonder Woman'
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User Reviews:
Forget "jumping the shark." Try "triple backflip over the shark."
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Cast
(Series Cast Summary - 14 of 89)| Jonathan Brandis | ... | Lucas Wolenczak / ... (57 episodes, 1993-1996) | |
| Don Franklin | ... | Commander Jonathan Ford (57 episodes, 1993-1996) | |
| Ted Raimi | ... | Lt. j.g. Timothy O'Neill (57 episodes, 1993-1996) | |
| Roy Scheider | ... | Captain Nathan Bridger (47 episodes, 1993-1995) | |
| Marco Sanchez | ... | Sensor Chief Miguel Ortiz (44 episodes, 1993-1995) | |
| Peter DeLuise | ... | Dagwood / ... (35 episodes, 1994-1996) | |
| Michael DeLuise | ... | Tony Piccolo / ... (34 episodes, 1994-1996) | |
| Kathy Evison | ... | Helmswoman Lonnie Henderson / ... (34 episodes, 1994-1996) | |
| Edward Kerr | ... | Lt. James Brody (28 episodes, 1994-1996) | |
| Frank Welker | ... | Special Vocal Effects (28 episodes, 1993-1995) | |
| John D'Aquino | ... | Lt. Benjamin Krieg / ... (24 episodes, 1993-1995) | |
| Stacy Haiduk | ... | Lt. Cmdr. Katherine Hitchcock (23 episodes, 1993-1994) | |
| Royce D. Applegate | ... | Chief Manilow Crocker (23 episodes, 1993-1994) | |
| Stephanie Beacham | ... | Dr. Kristin Westphalen (23 episodes, 1993-1994) |
Additional Details
Also Known As:
SeaQuest 2032 (USA) (new title)
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Runtime:
60 min (59 episodes)
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Language:
Color:
Aspect Ratio:
1.33 : 1 more
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Fun Stuff
Trivia:
When guest star William Shatner appears on a viewscreen, the ID code at the bottom reads "JTK NCC1701". This stands for "James T. Kirk", Shatner's character on "Star Trek" (1966) and the registry number of the U.S.S. Enterprise, Kirk's ship.
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Goofs:
Factual errors: Lucas Wolenczak is a magna cum laude graduate of Stanford University. Stanford University doesn't award cum laude, magna cum laude, or summa cum laude distinctions. Even if they did, Lucas would most likely have been a summa cum laude since his GPA record was never broken.
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Quotes:
Movie Connections:
Edited into "South Park: Go God Go XII (#10.13)" (2006)
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The sad tale of seaQuest DSV should forevermore be inscribed into a producer's guide of "what not to do" to a TV series.
The first season was hands-down one of the greatest seasons of sci-fi adventure television ever. The premise, the characters, the writing, the acting, the production design, and even one of the most inspiring opening themes ever...
I was a huge fan of Star Trek: The Next Generation, and in many respects the first season of seaQuest DSV, airing opposite TNG's seventh season, was a more interesting show. It succeeded by not copying the Trek science fiction formula, but by complementing it, with a mythology grounded more in science fact than fiction. The series just exuded the feel of smart television, whether that feeling came from the subtle nods to current scientific research coming true or the almost Sorkinesque highbrow dialogue or Dr. Rob Ballard's involvement as a consultant.
And then, well, to adapt a common internetism, the show "triple backflipped over the shark."
Perhaps the one in the opening credits.
All of a sudden, four of the more interesting characters (those played by Applegate, Beacham, D'Aquino and Haiduk) vanished into thin air. The remaining cast were neutered to shells of their former selves. The show took a nosedive as far as plotting was concerned, and instead of thoughtful stories about real issues we got pulp culled from the worst of the worst of cruddy science fiction. Psychics! Laser guns! Time travel! Plants taking over the sub! Gigantic Crocodiles! Evil Aliens(tm)! Genetically-engineered slave warriors in skimpy wetsuits!
Wherever the show could have stunk, it did. NBC, still no doubt rather proud of the fact that they'd cancelled Star Trek twenty-five years earlier, wanted silly lowest-common denominator sci-fi to grab an even bigger share of the ratings. Unfortunately for NBC, as the ratings attested, even the lowest common demoninator of Americana really had no wish to have to endure an hour of second season sQ DSV.
There is some online opinion that show redeemed itself in its third season, although I personally feel that "seaQuest 2032" was no less odious than the year that had preceded it. After pushing the magic reset button as hard as they could following the events of the second-season cliffhanger finale, the writers essentially remade the show, turfing Scheider and any pretext that they'd attempt to tell smart television ever again. The show became a hammily-acted excuse of a drama, ditching the wide-eyed wonder of the first season and turning it into a geekfest of underwater shoot-em-ups with an evil bunch of pseudo-Australian pseudo-Fascists wrapped in a coat of paper-thin political intrigue(tm). Now more of an underwater Babylon 5 (and even that's being too kind) than an underwater Star Trek, I cried few tears when NBC put the show out of its misery.
So, for all you wanna-be producers out there, a few lessons: (1) If a show is smart and popular, consider the fact that making it dumb will probably make it unpopular. (2) Never, ever toss aside characters for no reason other than to get people who'd look better in a wetsuit. (3) I'll take a talking dolphin over a bald tattooed version of Forrest Gump anyday. (4) Despite what your polling data may tell you, submarine fighters are not cool. (5) If a friggin' genius like Rob Ballard has agreed to work on your show, you're doing something right. If said friggin' genius leaves your show and you replace him with Michael deLuise attempting to read fascinating facts about penguins off a teleprompter, you're doing something wrong.